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11 (Hardcover)
Andreas Schmidt-Rhaesa; Contributions by Iben Heiner Bang-Berthelsen, Reinhardt Kristensen, Andreas Maas, Birger Neuhaus
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R7,760
Discovery Miles 77 600
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Ships in 12 - 17 working days
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This section of the Handbook of Zoology is intended as a
comprehensive and exhaustive account of the biology of the taxa
Gastrotricha, Nematoda, Nematomorpha, Priapulida, Kinorhyncha,
Loricifera, Gnathostomulida, Micrognathozoa, Rotifera, Seisonida
and Acanthocephala, covering all relevant topics such as
morphology, ecology, phylogeny and diversity. The series is
intended to be a detailed and up-to-date account of these taxa. As
was the case with the first edition, the Handbook is intended to
serve as a reliable resource for decades. Many of the taxa of this
volume are comparatively unknown to many biologists, despite their
diversity and importance for example in meiofaunal communities
(Gastrotricha, Rotifera, Gnathostomulida), their fascinating recent
discoveries (Loricifera and Micrognathozoa), their importance as
parasites (many nematodes, Nematomorpha, Acanthocephala) and their
importance for evolutionary questions (e.g. Priapulida,
Gastrotricha). The groups covered range from those poor in species
(such as Micrognathozoa with 2 known species) to the species-rich
and diverse Nematoda and their ca. 20.000 described species. While
each taxon is covered by one chapter, nematodes are treated in
several chapters dedicated to their structural, taxonomic and
ecological diversity.
In March 2020, the COVID-19 pandemic swept the world causing
physical, emotional, economic, and social upheaval in every part of
the globe. It also catalyzed a renewed interrogation, by music
education faculty in higher education, of philosophies and
practices that had long gone unexamined. Music Education on the
Verge: Stories of Pandemic Teaching and Transformative Change is a
collection of narratives by music teacher-educators describing how
they responded to the disruption of the COVID-19 pandemic with, and
for, their students. Through these stories, the authors step back
and reflect on the events, challenges, triumphs, and innovations
discovered as they prepared the next generation of music educators
in this time of crisis. They tell stories of reexamining old
frameworks, discovering new affordances of technologies, humanizing
pedagogy, deepening culturally responsive and sustaining
experiences, and creating space for democratic practices. Each
chapter offers examples of innovative music pedagogy that can be
adapted and applied by music educators and music teacher educators
with their students. Collectively, they paint a picture of
possibilities, challenging music teacher-educators- and educators
in all fields- to seek out openings and pursue pedagogies of change
as we move forward into a post-pandemic world.
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