Within the Tides (1915) was the last volume of short stories published during Conrad's lifetime. In this book, the stories are published for the first time in a critical edition based upon a thorough analysis of the original documents, and the critical texts have been emended so as to include Conrad's later revisions. The introduction discusses Conrad's main sources and influences, places the stories in their contemporary contexts and traces the volume's contemporary reception. The essay on the texts and the 'Apparatus' document the history of composition and publication and detail the revisions that the texts underwent, demonstrating as well how editors and compositors shaped their presentation in serial form. Also included are explanatory notes glossing literary and historical allusions. Two glossaries - of nautical terms and of foreign words and phrases - further enrich the explanatory matter, as do a map and six illustrations.

Graham Greene was one of the most versatile writers of the 20th century, and he remains a figure of particular interest to those concerned with the relationship between literature and cinema. As well as being a skilled screenwriter in his own right, most famously with The Third Man, Greene's fiction has proved to be a perennially popular source for adaptation, appealing to the broadest range of filmmakers imaginable. In this engaging and accessibly written study, Richard J. Hand and Andrew Purssell introduce adaptation studies and its relation to Greene's works. They present new and incisive readings of key texts, including the various screen versions of Brighton Rock, The End of the Affair and The Quiet American, among others, and offer a critical examination of the industries in which Greene functioned as author, screenwriter, film critic and cultural figure. By closely exploring the various critical aspects of Greene and adaptation, and by encouraging readers to engage with the topics discussed through the inclusion of innovative exercises, Adapting Graham Greene makes a significant contribution to Graham Greene Studies and Adaptation Studies, as well as to Film and Literary Studies more generally.