Each year, the National Theatre commissions ten new plays for young people to perform, bringing together some of the UK's most exciting writers with the theatre-makers of tomorrow. This 2021 pack captures the two new plays written for the 2021 festival that are perfect for schools and youth groups to perform and study. Written with flexibility in mind, these are perfect for exploration both virtually and in-person, responding to the restrictions in place due to Covid-19. It also includes National Theatre Connections 2020 anthology which features 9 plays, 8 of which are included in the 2021 festival performances. The plays included in this pack are: Find a Partner by Miriam Battye Like There's No Tomorrow, created by the Belgrade Young Company with Justine Themen, Claire Procter and Liz Mytton Wind / Rush Generation(s) by Mojisola Adebayo Tuesday by Alison Carr A series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly THE IT by Vivienne Franzmann The Marxist in Heaven by Hattie Naylor Look Up by Andrew Muir Crusaders by Frances Poet Witches Can't Be Burned by Silva Semerciyan Dungeness by Chris Thompson .

The True Performing Of It places the two writers side by side and examines the resultant analogies in their work that spring from this positioning. After a teasing prologue, the book begins by reflecting on the significance of Dylan's remarks on Shakespeare when accepting the Nobel Prize for Literature, before examining their shared Bardic qualities, and their position of being feted for their undoubted literary qualities despite both being primarily artists of live performances of drama and music. The movement from 'low' to 'high' art is traced and its implications explored in depth and detail, as is the fierce opposition that the parallel theatrical and musical transitions from communal folk art to professional entertainment engendered. The parallels in their approaches to performing art, use of language and source material form core chapters of the book. The last section of the book is an in-depth focus on The Tempest and Tempest as specific examples of the theories and generalitie

National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year. This anthology brings together 9 new plays by some of the UK's most prolific and current writers and artists alongside notes on each of the texts exploring performance for schools and youth groups. Wind / Rush Generation(s) by Mojisola Adebayo This is a play about the British Isles, its past and its present. Set in a senior common room, in a prominent university, a group of 1st year undergraduates are troubled, not by the weight of their workload, but by a 'noisy' ghost. So they do what any group self-respecting and intelligent university students would do in such a situation - they get out the Ouija Board to confront their spiritual irritant and lay them to rest - only to be confronted by the full weight of Britain's colonial past - in all its gory glory. Fusing naturalism, with physical theatre, spoken-word, absurdism, poetry and direct address - this is event-theatre that whips along with the grace, pace and hypnotic magnetism of a hurricane. Tuesday by Alison Carr Tuesday is light, playful and nuanced in tone. And a little bit sci-fi. The play centres on an ordinary Tuesday that suddenly turns very weird indeed when a tear rips across the sky over the school yard. The play touches on themes of friendship, sibling love, family, identity, grief, bullying, loneliness and responsibility. And in the process we might just learn something about ourselves as well as some astronomical theories of the multiverse! A series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly This satirical play is heightened in its naturalism, in its seriousness, in its parody and piercing in its interrogation of how our attempts to define ourselves in public are shaped by the fear of saying the wrong thing. Presented quite literally as a series of public apologies this play is spacious, flexible and welcoming of inventive and imaginative interpretation as each iteration spirals inevitably to its absurdist core. This is a play on words, on convention, on manners, on institutions, on order, online and on point. THE IT by Vivienne Franzmann THE IT is a play about a teenage girl who has something growing inside her. She doesn't know what it is, but she knows it's not a baby. It expands in her body. It starts in her stomach, but quickly outgrows that, until eventually ittakes over the entirety of her insides. It has claws. She feels them. Presented in the style of a direct to camera documentary, this is a darkly comic state of the nation play exploring adolescent mental health and the rage within, written very specifically for today. The Marxist in Heaven by Hattie Naylor The Marxist in Heaven is a play that does exactly what its title page says it's going to do. The eponymous protagonist 'wakes up' in paradise and once they get over the shock of this fundamental contradiction of everything they believe in.....they get straight back to work....and continue their lifelong struggle for equality and fairness for all....even in death. Funny, playful, provocative, pertinent and jam-packed with discourse, disputes, deities and disco dancing by the bucketful, this upbeat buoyant allegory shines its holy light on globalization and asks the salient questions - who are we and what are we doing to ourselves?.....and what conditioner do you use on your hair? Look Up by Andrew Muir Look Up plunges us into a world free from adult intervention, supervision and protection. It's about seeking the truth for yourself and finding the space to find and be yourself. Nine young people are creating new rules for what they hope will be a new and brighter future full of hope in a world in which they can trust again. Each one of them is unique, original and defiantly individual, break into an abandoned building and set about claiming the space, because that is what they do. They have rituals, they have rules, together they are a tribe, they have faith in themselves....and nothing and no one else. They are the future, unless the real world catches up with them and then all they can hope for is that they don't crash and burn like the adults they ran away from in the first place. Crusaders by Frances Poet A group of teens gather to take their French exam but none of them will step into the exam hall. Because Kyle has had a vision and he'll use anything, even miracles, to ensure his classmates accompany him. Together they have just seven days to save themselves, save the world and be the future. And Kyle is not the only one who has had the dream. All across the globe, from Azerbaijan to Zambia, children are dreaming and urging their peers to follow them to the promised land. Who will follow? Who will lead? Who will make it? Witches Can't Be Burned by Silva Semerciyan St. Paul's have won the schools Playfest competition, three years in a row, by selecting recognised classics from the canon and producing them at an exceptionally high level, it's a tried and trusted formula. With straight A's student and drama freak, Anuka cast as Abigail Williams in The Crucible by Arthur Miller, the school seem to be well on course for another triumph, which would be a record. However, as rehearsals gain momentum, Anuka has an epiphany. An experience resulting in her asking searching questions surrounding the text, the depiction and perception of female characters, the meaning of loyalty, and the values and traditions underpinning the very foundations of the school. Thus, the scene is set for a confrontation of epic proportions as Anuka seeks to break with tradition, before tradition breaks her and all young women like her and reality begins to take on the ominous hue of Miller's fictionalized Salem. Dungeness by Chris Thompson . In a remote part of the UK, where nothing ever happens, a group of teenagers share a safe house for LGBT+ young people. While their shared home welcomes difference, it can be tricky for self-appointed group leader Birdie to keep the peace. The group must decide how they want to commemorate an attack that happened to LGBT+ people, in a country far away. How do you take to the streets and protest if you're not ready to tell the world who you are? If you're invisible, does your voice still count? A play about love, commemoration and protest.

