The first book-length treatment of C19 fascination with Norse heroes. This is the first book-length treatment of the Victorians' fascination with the old north. It explores the ways in which the terms 'Viking' and 'Viking Age', both unknown in 1800, were invented, explored and popularised during thenineteenth century. The material examined - published and unpublished - includes novels, poems, plays, lectures, reviews, secondary school textbooks, saga-stead travelogues, private correspondence, art and music, as well as dictionaries, grammars and scholarly editions of eddas and sagas. In the cast of characters Sir Walter Scott, William Morris, Edward Elgar and Rudyard Kipling appear alongside long-forgotten amateur enthusiasts from Lerwick to the Isleof Wight. We follow the pursuit of Viking-related archaeology, dialectology, folklore, philology, runology and mythology. We see the old north used to legitimise many concepts and causes - from buccaneering mercantilism and imperial expansion to jury trial and women's rights. In drawing this wide range of materials together, Andrew Wawn presents a comprehensive and colourful account of the construction and translation of the Viking Age in Queen Victoria'sBritain. ANDREW WAWN is Professor of Anglo-Icelandic Studies at the University of Leeds.

Icelandic Baroque seeks to approach the writings of Hallgrimur Petursson (1614 1674), Iceland's leading devotional poet, from a new direction. Hallgrimur is best known for his Passiusalmar, fifty hymns that contemplate the crucifixion and death of Christ, using a variety of meters and melodies; they have been sung in Iceland over Lent for many generations. This book offers a new evaluation of his poetry.

First, seventeenth-century Icelandic literature in general, and Hallgrimur s works in particular, are set in the wider context of contemporary European literature, particularly from Scandinavia and Germany. Second, the influence of the poet s social milieu, both domestic and overseas, is explored. Third, Eggertsdottir explores whether and, if so, how aesthetic and literary theories of the baroque can enrich our understanding of seventeenth-century Icelandic literature. Her principal aim is to contribute to a reevaluation of Icelandic seventeenth-century literary history by applying new interpretative perspectives to works by leading poets of the period, most notably the iconic figure of Hallgrimur Petursson."