We think we know the story of the Titanic--the once majestic and supposedly unsinkable ship that struck an iceberg on its maiden voyage from Britain to America--but very little has been written about the vessel's 705 survivors. How did the events of that horrific night in the icy waters of the North Atlantic affect the lives of those who lived to tell the tale?
Drawing on a wealth of previously unpublished letters, memoirs, diaries, and interviews with their family members, award-winning journalist Andrew
Wilson brings to life the survivors' colorful voices, from the famous, like heiress Madeleine Astor, to the lesser known second-and third-class passengers, such as the Navratil brothers, who were traveling under assumed names because they were being abducted by their father.
More than one hundred years after that fateful voyage, "Shadow of the Titanic" adds an important new dimension to this enduringly captivating story.

This volume presents a collection of studies focussing on population and settlement patterns in the Roman empire in the perspective of the economic development of the Mediterranean world between 100 BC and AD 350. The analyses offered here highlight the issues of regional and temporal variation in Italy, Spain, Britain, Egypt, Crete, and Asia Minor from classical Greece to the early Byzantine period. The chapters fall into two main groups, the first dealing with the evidence for rural settlement, as revealed by archaeological field surveys, and the attendant methodological problems of extrapolating from that evidence a view of population; and the second with city populations and the phenomenon of urbanization. They proceed to consider hierarchies of settlement in the characteristic classical pattern of city plus territory, and the way in which those entities are defined from the highest to the lowest level: the empire as 'city of Rome plus territory', then regional and local hierarchies, and, more precisely, the identity and the nature of the 'instruments' which enables them to function in economic cohesion.

In Effective Management of Musculoskeletal Injury the author presents a model for understanding musculoskeletal injuries. He describes the common types of musculoskeletal injury and explores the contributory causes involved before detailing effective models for therapy and methods of management. Effective Management of Musculoskeletal Injury is research-based. It develops models for the management of musculoskeletal pain that include manual therapy, exercise, ergonomic and psychosocial interventions. Throughout the text particular attention is paid to pain resulting from cumulative and chronic types of injury. The book will be a valuable resource for all practitioners who deal with the management of musculoskeletal pain as part of their day to day practice.Presents a complete system of patient management that treats the injury, the patient with the injury, and the patient's environment. Examines the interface between ergonomics and manual therapy The book emphasises understanding the cause of the injury and how these create the symptom picture Addresses a major clinical problem area (chronic low back pain), which has high costs for the health systems and for employers Provides a long-term solution to the demands on the time of practitioners by encouraging them to look beyond the presenting patient to the factors in their lifestyle which have created the problem Topical - the problem of chronic back pain has become a major national crisis Relevant to a broad spectrum of practitioners.

This volume presents eighteen papers by leading Roman historians and archaeologists discussing trade in the Roman Empire during the period c.100 BC to AD 350. It focuses especially on the role of the Roman state in shaping the institutional framework for trade within and outside the empire, in taxing that trade, and in intervening in the markets to ensure the supply of particular commodities, especially for the city of Rome and for the army. As part of a novel interdisciplinary approach to the subject, the chapters address its myriad facets on the basis of broadly different sources of evidence: historical, papyrological, and archaeological. They are grouped into three sections, covering institutional factors (taxation, legal structures, market regulation, financial institutions); evidence for long-distance trade within the empire in wood, stone, glass, and pottery; and trade beyond the frontiers, with the east (as far as China), India, Arabia, the Red Sea, and the Sahara. Rome's external trade with realms to the east emerges as being of particular significance, but it is in the eastern part of the empire itself where the state appears to have adapted the mechanisms of taxation in collaboration with the elite holders of wealth to support its need for revenue. On the other hand, the price of that collaboration, which was in effect a fiscal partnership, ultimately led in the longer term in slightly different forms in the east and the west to a fundamental change in the political character of the empire.

This volume is a collection of studies which presents new analyses of the nature and scale of Roman agriculture in the Mediterranean world from c. 100 BC to AD 350. It provides a clear understanding of the fundamental features of Roman agricultural production through studying the documentary and archaeological evidence for the modes of land exploitation and the organisation, development of, and investment in this sector of the Roman economy. Moving substantially beyond the simple assumption that agriculture was the dominant sector of the ancient economy, the volume explores what was special and distinctive about it, especially with a view of its development and integration during a period of expansion and prosperity across the empire. The papers exemplify a range of possible approaches to studying and, within limits, quantifying aspects of Roman agricultural production, marshalling a large quantity of evidence, chiefly archaeological and papyrological, to address important questions of the organisation and performance of this sector in the Roman world.

