|
Showing 1 - 3 of
3 matches in All Departments
Since its early days as a boomtown on the Florida frontier, Tampa
has had a lively history rich with commerce, cuisine, and
working-class communities. In From Saloons to Steak Houses, Andrew
Huse takes readers on a journey into historic bars, theaters,
gambling halls, soup kitchens, clubs, and restaurants, telling the
story of Tampa's past through these fascinating social
spaces—many of which can't be found in official
histories.Beginning with the founding of modern Tampa in 1887 and
spanning a century, Huse delves into the culture of food and drink
in the city and traces the struggles that have played out in public
spaces. He describes temperance advocates who crusaded against
saloons and breweries, cigar workers on strike who depended on soup
houses for survival, and civil rights activists who staged sit-ins
at lunch counters. These stories are set amid themes such as the
emergence of Tampa's criminal underworld, the rise of anti-German
fear during World War I, and the heady power of prosperity and
tourism in the 1950s.Huse draws from local newspaper stories and
firsthand accounts to show what authorities and city residents saw
and believed about these establishments and the people who
frequented them. This unique take on Tampa history reveals a
spirited city at work and play, an important cultural hub that
continues to both celebrate and come to terms with its many
legacies.
|
Tampa - Impressions of an Emigrant (Hardcover)
Wenceslao Galvez Y Del Monte; Contributions by Noel M. Smith; Introduction by Noel M. Smith; Notes by Noel M. Smith; Introduction by Andrew T Huse; Notes by …
|
R2,165
Discovery Miles 21 650
|
Ships in 10 - 15 working days
|
In 1896, Wenceslao Galvez y Delmonte fled the violence of Cuba's
war for independence and settled in Tampa. He soon made his new
home the focus of a work of costumbrismo, the Spanish-language
genre built on closely observing the everyday manners and customs
of a place.Translated here into English, Galvez's narrative mixes
evocative descriptions with charming commentary to bring to life
the early Cuban exile communities in Ybor City and West Tampa. The
writer's sharp eye finds the local characters, the barber shops and
electric streetcars, the city landmarks and new Cuban enclaves. One
day, Galvez offers his thoughts on the pro-independence activities
of community leaders like Martin Herrera and Fernando Figuerdo. On
another, our exiled bourgeois intellectual author wryly recounts
his new life as a door-to-door salesman and lector reading aloud to
workers in a cigar factory. This scholarly edition includes
photographs and newspaper clippings, a foreword on Galvez's
extraordinary pre-exile years, extensive notes to the translation,
and a wealth of other supplementary material putting the author's
life and work in context.
A delicious, multilayered tale of a legendary sandwich How did the
Cuban sandwich become a symbol for a displaced people, win the
hearts and bellies of America, and claim a spot on menus around the
world? The odyssey of the Cubano begins with its hazy origins in
the midnight cafes of Havana, from where it evolved into a dainty
high-class hors d'oeuvre and eventually became a hearty street
snack devoured by cigar factory workers. In The Cuban Sandwich,
three devoted fans-Andrew Huse, Barbara Cruz, and Jeff Houck-sort
through improbable vintage recipes, sift gossip from Florida
old-timers, and wade into the fearsome Tampa vs. Miami sandwich
debate (is adding salami necessary or heresy?) to reveal the social
history behind how this delicacy became a lunch-counter staple in
the U.S. and beyond. The authors also interview artisans who've
perfected the high arts of creating and combining expertly baked
Cuban bread, sweet ham, savory roast pork, perfectly melted Swiss
cheese, and tangy, crunchy pickles. Tips and expert insight for
making Cuban sandwiches at home will have readers savoring the
history behind each perfect bite. Publication of this work is made
possible by a Sustaining the Humanities through the American Rescue
Plan grant from the National Endowment for the Humanities.
|
|