"[Wolpert and Kapparis's] anthology . . . stands apart in a number of key ways. Virtually all of the translations, which are of very high quality, are new for this volume. . . . "Each of the introductions to the individual speeches is accompanied by a convenient outline, entitled 'Key Information', of the important details about the dispute; this feature will be particularly welcome to undergraduates and other beginners, for whom Athenian forensic speeches often present at first glance a welter of soap opera-like complexity. In the summary that precedes Against Neaera, for example, the subheadings include 'Speaker', Supporting Speaker', 'Defendant', 'Other Individuals' (particularly helpful), 'Action', 'Penalty' and 'Date'. Having this information collected in one handy location is very useful indeed. "One minor yet remarkably useful feature is that [Wolpert and Kapparis] have placed all cross-references to speeches included in the collection in bold typeface. This allows the reader to know immediately whether he need only flip the pages to see the passage in question or must reach for another volume. It is hoped that this will encourage busy undergraduates to take the trouble to follow up a cross-reference. "The introduction truly shines. Without getting bogged down in debatable minutiae, it provides a remarkably detailed and clear account of the law and oratory of ancient Athens. Divided into five sections, it begins with an account of Athenian legal development from the Draconian and Solonian periods to the fourth century. It then tackles Athenian politics and society, the court system (a particularly helpful section), the Attic orators (with a substantial biographical sketch of each orator whose speeches appear in the volume), and rhetorical technique and style. The introduction could even be used in a course where no speeches are read but students need to be given a quick, solid initiation into the legal culture of the classical period." -- Classical Review

"[Wolpert and Kapparis's] anthology . . . stands apart in a number of key ways. Virtually all of the translations, which are of very high quality, are new for this volume. . . . "Each of the introductions to the individual speeches is accompanied by a convenient outline, entitled 'Key Information', of the important details about the dispute; this feature will be particularly welcome to undergraduates and other beginners, for whom Athenian forensic speeches often present at first glance a welter of soap opera-like complexity. In the summary that precedes Against Neaera, for example, the subheadings include 'Speaker', Supporting Speaker', 'Defendant', 'Other Individuals' (particularly helpful), 'Action', 'Penalty' and 'Date'. Having this information collected in one handy location is very useful indeed. "One minor yet remarkably useful feature is that [Wolpert and Kapparis] have placed all cross-references to speeches included in the collection in bold typeface. This allows the reader to know immediately whether he need only flip the pages to see the passage in question or must reach for another volume. It is hoped that this will encourage busy undergraduates to take the trouble to follow up a cross-reference. "The introduction truly shines. Without getting bogged down in debatable minutiae, it provides a remarkably detailed and clear account of the law and oratory of ancient Athens. Divided into five sections, it begins with an account of Athenian legal development from the Draconian and Solonian periods to the fourth century. It then tackles Athenian politics and society, the court system (a particularly helpful section), the Attic orators (with a substantial biographical sketch of each orator whose speeches appear in the volume), and rhetorical technique and style. The introduction could even be used in a course where no speeches are read but students need to be given a quick, solid initiation into the legal culture of the classical period." -- Classical Review

'Like so much of Renaissance Art, Shakespeare's work bears an open secret. The esoteric spiritual content is undisguised, though it may be unexpected and not always immediately recognized. And, like all the great artistic achievements...this work remains incomplete until we recognize and respond to its open invitation that we become active participants.' - from the IntroductionThe perennial universal appeal of Shakespeare's work is well established. His core themes explore the challenges of the human condition whilst celebrating the potential of human beings to achieve and develop in earthly life. But what is it that enables Shakespeare's characters to live and breathe beyond the confines of their written roles, some 400 years after the plays were first performed? In these collected lectures, edited with an extensive introduction by Andrew Wolpert, Rudolf Steiner throws new light on the Bard's work, describing the on-going life that flows from it, and the profound spiritual origins of Shakespeare's inspirations. He shows how Shakespeare can enliven us in our longing for contemporary ideals and truths; indeed, in our goal of becoming fully human. Our engagement with the plays, not just as actors and directors, but also as students and members of an audience, can thus become a co-creative participation in the redemptive potential of Shakespeare's enduring legacy. Steiner speaks about Shakespeare in connection with the evolution of the arts of poetry and drama, and the transitions between cultural epochs. He reminds us of the sources and characteristics of classical Greek drama, recalling Aristotle's definition of drama as catharsis, and pointing to Shakespeare's connection to these cultural and historical wellsprings.