Candor, breadth, judiciousness-all these are attributes Irving Louis Horowitz possesses as a scholar. Under his leadership there is no academic publication from which I have learned as much as Transaction-Society."David Riesman, Harvard University "We are all happy benefi ciaries of Horowitz's acutely perceptive and (often) devas-tatingly plain-spoken self as sociologist and sage, broad-gauged scholar, dedicated teacher, tough-minded editor and publisher with an ingrained sense of fairness."Robert K. Merton, Columbia University.

On the occasion of Irving Louis Horowitz's seventy-fifth birthday, a special two-part volume has been assembled, it includes: a set of twelve essays reflecting the range of ideas with which he has been involved over the past five decades, and a complete list of his writings during the same period, 1951-2004. The use of Shakespeare's well-known phrase from "Henry V " as a metaphor for combat and struggle was selected as epitomizing Horowitz's life and work. The essays and articles are a small selection of a large of writings that over the years have attracted a fair share of attention--both approving and disapproving. It is to be hoped that this sampling of his writing, along with a complete listing of his work will explain the title, but more, illuminate his sense of doing social science, one at once classic and postmodern. As Jacques Barzun wrote of Horowitz's volume of "Tributes" to other social scientists: "he offers a unique education in the history of ideas about man and society." The articles included in the volume are drawn from public lectures and private memoirs: Predicting and Remembering Scholarly Publishing as the Word Made Flesh Three Worlds of Development: 35 Years Later Editing "Society" Final Thoughts, Last Hurrahs Social Science as a Moral Calling Gauging Genocide Cuban Communism and Cuban Studies The Logic of Transaction A Prologue to Academic Freedom The Aims and Principles of Social Research Sociology and the Common Culture Facts, Values and Science

Hannah Gluckstein (who called herself Gluck; 1895-1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres-still life, landscape, portraiture-as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter. Published in association with the Brighton Museum & Art Gallery and London College of Fashion Exhibition Schedule: Brighton Museum & Art Gallery, England (11/18/17-03/11/18)