Patricia Highsmith - author of STRANGERS ON A TRAIN and THE TALENTED MR RIPLEY - had more than her fair share of secrets. During her life, she felt uncomfortable about discussing the source of her fiction and refused to answer questions about her private life. Yet after her death in February 1995, Highsmith left behind a vast archive of personal documents - diaries, notebooks and letters - which detail the links between her life and her work. Drawing on these intimate papers, together with material gleaned from her closest friends and lovers, Andrew Wilson has written the first biography of an author described by Graham Greene as the 'poet of apprehension'. Wilson illuminates the dark corners of Highsmith's life, casts light on mysteries of the creative process and reveals the secrets that the writer chose to keep hidden until after her death.

Since 1997 Luciano Giubbilei has been creating serenely beautiful gardens in locations on three continents. Giubbilei is known for the understated elegance of his designs, but is constantly evolving his style and approach, both in response to individual clients and as his ideas develop. His work draws on his Italian heritage, especially the Renaissance gardens of the Villa Gamberaia in Tuscany, and a distinctively classical combination of restraint and opulent materials. This book - now published in paperback for the first time - explores 12 significant gardens from Giubbilei's portfolio, including the garden that won him a gold medal at the world-famous Royal Horticultural Society's Chelsea Flower Show in 2009. The locations vary from private residences in London and Barcelona to corporate headquarters in Geneva and a holiday home in Morocco. Each project is fully documented, from the preparation of mood boards and initial sketches to final planting and finishing. As Tom Stuart-Smith notes in his foreword, Giubbilei's gardens are characterized by their 'quiet aura of calm and poise' and their 'restful confidence' 'The gardens are like the man, impeccably turned out, suave and urbane in a gentle way, quietly assertive but never bossy. Sophisticated and thoroughly Italian. ... [His style] provides a form of instant theatre, where the designer forges places, conjures atmosphere and creates spaces out of nothing. This is great art.' Separate sections on the design process, site development, nursery production and the sourcing of plants, as well as on the artists and craftsmen with whom Giubbilei collaborates, offer a fascinating insight into his working methods and sources of inspiration. Accessibly written by a leading garden professional and fully illustrated with planting plans, behind-the-scenes images and atmospheric photographs by Steven Wooster, this beautiful book is the definitive work on the gardens of an acclaimed designer.

When Alexander McQueen committed suicide in February 2010, aged just 40, a shocked world mourned the loss of its most visionary fashion designer. McQueen had risen from humble beginnings as the youngest child of an East London taxi driver to scale the heights of fame, fortune and glamour. He designed clothes for the world's most beautiful women including Kate Moss and Naomi Campbell. In business he created a multi-million pound luxury brand that became a favourite with both celebrities and royalty, most famously the Duchess of Cambridge who wore a McQueen dress on her wedding day. But behind the confident facade and bad-boy image, lay a sensitive soul who struggled to survive in the ruthless world of fashion. As the pressures of work intensified, so McQueen became increasingly dependent on the drugs that contributed to his tragic end. Meanwhile, in his private life, his failure to find lasting love with a string of boyfriends only added to his despair. And then there were the dark secrets that haunted his sleep... A modern-day fairy tale infused with the darkness of a Greek tragedy, Alexander McQueen: Blood Beneath the Skin is soon to be adapted for film, directed by Andrew Haigh (45 Years). This book tells the sensational story of McQueen's rise from his hard East London upbringing to the hedonistic world of fashion. Those closest to the designer - his family, friends and lovers - have spoken for the first time about the man they knew, a fragmented and insecure individual, a lost boy who battled to gain entry into a world that ultimately destroyed him.

