Tarkovsky for me is the greatest, wrote Ingmar Bergman. Andrey Tarkovsky only made seven films, but all are celebrated for its striking visual images, quietly patient dramatic structures, and visionary symbolism.Time within Time is both a diary and a notebook, maintained by Tarkovsky from 1970 until his death. Intense and intimate, it offers reflections on Dostoyevsky, Tolstoy, Hermann Hesse, Thomas Mann, and others. He writes movingly of his family, especially his father, Arseniy Tarkovsky, whose poems appear in his films. He records haunting dreams in detail and speaks of the state of society and the future of art, noting significant world events and purely personal dramas along with fascinating accounts of his own filmmaking. Rounding out this volume are Tarkovsky's plans and notes for his stage version of Hamlet; a detailed proposal for a film adaptation of Dostoyevsky's The Idiot; and a glimpse of the more public Tarkovsky answering questions put to him by interviewers.

Tarkovsky's diaries were widely reviewed and considered to be a valuable addition to the Tarkovsky canon. The diaries cover his work in the Soviet Union and the increasing difficulties he encountered there followed by his exile in Europe. They are professional and personal: thoughts on film sit alongside household chores, notes about friends and family. The diaries have been translated by Kitty Hunter-Blair. Andrey Tarkovsky was born in the Soviet Union in 1932 and trained as a film-maker at VGIK under the tutelage of Mikhail Romm. His films made in the Soviet Union include "Rublev" and "Mirror". He left the USSR to live in France and Italy and his other films include "The Sacrifice", "Nostalgia", "Stalker" and "Solaris".