The acclaimed translation of Borges's valedictory stories, in its first stand-alone edition
Jorge Luis Borges has been called the greatest Spanish-language writer of the twentieth century. Now Borges's remarkable last major story collection, "The Book of Sand," is paired with a handful of writings from the very end of his life. Brilliantly translated, these stories combine a direct and at times almost colloquial style coupled with Borges's signature fantastic inventiveness. Containing such marvelous tales as "The Congress," "Undr," "The Mirror and the Mask," and "The Rose of Paracelsus," this edition showcases Borges's depth of vision and superb image-conjuring power.

In a perfect pairing of talent, this volume blends twenty illustrations by Peter SA-s with Jorge Luis Borgesas 1957 compilation of 116 astrange creatures conceived through time and space by the human imagination, a from dragons and centaurs to Lewis Carrollas Cheshire Cat and the Morlocks of H. G. Wellsas "The Time Machine." A lavish feast of exotica brought vividly to life with art commissioned specifically for this volume, "The Book of Imaginary Beings" will delight readers of classic fantasy as well as Borgesas many admirers.

Although full of philosophical puzzles and supernatural surprises, the stories which make up The Aleph also contain some of Borges's most fully realized human characters. With uncanny insight he takes us inside the minds of an unrepentant Nazi, an imprisoned Mayan priest, fanatical Christian theologians, a woman plotting vengeance on her father's 'killer' and a man awaiting his assassin in a Buenos Aires guest house. This volume also contains the hauntingly brief vignettes about literary imagination and personal identity, collected in The Maker, which Borges created as failing eyesight and public fame began to undermine his sense of self.

Full of philosophical puzzles and supernatural surprises, these stories contain some of Borges's most fully realized human characters. With uncanny insight he takes us inside the minds of an unrepentant Nazi, an imprisoned Mayan priest, fanatical Christian theologians, a woman plotting vengeance on her father's "killer," and a man awaiting his assassin in a Buenos Aires guest house. This volume also contains the hauntingly brief vignettes about literary imagination and personal identity collected in The Maker, which Borges wrote as failing eyesight and public fame began to undermine his sense of self.

The Book Of Sand was the last of Borges' major collections to be published. The stories are, in his words, 'variations on favourite themes... combining a plain and at times almost colloquial style with a fantastic plot'. It includes such marvellous tales as 'The Congress', 'Undr' and 'The Mirror and the Mask'. Also included are the handful of stories written right at the end of Borges' life - 'August 25, 1983', 'Blue Tigers', 'The Rose of Paracelsus' and 'Shakespeare's Memory.'

The acclaimed autobiography of Fidel Castro, one of the towering political figures of our age, who dominated both Cuba and the world stage for over half a century. Here Castro tells his story in full for the first time, speaking openly about everything from his parents and earliest influences to his imprisonment, guerrilla war and the Cuban revolution and on to the Bay of Pigs, the missile crisis and his relationship with Che Guevara. He also remembers the people he knew, from John F. Kennedy to Ernest Hemingway. Whatever your views on Castro are, this is an essential record of an incredible life - and even more extraordinary times. 'Cubaphiles are all the richer for this book ... Castro's prodigious gifts are well displayed: his formidable erudition, steely discipline, epic curiosity and his astute grasp of history' Financial Times 'Castro's life has been extraordinary and he can tell a good story' Evening Standard

Fifty years after the arrival of Columbus, at the height of Spain's conquest of the West Indies, Spanish bishop and colonist Bartolome de las Casas dedicated his Brevisima Relacion de la Destruicion de las Indias to Philip II of Spain. An impassioned plea on behalf of the native peoples of the West Indies, the Brevisima Relacion catalogues in horrific detail atrocities it attributes to the king's colonists in the New World. The result is a withering indictment of the conquerors that has cast a 500-year shadow over the subsequent history of that world and the European colonization of it. Andrew Hurley's daring new translation dramatically foreshortens that 500 years by reversing the usual priority of a translation; rather than bring the Brevisima Relacion to the reader, it brings the reader to the Brevisima Relacion -- not as it is, but as it might have been, had it been originally written in English. The translator thus allows himself no words or devices unavailable in English by 1560, and in so doing reveals the prophetic voice, urgency and clarity of the work, qualities often obscured in modern translations. An Introduction by Franklin Knight, notes, a map, and a judicious set of

The confluence of the Mississippi and Missouri Rivers supported some of the earliest settlements in America. From the Cahokia Mounds civilization to the flood of 1993, residents of the St. Louis region have depended on this landscape even as they have threatened its bounty. In Common Fields, thirteen original essays tell of the city's constant tension between urban growth and environmental sustainability. Geographers, archaeologists, and historians examine the relationship between the city's diverse residents and the environment on which their well-being depends. Whether channeling the river, laying streets, or clearing the air of coal smoke, St. Louisans have shown great ingenuity in overcoming the hazards of city development. And yet, our solutions to making the best use of the environment have only highlighted more basic societal questions: How do we ensure liberty while providing equal opportunities? How do we recognize uniqueness while eliminating barriers that prevent others' success? The answers have everything to do with our ability to make sensible use of our environment-just as the rivers, fields, and city streets will forever shape the character of this city.

