Howard Fast, one of the most prolific American writers of the 20th century, has enjoyed wide popularity for his writing and suffered from great notoriety for his politics, but has never been given full credit for his contribution to the essential tales of American culture, the American Revolution, and immigrant acculturation. Although his novels have sold close to eighty million copies, this is the first book-length critical study of his work. In addition to an overview of his fiction, it offers close, critical readings of his historical novels of the American Revolution, Citizen Tom Paine, April Morning, and his most recent, Seven Days in June; his novels about slavery, Freedom Road and Spartacus; and his popular series about the American experience, The Immigrants. A biographical chapter is partly based on an extensive interview granted by Fast exclusively for this book. A comprehensive bibliography completes the work. This critical study begins with a biographical chapter that links life and works, showing how Fast transmuted his experience into fiction. Macdonald asserts that for all Fast's notoriety as a Communist in the 1940s and 1950s, his works show him to be deeply committed to the principles that inspired the American Revolution. A chapter on literary background discusses all of Fast's major works and most of his minor ones, placing the historical novels into literary context and the other works into their genre traditions. The remaining six chapters focus on his most important individual novels. Each novel is analyzed for plot structure, characterization, and thematic elements. In addition, Macdonald defines and applies alternative critical perspectives from which to readeach novel. A genealogy table for The Immigrants series, and a complete, up-to-date bibliography of all of Fast's nearly one hundred published works, as well as selected reviews and background reading, make this study invaluable for research and critical understanding. This study of Fast's classic works of historical fiction will aid the student and support the interdisciplinary American history/literature curriculum.

Fictional depictions of Native American concepts of justice, crime, and the investigation of crime are explored in this original work. "Shaman or Sherlock" explores depictions created by Native American authors themselves, as well as those created by outsiders with mainstream agendas. The most successful of these writers fuse authentic Native American culture with standard genre conventions, thus providing an appealing, empathetic view of little-understood or underappreciated groups, as well as insight into issues of cross-cultural communication. Dealing with such significant concepts as acculturation, regional diversity, and assimilation, this unique study evaluates over 200 detective stories.

Though the crime novel began in Europe as a manifestation of Enlightenment rationality and scientific methodology, the Native American detective story moves into the realm of the spiritual and intuitive, often incorporating depictions of non-material phenomena. "Shaman or Sherlock?" explores how geographical and tribal differences, degrees of assimilation, and the evolution of age-old cultural patterns shape the Native American detective story.

This study of the Native American in the western, romance, detective, horror, and science fiction genres examines how even historically accurate representations distort and bias the Native American figure to fit European-based traditions and modern agendas. The authors provide critical approaches for evaluating the literature. They argue that while popular fiction conventions determine and limit authentic portraits of Native American cultures, successful popular fiction writers approach literary quality by fusing authentic Native American culture with the standard genre conventions. Approximately 200 books are discussed and evaluated, and true Native American stories and writings are contrasted with mainstream versions of Indian culture.

While the exploitation of Native Americans has long been recognized, little has been written about the manipulation of Native American figures in recent popular fiction. This study will appeal to students of Native American culture, literature, and popular culture. An appendix of special terms is provided along with a comprehensive bibliography.

Scott Turow is a novelist, lawyer, and humanist who has fused his two passions, writing and the law, to create challenging novels that raise significant legal issues and test the justice of present laws. In all of his books, Turow reveals the moral ambiguities that afflict both accuser and accused, and challenges his readers to reconsider their preconceived notions of justice. Beginning with One-L, his first published work about the first-year law school experience, Turow continues to capture his readers' imaginations with books such as Presumed Innocent and Burden of Proof.