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A Wildly Funny and Shockingly True Compendium of the Bad Boys
(and Girls) of Western Literature
Rock stars, rappers, and actors haven't always had a monopoly on
misbehaving. There was a time when authors fought with both words
and fists, a time when poets were the ones living fast and dying
young. This witty, insightful, and wildly entertaining narrative
profiles the literary greats who wrote generation-defining classics
such as The Great Gatsby and On the Road while living and loving
like hedonistic rock icons, who were as likely to go on epic
benders as they were to hit the bestseller lists. Literary Rogues
turns back the clock to consider these historical (and, in some
cases, living) legends, including Edgar Allan Poe, Oscar Wilde,
Zelda and F. Scott Fitzgerald, Ernest Hemingway, Dorothy Parker,
Hunter S. Thompson, and Bret Easton Ellis. Brimming with fasci-
nating research, Literary Rogues is part nostalgia, part literary
analysis, and a wholly raucous celebration of brilliant writers and
their occasionally troubled legacies.
The Office meets Stephen King, dressed up in holiday tinsel, in
this fun, festive, and frightening horror-comedy set during the
horror publishing boom of the '80s, by New York Times best-selling
satirist Andrew Shaffer. Out of work for months, Lussi Meyer is
desperate to work anywhere in publishing. Prestigious
Blackwood-Patterson isn't the perfect fit, but a bizarre set of
circumstances leads to her hire and a firm mandate: Lussi must find
the next horror superstar to compete with Stephen King, Anne Rice,
and Peter Straub. It's the '80s, after all, and horror is the
hottest genre. But as soon as she arrives, Lussi finds herself the
target of her co-workers' mean-spirited pranks. The hazing reaches
its peak during the company's annual Secret Santa gift exchange,
when Lussi receives a demonic-looking object that she recognizes
but doesn't understand. Suddenly, her coworkers begin falling
victim to a series of horrific accidents akin to a George Romero
movie, and Lussi suspects that her gift is involved. With the help
of her former author, the flamboyant Fabien Nightingale, Lussi must
track down her anonymous Secret Santa and figure out the true
meaning of the cursed object in her possession before it destroys
the company-and her soul.
For everyone nostalgic for the Obama/Biden administration, HOPE NEVER DIES re-casts the president and vice-president as amateur sleuths in a quirky mystery-adventure.
He's an honest man in a city of thieves. He has no patience for guff, foolishness, or malarkey. He is United States Vice President Joe Biden. And when his favorite railroad conductor dies in a suspicious accident leaving behind an ailing wife and a trail of clues Amtrak Joe unwittingly finds himself in the role of a private investigator. To crack the case (and uncover a drug-smuggling ring hiding in plain sight), he'll team up with the only man he's ever fully trusted... the 44th president of the United States, Barack Obama. Together they'll plumb the darkest corners of Wilmington, Delaware, where enemies lurk around every corner. And if they're not careful, the blood on the tracks may be their own.
This quirky, comic mystery begins six months after the 2016 presidential election, as Obama and Biden are struggling to define their post-White House identities and question what truly remains of their legendary bromance.
Few people have failed at love as spectacularly as the great
philosophers. Although we admire their wisdom, history is littered
with the romantic failures of the most sensible men and women of
every age, including:
Friedrich Nietzsche: "Ah, women. They make the highs higher and
the lows more frequent." (Rejected by everyone he proposed to, even
when he kept asking and asking.)
Jean-Paul Sartre: "There are of course ugly women, but I prefer
those who are pretty." (Adopted his mistress as his daughter.)
Louis Althusser: "The trouble is there are bodies and, worse
still, sexual organs." (Accidentally strangled his wife to
death.)
And dozens of other great thinkers whose words we revere--but
whose romantic decisions we should avoid at all costs.
Young, arrogant tycoon Earl Grey seduces the naive coed Anna Steal
with his overpowering good looks and staggering amounts of money,
but will she be able to get past his fifty shames, including
shopping at Walmart on Saturdays, bondage with handcuffs, and his
love of BDSM (Bards, Dragons, Sorcery, and Magick)? Or will his
dark secrets and constant smirking drive her over the edge?
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