This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation - cultural concealment and cultural performance - and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.

Since the end of the Cold War, and especially following the US decision to invade Iraq, the once strong partnership between the US, Canada, and the European allies has faced the serious possibility of significant change, or even dissolution. At the very least, fundamental differences have emerged in the ways that many of the partners, perceive the issues that are most important to them-from perceptions of the threat of terrorism and attitudes to the use of force, to expectation about the future nature of the NATO Alliance-and in the ways in which those perceptions have become translated into policy decisions. In this book, experts from both sides of the Atlantic seek to explain why there has been so much divergence in the approach the various countries have taken. And it seeks to raise questions about what those divergent paths might mean for the future of transatlantic relations.

This book examines British defense policy since 1945 on a thematic basis, thereby offering both an international relations perspective and a domestic viewpoint.