This book reconsiders the place of magic at the foundations of modernity. Through careful close reading of plays, spell books, philosophical treatises, and witch trial narratives, Andrew Moore shows us that magic was ubiquitous in early modern England. Rather than a "decline of magic," this study traces a broad cultural fascination with supernatural power. In the sixteenth and seventeenth centuries, poets, philosophers, jurists, and monarchs debated the reality and the morality of magic, and, by extension, the limits of human power. In this way, early modern English writing about magic was closely related to the scientific and political philosophical writing from the period, which was likewise reimagining humanity's relationship to nature. Moore reads Thomas Hobbes's Leviathan alongside contemporary writing by the notorious witch hunters Matthew Hopkins and John Stearne. He reminds us that Francis Bacon's scientific works were addressed to King James I, whose own Daemonologie insists on the reality of witchcraft. The fantastical science fiction of Margaret Cavendish, he argues, must be understood within a tradition that includes works like Christopher Marlowe's Doctor Faustus and the peculiar autobiography of criminal astrologer Simon Forman. By considering these disparate works together Moore reveals the centrality of magic to the early modern project.

Shakespeare between Machiavelli and Hobbes explores Shakespeare's political outlook by comparing some of the playwright's best-known works to the works of Italian political theorist Niccolo Machiavelli and English social contract theorist Thomas Hobbes. By situating Shakespeare 'between' these two thinkers, the distinctly modern trajectory of the playwright's work becomes visible. Throughout his career, Shakespeare interrogates the divine right of kings, absolute monarchy, and the metaphor of the body politic. Simultaneously he helps to lay the groundwork for modern politics through his dramatic explorations of consent, liberty, and political violence. We can thus understand Shakespeare's corpus as a kind of eulogy: a funeral speech dedicated to outmoded and deficient theories of politics. We can also understand him as a revolutionary political thinker who, along with Machiavelli and Hobbes, reimagined the origins and ends of government. All three thinkers understood politics primarily as a response to our mortality. They depict politics as the art of managing and organizing human bodies-caring for their needs, making space for the satisfaction of desires, and protecting them from the threat of violent death. This book features new readings of Shakespeare's plays that illuminate the playwright's major political preoccupations and his investment in materialist politics.

Shakespeare between Machiavelli and Hobbes explores Shakespeare's political outlook by comparing some of the playwright's best-known works to the works of Italian political theorist Niccolo Machiavelli and English social contract theorist Thomas Hobbes. By situating Shakespeare 'between' these two thinkers, the distinctly modern trajectory of the playwright's work becomes visible. Throughout his career, Shakespeare interrogates the divine right of kings, absolute monarchy, and the metaphor of the body politic. Simultaneously he helps to lay the groundwork for modern politics through his dramatic explorations of consent, liberty, and political violence. We can thus understand Shakespeare's corpus as a kind of eulogy: a funeral speech dedicated to outmoded and deficient theories of politics. We can also understand him as a revolutionary political thinker who, along with Machiavelli and Hobbes, reimagined the origins and ends of government. All three thinkers understood politics primarily as a response to our mortality. They depict politics as the art of managing and organizing human bodies-caring for their needs, making space for the satisfaction of desires, and protecting them from the threat of violent death. This book features new readings of Shakespeare's plays that illuminate the playwright's major political preoccupations and his investment in materialist politics.

For seven seasons, AMC's Mad Men captivated audiences with the story of Don Draper, an advertising executive whose personal and professional successes and failures took viewers on a roller coaster ride through America's tumultuous 1960s. More than just a television show about one of advertising's "bad boys," the series investigates the principles of the American regime, exploring whether or not the American Dream is a sustainable vision of human flourishing and happiness. This collection of essays investigates the show's engagement with the philosophic and political foundations of American democracy.

The themes of God, Mind and Knowledge are central to the philosophy of religion but they are now being taken up by professional philosophers who have not previously contributed to the field. This book is a collection of original essays by eminent and rising philosophers and it explores the boundaries between philosophy of religion, philosophy of mind, metaphysics, and epistemology. Its introduction will make it accessible to newcomers to the field, especially those approaching it from theology. Many of the book's topics lie at the focal point of debates - instigated in part by the so-called New Atheists - in contemporary culture about whether it is rational to have religious beliefs, and the role these beliefs can or should play in the life of individuals and of society.

The themes of God, Mind and Knowledge are central to the philosophy of religion but they are now being taken up by professional philosophers who have not previously contributed to the field. This book is a collection of original essays by eminent and rising philosophers and it explores the boundaries between philosophy of religion, philosophy of mind, metaphysics, and epistemology. Its introduction will make it accessible to newcomers to the field, especially those approaching it from theology. Many of the book's topics lie at the focal point of debates - instigated in part by the so-called New Atheists - in contemporary culture about whether it is rational to have religious beliefs, and the role these beliefs can or should play in the life of individuals and of society.