Dr. Muir and Dr. Rose are key opinion leaders in the area of endocrinology, and they have created a state-of-the-art issue for neonatologists. The clinical reviews will prepare perinatologists and neonatologists for the challenges in clinical endocrinology that arise in fetuses and newborns. More specifically, authors will provide updates on the biological basis of disorders in order to illustrate the rationale for diagnostic approaches and current therapies and to provide readers with a basis to consider and evaluate new clinical offerings. Articles on the following topics are included in the issue: Congenital hypothyroidism; Thyroid function in the NICU; Neonatal thyrotoxicosis; Neonatal diabetes; Hypersinsulinism; Hypopituitarism; Glucocorticoid use in the NICU/ neonatal adrenal function; Adrenal insufficiency, CAH, Prenatal treatment of CAH; Neonatal Cushing Disease/Congenital endocrine tumors; Early ID of Turner Syndrome/Preserving fertility; and Bone mineral/ Calcium disorders in the neonate.

Opening with a look at a Cambridge play satirising Shakespeare in his own time, we follow Cambridge's part in Shakespeare appreciation through the centuries. Against this background the book celebrates the annual open-air Cambridge Shakespeare Festival. Playing yearly to around 25,000 people of all ages and from all backgrounds, the festival has been running since 1988. The book illuminates the manner in which their productions increase our pleasure in, and understanding of, Shakespeare's dramatic art and how his plays were designed, produced and received in their own time. This book provides a clear guide to the complex topics surrounding the staging of Shakespeare's plays, as well as exploring the Bard's enduring influence in the city, and on Cambridge University and its inhabitants. It is a boon for Shakespeare lovers and scholars of all ages and levels of interest.

One minute I'm in The Elk watching the footie the next minute I'm at the beach with a Polish supermodel. Fucking come on. Lena meets Robbie. Girl meets Boy. Head over heels. Eyes only for each other. They don't speak the same language, but they both know the language of love, and surely that's enough for a while - until the unspeakable happens and the truth comes spewing out. As their marriage hurtles towards oblivion, Lena and Robbie desperately attempt to find a common language and save their shared history. The Session is a heartfelt play about how couples communicate, taking in twenty years of a relationship that is based on misunderstanding and crossed wires. It received its world premiere at Soho Theatre on 3 November 2015.

What Dylan fans call 'The Never Ending Tour' celebrated its 25th anniversary on June 7th 2013. Its time span already represents almost half of Dylan's entire career and totals over 2,500 shows. Highly respected Dylan expert Andrew Muir documents the ups and downs of this unprecedented trek. Muir analyses and assesses Dylan's performances over the years, with special focus on many memorable shows. One More Night traces what it all means both in terms of Dylan's artistic career and in the lives of the dedicated Dylan followers who collect recordings of every show and regularly cross the globe to catch up with the latest leg. Muir also includes the funny and affecting story of his own unforgettable meeting with Dylan. One More Night is part rock criticism, part cultural analysis, part scrutiny of fandom and paints a telling portrait of the Never Ending Tour and its importance in Dylan's career.