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Photographs, newspaper cuttings, postcards, drawings, and slides:
on entering the studio of Eduardo Souto de Moura, winner of the
Pritzker Prize 2011, one is confronted with a variety of images on
the walls that engage in a dialogue. How do these photos, drawings,
and illustrations impact his design practice? What is the
relationship between the image and the completed building? Floating
Images: Eduardo Souto de Moura's Wall Atlas uses this question as
an opportunity to examine the architect's visual universe. He has
added images from his extensive collection of drawings and project
sketches and reorganized them in this atlas. Complex relationships
are formed between the individual illustrations and projects.
Essays by Pedro Bandeira, Eduardo Souto de Moura, Diogo Seixas
Lopes, and Philip Ursprung round off the publication and provide a
contextualization in terms of the history of art and images.
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