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Acoustic and MIDI Orchestration for the Contemporary Composer,
Second Edition provides effective explanations and illustrations to
teach you how to integrate traditional approaches to orchestration
with the use of the modern sequencing techniques and tools
available to today's composer. By covering both approaches, Pejrolo
and DeRosa offer a comprehensive and multifaceted learning
experience that will develop your orchestration and sequencing
skills and enhance your final productions. A leading manual on its
subject, the second edition allows experienced composers and
producers to be exposed to sequencing techniques applied to
traditional writing and arranging styles. The book continues to
provide a comprehensive and solid learning experience and has been
fully revised to include the latest tools and techniques. The new
edition has been updated to include: A new chapter on cover writing
and sequencing for vocal ensembles Coverage of writing for
different ensemble sizes A new final chapter on writing and
production techniques for mixed contemporary ensembles. All new
techniques, tools, and sound libraries available to today's
composer. A companion website (www.routledge.com/cw/pejrolo)
includes a wide selection of audio examples, templates, sounds, and
videos showcasing operational processes, allows you the opportunity
to listen to the techniques discussed within the book.
Creative Sequencing Techniques for Music Production shows readers
how to get the most out of four of the leading audio sequencers
Apple s Logic Pro, Avid s Pro Tools, MOTU s Digital Performer, and
Steinberg s Cubase, and is the book for readers looking to build
their skills in composition, orchestration, and mixing using
software tools. With a focus on essential tools now part of the
everyday creative process in a digital production environment,
author Andrea Pejrolo also covers the most recent and cutting-edge
techniques, including swipe-comping, time-stretching, and pitch
correction. First published in 2011. Routledge is an imprint of
Taylor and Francis, an informa company.
Acoustic and MIDI Orchestration for the Contemporary Composer,
Second Edition provides effective explanations and illustrations to
teach you how to integrate traditional approaches to orchestration
with the use of the modern sequencing techniques and tools
available to today's composer. By covering both approaches, Pejrolo
and DeRosa offer a comprehensive and multifaceted learning
experience that will develop your orchestration and sequencing
skills and enhance your final productions. A leading manual on its
subject, the second edition allows experienced composers and
producers to be exposed to sequencing techniques applied to
traditional writing and arranging styles. The book continues to
provide a comprehensive and solid learning experience and has been
fully revised to include the latest tools and techniques. The new
edition has been updated to include: A new chapter on cover writing
and sequencing for vocal ensembles Coverage of writing for
different ensemble sizes A new final chapter on writing and
production techniques for mixed contemporary ensembles. All new
techniques, tools, and sound libraries available to today's
composer. A companion website (www.routledge.com/cw/pejrolo)
includes a wide selection of audio examples, templates, sounds, and
videos showcasing operational processes, allows you the opportunity
to listen to the techniques discussed within the book.
Creating Sounds from Scratch is a practical, in-depth resource on
the most common forms of music synthesis. It includes historical
context, an overview of concepts in sound and hearing, and
practical training examples to help sound designers and electronic
music producers to effectively manipulate presets and create new
sounds from scratch. The book covers the all of the main main
synthesis techniques including analog subtractive, FM, additive,
physical modeling, wavetable, sample-based, and granular. While the
book is grounded in theory, it relies on practical examples and
contemporary production techniques to illustrate how the reader can
utilize electronic sound design to maximize and improve his/her
work. Creating Sounds from Scratch is ideal for all who work in
sound creation, composition, editing, and contemporary commercial
production.
The author, Andrea Pejrolo, is an experienced musician,
composer/arranger, MIDI programmer, sound designer, and engineer.
In this illustrated guidebook he focuses on the leading audio
sequencers: ProTools, Digital Performer, Cubase SX, and Logic
Audio, showing how to get the most out of them. Sequencing
techniques are divided into basic, intermediate, and advanced
sections, allowing readers with different levels of expertise to
access the book at the level appropriate for them. The advice
covered includes techniques such as groove quantizing, sounds
layering, tap tempo, creative meter, and tempo changes, advanced
use of plug-ins automation, and advanced mixing. The companion
website includes examples of arrangements and techniques showing,
for example, how to avoid common mistakes - and how to fix them
when they occur.
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