Spirit and Sacrament by pastor and author Andrew Wilson is an impassioned call to join together two traditions that are frequently and unnecessarily kept separate. It is an invitation to pursue the best of both worlds in worship, the Eucharistic and the charismatic, with the grace of God at the center. Wilson envisions church services in which healing testimonies and prayers of confession coexist, the congregation sings When I Survey the Wondrous Cross followed by Happy Day, and creeds move the soul while singing moves the body. He imagines a worship service that could come out of the book of Acts: Young men see visions, old men dream dreams, sons and daughters prophesy, and they all come together to the same Table and go on their way rejoicing. In short, Spirit and Sacrament is an appeal to bring out of the church's storehouse all of its treasures, so that God's people can worship our unrivaled Savior with sacraments and spiritual gifts, raised hands and lowered faces.

This book is a comprehensive study of the work of the American author Norman Mailer, charting his response to critical events in his country's development since 1945. Focusing on Mailer's descriptions of World War II, 1960s counter-culture, the Vietnam War, the Apollo 11 mission and the execution of Gary Gilmore in Utah in 1977, the book analyses the native vernaculars in ten of his most critically acclaimed works. Moving beyond politically orientated scholarship, the author outlines Mailer's New York, American GI, Mid-West and Southern styles, contextualising his prose against earlier American authors, including Henry Adams, Ernest Hemingway and John Dos Passos, and positioning his writing alongside contemporary notables such as Joan Didion, William Burroughs and Truman Capote. Incorporating over forty years of scholarship in the form of articles, reviews and interviews, this book pinpoints the American attributes in Mailer's writing with a view to identifying trends in post-war American literary movements, the Beat Generation, New Journalism and Pop Art amoung others.

Abstract theology is overrated, for God can be found in even the most ordinary of things. Jesus used things like a lily, sparrow, and sheep to teach about the kingdom of God. And in the Old Testament, God repeatedly describes himself and his saving work in relation to physical things such as a rock, horn, or eagle. In God of All Things, pastor and author Andrew Wilson invites you to rediscover God in this way, too--through ordinary, everyday things. He explores the idea of a material world and presents a variety of created marvels that reveal the gospel in everyday life and fuel worship and joy in God--marvels like: Dust: the image of God Horns: the salvation of God Donkeys: the peace of God Water: the life of God Viruses: the problem of God Cities: the kingdom of God God of All Things will leave you with a deeper understanding of Scripture, the world you live in, and the God who made it all.

'A brilliant idea to turn a "lady novelist" into a sleuth . . . a fascinating blend of biography, intrigue and melodrama . . . Ingenious' EVENING STANDARD 'Set on a luxury ocean liner and in an opulent hotel, this clever whodunit is a fitting tribute to Christie' -The Lady In January 1927 - and still recovering from the harrowing circumstances surrounding her disappearance a month earlier - Agatha Christie sets sail on an ocean liner bound for the Canary Islands. She has been sent there by the British Secret Intelligence Service to investigate the death of one of its agents, whose partly mummified body has been found in a cave. Early one morning, on the passage to Tenerife, Agatha witnesses a woman throw herself from the ship into the sea. At first, nobody connects the murder of the young man on Tenerife with the suicide of a mentally unstable heiress. Yet, soon after she checks into the glamorous Taoro Hotel situated in the lush Orotava Valley, Agatha uncovers a series of dark secrets. The famous writer has to use her novelist's talent for plotting to outwit an enemy who possesses a very different kind of evil. 'The queen of crime is the central character in this audacious mystery, which reinvents the story of her mysterious disappearance with thrilling results' GUARDIAN What readers are saying about Andrew Wilson's books: 'Wilson not only knows his subject but he deftly moves the tale away from mere literary ventriloquism and into darker territory. Great fun, too' Observer 'A crafty whodunit worthy of the queen of mystery herself . . . . Wilson does a superior job of balancing surprising plot developments with a sensitive portrayal of his lead's inner life' Publishers Weekly 'The initial premise of the story is pure genius, and when the reader realises by the end of chapter one whose head they are inside, goose bumps are guaranteed to occur' Greg, Goodreads, 4 stars 'A darkly twisting tale of murder and manipulation' Erin Britton, NetGalley, 4 stars

Essential reading for Classics scholars the world over! J.K. Rowling's masterpiece Harry Potter and the Philosopher's Stone is available in Ancient Greek. Students of Classics will delight in Andrew Wilson's sparkling translation, which perfectly captures the wit and invention of J.K. Rowling's original, now reissued with stunning new Jonny Duddle cover art.