This holiday season, internationally renowned tenor Andrea Bocelli teams up with his 24-year-old son Matteo Bocelli and his 10-year-old daughter Virginia Bocelli for their first ever album together, A Family Christmas. The recording showcases their multi-generational musical talent in a range of festive favourites.

Andrea Bocelli performs live on a floating stage on Lake Las Vegas. He performs tracks from his album 'Amore', including 'Autumn Leaves', 'Because We Believe', and 'September Morn'.

Andrea Bocelli has teamed up with some of the hottest musical stars on the planet for his album Si reuniting with his friend Ed Sheeran after their chart-topping 'Perfect Symphony' on a new song called 'Amo Soltanto Te' (written by Ed with lyrics by Tiziano Ferro) and joining with pop sensation Dua Lipa on the single 'If Only'. Crossover superstar Josh Groban and classical soprano Aida Garifullina also duet with Bocelli on the record. It is his first album of new material in 14 years - 16 brand new songs which celebrate love, family, faith and hope. At the center of the new record is a spine-tingling duet between father-and-son, as 20 year-old Matteo Bocelli steps into the limelight to duet with Andrea on 'Fall On Me', a beautifully poignant song which reflects the bond between parent and child.

When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. --Thomas May