This book traces the history of Buena Vista, an estate located in the southern foothills of Puerto Rico's central mountain range. Now a popular living history museum, Buena Vista flourished in the nineteenth century--first as a farm that furnished food for the city of Ponce and surrounding plantations, later as a producer of corn and cornmeal ground at the estate's water-powered mill, and finally as a coffee plantation. Drawing on an impressive range of primary sources, Guillermo Baralt portrays the estate's history as a series of overlapping changes: from slavery to salaried labor, from primitive processing techniques to the latest in mill technology, from Spanish rule to American control, and from hard-scrabble country life to life as part of the world marketplace. Richly illustrated and written in a lively narrative style, Buena Vista paints a compelling portrait of an era, an island, a family, and an estate, bringing a period in Caribbean history to vivid life. |This translation of a Caribbean classic vividly captures the full history of Buena Vista, the 19th-century Puerto Rican estate that is now a popular living history museum.

In 1933 a sensationalist Argentinian newspaper employed Jorge Luis Borges to produce high-brow cultural commentary. Alongside the high-toned pieces, he also contributed these quirky blood-and-guts tales of gunslingers, gentlemanly scoundrels, evil wizards, pirates and false prophets.

In his writing, Borges always combined high seriousness with a wicked sense of fun. Here he reveals his delight in recreating (or making up) colourful stories from the Orient, the Islamic world and the Wild West, as well as his horrified fascination with knife fights, political and personal betrayal and bloodthirsty revenge. Sparkling with the sheer exuberant pleasure of story-telling, the publication of this collection marked the emergence of an utterly distinctive literary voice.

In his writing, Borges always combined high seriousness with a wicked sense of fun. Here he reveals his delight in re-creating (or making up) colorful stories from the Orient, the Islamic world, and the Wild West, as well as his horrified fascination with knife fights, political and personal betrayal, and bloodthirsty revenge. Sparkling with the sheer exuberant pleasure of story-telling, this collection marked the emergence of an utterly distinctive literary voice.

Fifty years after the arrival of Columbus, at the height of Spain's conquest of the West Indies, Spanish bishop and colonist Bartolome de las Casas dedicated his Brevisima Relacion de la Destruicion de las Indias to Philip II of Spain. An impassioned plea on behalf of the native peoples of the West Indies, the Brevisima Relacion catalogues in horrific detail atrocities it attributes to the king's colonists in the New World. The result is a withering indictment of the conquerors that has cast a 500-year shadow over the subsequent history of that world and the European colonisation of it. Andrew Hurley's daring new translation dramatically foreshortens that 500 years by reversing the usual priority of a translation; rather than bring the Brevisima Relacion to the reader, it brings the reader to the Brevisima Relacion -- not as it is, but as it might have been, had it been originally written in English. The translator thus allows himself no words or devices unavailable in English by 1560, and in so doing reveals the prophetic voice, urgency and clarity of the work, qualities often obscured in modern translations. An Introduction by Franklin Knight, notes, a map, and a judicious set of

The years immediately following the Second World War witnessed a dramatic transformation of America's working-class suburbs, driven by an unprecedented post-war prosperity and a burgeoning consumer culture. Chrome and neon were the new currency in this newly vital consumer culture, and no post-war consumer products trafficked more heavily in this currency than diners, bowling alleys, and trailer parks. Through these three distinctively American institutions, Andrew Hurley examines the struggle of Americans with modest means to attain the good life after two long decades of depression and war.He tells this story of the humble origins, explosive growth, and gradual, sad decline of the diner, bowling alley, and trailer park in expert fashion. This is cultural and social history that knows how to entertain.

The art of writing is mysterious; the opinions we hold are ephemeral. In these eleven short stories the quality of his inspiration is unmistakable. With their deceptively simple, almost laconic style, they achieve a magical impression that is unrivalled in modern writing.

By examining environmental change through the lens of conflicting social agendas, Andrew Hurley uncovers the historical roots of environmental inequality in contemporary urban America. Hurley's study focuses on the steel mill community of Gary, Indiana, a city that was sacrificed, like a thousand other American places, to industrial priorities in the decades following World War II. Although this period witnessed the emergence of a powerful environmental crusade and a resilient quest for equality and social justice among blue-collar workers and African Americans, such efforts often conflicted with the needs of industry. To secure their own interests, manufacturers and affluent white suburbanites exploited divisions of race and class, and the poor frequently found themselves trapped in deteriorating neighborhoods and exposed to dangerous levels of industrial pollution. In telling the story of Gary, Hurley reveals liberal capitalism's difficulties in reconciling concerns about social justice and quality of life with the imperatives of economic growth. He also shows that the power to mold the urban landscape was intertwined with the ability to govern social relations. |Features the pathbreaking work of Mark Catesby, the British naturalist and illustrator who founded natural history and bird art in America, preceding Audubon by nearly a century.

In this brilliant, apocalyptic vision of Castro's Cuba, we meet a young couple who leave the dreariness of Havana and spend six days at a small seaside retreat, where they hope to recapture the desire and carefree spirit that once united them. In a stunning juxtaposition of narrative voices, the wife recounts the grim reality of her marriage, the demands of motherhood, and her loss of freedom, innocence, and hope; while her husband, a disillusioned poet and disenchanted revolutionary, recalls his political struggles and laments the artistic and homosexual freedom that has been denied him. Rich in hallucination, myth and fantasy, Farewell to the Sea is a fierce and unforgettable work that speaks for the entire human condition.

Legacies is the author's own selection from his work, and represents the many facets of Padilla's art: his lyrical love poems, his almost Audenesque meditations on other poets, his deceptively simple verses about history.

A framework for stabilizing and strengthening inner-city neighbourhoods through the public interpretation of historic landscapes