Fujiko Nakaya is one of Japan’s most important contemporary artists. Participating in the 1960s performances of the New York-based collective Experiments in Arts and Technology (E.A.T.), she became internationally renowned for her immersive fog artworks. First created for the Pepsi Pavilion at Expo ’70 in Osaka they defy traditional conventions of sculpture by generating temporary, atmospheric transformations that physically engage with the public. Driven by early ecological concerns, Nakaya’s ground-breaking work is based purely on water and air—elements that have particular significance in light of the climate crisis. From the artist’s early paintings to her fog sculptures, single-channel videos, installations and documentation that reveal Nakaya’s cultural and social references, this in-depth survey offers a comprehensive overview of the distinguished artist’s work.

The Untold History of Immersive Art At the intersection of art, architecture and design, environments create and transform space into an immersive experience, inviting the audience to engage and interact. So far, art history has been focused on the works of male artists mostly from the US and Europe. Inside Other Spaces: Environments by Women Artists 1956–1976 aims to signpost a different narrative by highlighting women’s fundamental contributions to this field. Redefining the canon, the exhibition features 11 pioneering women artists from three generations, spanning Asia, Europe, and the Americas, including Judy Chicago, Aleksandra Kasuba, and Lygia Clark. Given the experimental nature of such environ ments, many of these original works were deconstructed or destroyed. The detailed reconstructions, which are carried out with the help of restorers and based on archival photographs, construction plans, and material lists, are presented here for the first time. Conceived as a reference book for the historiography of environments, the publication comprises a wealth of visual material also on artists not featured in the show, such as Yayoi Kusama and Yoko Ono, providing leading scholars’ essays and extensive bibliographies on environments and individual artists. FEATURED ARTISTS: Lygia Clark, Aleksandra Kasuba, Marta Minujín, Maria Nordman,Faith Wilding, Tsuruko Yamazaki

“I WORK BETWEEN THE CRACKS, WHERE THE VOICE STARTS DANCING” To say that Meredith Monk is an outstanding singer, com poser, choreographer and filmmaker says a lot and yet too little. Monk works seamlessly across disciplines—pushing the boundaries of music, theater, dance, video, and installation, and is considered a pioneer of site-specific perfor mance. At the center of her oeuvre is the suggestive power of the human voice: the body becomes a resonating space for a universal language for which there are no words. Monk was the first artist to create a performance for the rotunda of the Guggenheim Museum, she performed in public car parks and on opera stages. This catalogue presents the first career encompassing, in-depth analysis of her work. Featuring never-before-pub lished archival material, musical notations, drawings, and photographs, as well as an insightful conversation with the artist, the essays underscore Monk’s lasting influence and affirm the relevance of her work for the present.

A journey through the groundbreaking works of Bruce Nauman, one of the most restlessly inventive contemporary artists of today. Since the late 1960s Bruce Nauman has established a completely new understanding of contemporary art, and has been acknowledged as one of the most relevant artists of the twentieth century. Both the last modern artist and because of his ceaseless experimental approach to new media - the very first contemporary artist, Nauman has is recognised for his landmark conceptual approach against which much contemporary art of today can be measured. Focusing in particular on his experiments with sound, the moving image and immersive installations, this book features explorations of Nauman's video works of the 1980s and 1990s, as well as on his studio practice and more recent work, along with a revealing in-depth conversation between the artist and Andrea Lissoni and Nicholas Serota. This essential book reveals Bruce Nauman as an artist who has uniquely blazed a trail in both the twentieth and twenty-first centuries.