Lavishly illustrated and accessibly written, Classical Architecture takes the reader on a journey through the history of this iconic architectural genre, starting with an introduction to its origins in ancient Greece, through its resurgence across Europe during the Renaissance, to its influence on modern-day architectural design in locations as diverse as Shanghai and Washington DC. Written by Professor of Architecture and established author Andrew Ballantyne, and illustrated with over 100 photographs, this book will prove invaluable to anyone wanting to explore and understand this important and pervasive architectural style. Classical architecture has developed through many styles to become the backbone of western architecture. It was refined in ancient Greece mainly in sacred places. This architecture of finely modelled columns was taken up by the Romans and spread across their empire, changing on the way, so by the time the Roman empire collapsed it had become an architecture of arches and vaults. The monuments were impressive, even as ruins, and inspired imitation in later ages.

Architecture can influence the way we feel, and can help us along as we go about our lives, or sabotage our habitual ways of doing things. The essays collected here challenge, and help to define a view of architecture which ranges from the minimal domesticity of Diogenes' barrel, to the exuberant experiments of the contemporary avant-garde. There are essays by philosophers, architects and art historians, including Roger Scruton, Bernard Tschumi, Demetri Pophyrios, Kenneth Frampton, Diane Ghirardo and David Goldblatt. They consider what architecture should be, what it does, and how it is involved in our lives, whether by reminding us of lofty ideals, or exasperating us by generating housework.

Architecture can influence the way we feel, and can help us along as we go about our lives, or sabotage our habitual ways of doing things. The essays collected here challenge, and help to define a view of architecture which ranges from the minimal domesticity of Diogenes' barrel, to the exuberant experiments of the contemporary avant-garde. There are essays by philosophers, architects and art historians, including Roger Scruton, Bernard Tschumi, Demetri Pophyrios, Kenneth Frampton, Diane Ghirardo and David Goldblatt. They consider what architecture should be, what it does, and how it is involved in our lives, whether by reminding us of lofty ideals, or exasperating us by generating housework.

Traditionally, architecture has been preoccupied with the resolution of form. That concern helps to make photogenic buildings, which have received a great deal of attention. This book looks instead at the idea of the flows, which connects things together and moves between things. It is more difficult to discuss, but more necessary, because it is what makes things work. Architects have to think about flow ? the flow of people through buildings, the flow of energy into buildings, and waste out of them ? but usually the effects of flow do not find expression. The essays gathered here present a collection of exploratory ideas and offer an understanding of buildings, people and settlements through concepts of flow.

Investigating various ways in which the cultures of the town and the countryside interact in architecture, original essays in this book written by an international range of recognized theorists will help all students of architecture and urban design understand how the urban and rural relate.

Taking a broad historical sweep, this collection draws on a symposium of the Society of Architectural Historians of Great Britain.

Investigating various ways in which the cultures of the town and the countryside interact in architecture, original essays in this book written by an international range of recognized theorists will help all students of architecture and urban design understand how the urban and rural relate.

Taking a broad historical sweep, this collection draws on a symposium of the Society of Architectural Historians of Great Britain.

The work of Gilles Deleuze and Felix Guattari has been inspirational for architects and architectural theorists in recent years. It has influenced the design work of architects as diverse as Greg Lynn and David Chipperfield, and is regularly cited by avant-gardist architects and by students, but usually without being well understood. The first collaboration between Deleuze and Guattari was Anti-Oedipus: Capitalism and Schizophrenia, which was taken up as a manifesto for the post-structuralist life, and was associated with the spirit of the student revolts of 1968. Their ideas promote creativity and innovation, and their work is wide-ranging, complex and endlessly stimulating. They range across politics, psychoanalysis, physics, art and literature, changing preconceptions along the way. Deleuze & Guattari for Architects is a perfect introduction for students of architecture in design studio at all levels, students of architecture pursuing undergraduate and postgraduate courses in architectural theory, academics and interested architectural practitioners.

