Completely up to date with the latest examination changes, Get Through First FRCR: MCQs for the Physics Module offers a valuable insight into the new Physics module of the First FRCR examination. Over 200 5-part True/False MCQs are presented according to syllabus topics, accurately reflecting the content, style and level of difficulty of the actual examination questions. All answers are supplemented with clear, detailed explanations to develop candidates' understanding and to explain why their answers are right, or wrong. Featuring a wealth of practice MCQs plus one full mock examination, this book has been designed for candidates to assess their knowledge, identify topics that require further study and to build up confidence in preparation for the exam day. Written by Specialty Trainees in Radiology, under the guidance and expertise of Jerry Williams, Consultant Medical Physicist, Get Through First FRCR: MCQs for the Physics Module is the essential revision tool for all First FRCR candidates preparing for the newly revised examination.

Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices.

Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design.

The volume is organised thematically in five sections:

• looking, the experience of seeing
• space and place
• the designer: the scenographic
• bodies in space
• making meaning

This major collection of key writings provides a much needed critical and contextual framework for the analysis of theatre and performance design. By locating this study within the broader field of scenography ? the term increasingly used to describe a more integrated reading of performance ? this unique anthology recognises the role played by all the elements of production in the creation of meaning.

Contributors include Josef Svoboda, Richard Foreman, Roland Barthes, Oscar Schlemmer, Maurice Merleau-Ponty, Richard Schechner, Jonathan Crary, Elizabeth Wilson, Henri Lefebvre, Adolph Appia and Herbert Blau.

Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices. Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design. The volume is organised thematically in five sections: looking, the experience of seeing space and place the designer: the scenographic bodies in space making meaning This major collection of key writings provides a much needed critical and contextual framework for the analysis of theatre and performance design. By locating this study within the broader field of scenography - the term increasingly used to describe a more integrated reading of performance - this unique anthology recognises the role played by all the elements of production in the creation of meaning. Contributors include Josef Svoboda, Richard Foreman, Roland Barthes, Oscar Schlemmer, Maurice Merleau-Ponty, Richard Schechner, Jonathan Crary, Elizabeth Wilson, Henri Lefebvre, Adolph Appia and Herbert Blau.