BIG BROTHER IS WATCHING YOU . . . 1984 is the year in which it happens. The world is divided into three superstates. In Oceania, the Party's power is absolute. Every action, word, gesture and thought is monitored under the watchful eye of Big Brother and the Thought Police. In the Ministry of Truth, the Party's department for propaganda, Winston Smith's job is to edit the past. Over time, the impulse to escape the machine and live independently takes hold of him and he embarks on a secret and forbidden love affair. As he writes the words 'DOWN WITH BIG BROTHER', his personal rebellion begins . . .

'A twisted masterpiece' Guardian 1939: Adolf Hitler, fallen from power, seeks refuge in a London engulfed in the throes of a very British Fascism. Now eking a miserable living as a down-at-heels private eye and calling himself Wolf, he has no choice but to take on the case of a glamorous Jewish heiress whose sister went missing. It's a decision Wolf will very shortly regret. For in another time and place a man lies dreaming: Shomer, once a Yiddish pulp writer, who dreams lurid tales of revenge in the hell that is Auschwitz. Prescient, darkly funny and wholly original, the award-winning A Man Lies Dreaming is a modern fable for our time.

This is an insightful and fascinating portrait into the life of one of cinema's greatest actors. Born Maurice Micklewhite, son of a Billingsgate fish porter and a charlady, Michael Caine's life has been an extraordinary rollercoaster: from washing dishes and fighting on National Service, to winning two Oscars and being knighted by the Queen. With more than eighty films to his name, he has starred in some of the classics of modern cinema: as an action anti-hero in Get Carter, a Cockney lothario in Alfie, and a disillusioned alcoholic academic in Educating Rita. He is an enduring model of British cool. This authorised biography charts the amazing highs and lows in his turbulent ride to fame, fortune and respect. This recording is unabridged. Typically abridged audiobooks are not more than 60 per cent of the author's work and as low as 30 per cent with characters and plot lines removed.