The work of Gilles Deleuze and Felix Guattari has been inspirational for architects and architectural theorists in recent years. It has influenced the design work of architects as diverse as Greg Lynn and David Chipperfield, and is regularly cited by avant-gardist architects and by students, but usually without being well understood. The first collaboration between Deleuze and Guattari was Anti-Oedipus: Capitalism and Schizophrenia, which was taken up as a manifesto for the post-structuralist life, and was associated with the spirit of the student revolts of 1968. Their ideas promote creativity and innovation, and their work is wide-ranging, complex and endlessly stimulating. They range across politics, psychoanalysis, physics, art and literature, changing preconceptions along the way. Deleuze & Guattari for Architects is a perfect introduction for students of architecture in design studio at all levels, students of architecture pursuing undergraduate and postgraduate courses in architectural theory, academics and interested architectural practitioners.

Contents:
Preface 1. Misprisions of Stonehenge, Andrew Ballantyne 2. 'The Mutability of All Things': The Rise, Fall and Rise of the Meta Sudans, Elizabeth Mae Marlowe 3. Piranesi's Pantheon, Susan M. Dixon 4. From Medieval Sacred Place to Modern Secular Space: Changing Perspectives on the Cathedral and Town of Chartres, Laura H. Hollengreen 5. Paths of Empowerment: Ritual Reinscription of Meaning on the Plan of Amsterdam, 1886-1914, Nancy Stieber 6. Caput Mundi?: St Peter's and the Deterritorialized Church, Donald McNeill 7. Places and Memory: Multiple Readings of a Plaza in Paris During the Commemoration of the French Revolution, Sarah Bonnemaison 8. Three Views of 'Frontier' at the World's Columbian Exposition, Christine Macy 9. From Victorian Asylum to 'Princess Park Manor', Deborah Weiner 10. If Walls Could Talk: Exploring the Dimensions of Heterotopia at the Istanbul Four Seasons Hotel, Zeynep Kezer 11. Ritual as Radical Change: The Burial of the Unknown Soldier and 'Ways of Using' the Space of Washington, DC, November 11 1921, Hélène Lipstadt 12. London Bridge Revisited, Dana Arnold

This book investigates the perception and appropriation of places across intervals of time and culture. The particular concern of the volume is to bring together fresh empirical research and animate it by contact with theoretical sophistication, without letting that overwhelm the material. The chapters establish the continuity of a particular physical object under discussion and show it in at least two different historical perspectives, in which recognisable features are shown in different lights.

Traditionally, architecture has been preoccupied with the resolution of form. That concern helps to make photogenic buildings, which have received a great deal of attention. This book looks instead at the idea of the flows, which connects things together and moves between things. It is more difficult to discuss, but more necessary, because it is what makes things work. Architects have to think about flow ? the flow of people through buildings, the flow of energy into buildings, and waste out of them ? but usually the effects of flow do not find expression. The essays gathered here present a collection of exploratory ideas and offer an understanding of buildings, people and settlements through concepts of flow.

This highly original and sophisticated look at architecture helps us to understand the cultural significance of the buildings that surround us. It avoids the traditional style-spotting approach in favour of giving an idea of what it is about buildings that moves us, and what it is that makes them important artistically and culturally.

A study of the medieval and post-medieval settlements in the area of Paliochora - the region in the north of the Greek island of Kythera. Mediterranean islands, including Kythera, look both inwards and outwards. The remains of the settlement Paliochora are evidence of the failure of co-existence between the insular and the wider world between the thirteenth and sixteenth centuries on Kythera, when the settlement was in use. And the reasons for that failure can be inferred by placing the evidence in its historical context. Paliochora is, in a sense, a pirate settlementunot because it was inhabited by pirates or benefited from piracy, but because it was created, sustained and destroyed by piracy in the Aegean, especially by the climate of fear engendered by piracy.

Architecture Theory is a comprehensive and groundbreaking one volume overview of, and introduction to, contemporary critical discourse in architecture. In bringing critical theory and Continental philosophy to bear upon architecture, it provides a solid framework for a fully up-to-date theory of architecture, one that reflects the latest developments and concerns. The book is divided into four sections-groundwork; constructing the "individual"; pluralities; instrumentality-each covering a core theme in contemporary architecture theory. In each section an introductory essay by Andrew Ballantyne provides valuable context, exposition, and analysis. This is followed by a selection of writings on architecture and other related cultural concerns from major contemporary thinkers, including Zvizvek, Irigaray, Lefebvre, Lyotard, Kristeva, Nancy, Virilio, Deleuze, and Negri.