The question of realism (that is, whether God exists independently of human beings) is central to contemporary theology and church life. It is also an important topic in the philosophy of religion. This book discusses the relationship between realism and Christian faith. It uses the resources of philosophy and theology to argue for a conception of realism in which God's independent reality is shown through Christian life practices.

This book is a thorough, practical review of the challenges facing clinicians treating skin microbes and how to combat these therapeutic dilemmas. It expresses the critical public health concern of antimicrobial resistance and shows how microorganisms are developing the ability to halt the progress of antimicrobials like antibiotics, antivirals, and antifungals. Chapters are grouped together in five sections for ease of use. The first three sections of the book convey foundational information on the mechanisms of antibiotics, antivirals, and antifungals resistance, as well as the implications of lack of vaccination. The fourth section then turns to the specifics of drug resistance for protozoan and helminth infections focusing primarily on initial and subsequent resistance to treatment. The book closes with a discussion on the potential solutions of innovative therapy including new delivery mechanisms, broad-spectrum antibiotics, phytocompounds, and biofilms. Chapters feature magnified, microscopic photos for identifying structures as they appear on the skin. Part of the Updates in Clinical Dermatology series, Overcoming Antimicrobial Resistance of the Skin is an important resource relevant during the COVID-19 pandemic, and is written for all medical healthcare professionals.

"The Mysteries Marseille" recounts the love of Philippe Cayol, poor, untitled, republican, and of young Blanche de Cazalis, the niece of De Cazalis, a millionaire, politician and all-powerful in Marseille. Philippe's brother, Marius, devotes himself to protecting the two lovers - and the child Blanche gave birth to before entering a convent - from the anger of De Cazalis. --- "The Mysteries of Marseille" appeared as a serialized story in "Le Messager de Provence" in 1867, while Zola was writing "Therese Raquin." As a work of his youth, it was thus also a commissioned work on which Zola "cut his teeth." In it, he himself saw the "amount of will and work" that he had to expend to elevate himself to "the literary effort of the Rougon-Macquart novels." --- Indeed, in this popular novel, typical of the genre in its various and unexpected twists and turns, we can already see his style, his palate for real life, his indignation about injustice, and his art of depicting social strata (the wealthy, the clergy, the deviants, the common man) as well as events (the revolution of 1848, the cholera epidemic). With this canvas as a background, he has painted a breathtaking adventure, the thrilling story of an impossible love, that resembles the love of liberty.

"At the request of my friend, Paul Lafargue, ... I arranged three chapters of this book (Anti-Duhring) as a pamphlet, which he translated and published in 1880, under the title: Socialisme utopique et Socialisme scientifique. From this French text, a Polish and a Spanish edition were prepared. In 1883, our German friends brought out the pamphlet in the original language. Italian, Russian, Danish, Dutch, and Roumanian transla-tions, based upon the German text, have since been published. Thus, the present English edition, this little book circulates in 10 languages. I am not aware that any other Socialist work, not even our Communist Manifesto of 1848, or Marx's Capital, has been so often translated. In Germany, it has had four editions of about 20,000 cop-ies in all." Frederick Engels: from the Preface to the 1892 English Edition]

Could the race to de-carbonize our energy systems be leading us closer to environmental disaster? Why did biology choose carbon, in a variety of compounds, as its energy carrier and storage substance? From the smallest life forms, through multicellular organisms, and up to whole ecosystems, this economy of carbon compounds is fundamentally sustainable. Yet today, many are working to expunge carbon-based energy carriers from human economies, replacing them with solutions based on other elements and minerals. In The Decarbonization Delusion, independent scientist and writer Andrew Moore shows that the race to decarbonize is leading us further down the road to environmental degradation. Instead of banishing carbon, Moore argues that we should look to life on Earth, which has used carbon in highly sustainable ways for 3.5 billion years, as a model for how humans can use carbon sustainably. The Decarbonization Delusion begins by discussing carbon's role in the inception of the universe and its critical importance in biology. Moore identifies many intriguing features of biology's use of carbon that are crucial to creating sustainable human economies on Earth. Throughout, Moore draws on extensive research and original calculations to disprove common fallacies about carbon-based energy carriers and their alternatives. For example, he shows that the widely perceived superiority of battery technology over carbon-based fuels is, in most regards, a serious misconception that, if not corrected, could have grave environmental consequences. Politicians, industrial leaders, and even some scientists have contributed to the widespread belief that carbon should have no place in our energy economies. In The Decarbonization Delusion, Moore argues against this idea, asking us to re-think our assumptions and approach sustainable energy development in a more scientific and dispassionate fashion.

Andrew Moore's new book, Blue Alabama, focuses on the American South, depicts the economic, social and cultural divisions that characterize the South and the love of history, tradition and land that binds its citizens. Following upon in-depth explorations of the economically ravaged city of Detroit (2007 - 2009) and the mythic high plains region along the 100th Meridian (2011 - 2014), Blue Alabama continues the artist's investigation of "the inner empire" of the United States.