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Showing 1 - 7 of 7 matches in All Departments
After Jekyll's experiment, the harrowing effects of his split personality transform him from a respected member of society into a sinister figure terrorising the streets. Klimowski and Schejbal have been lauded for capturing 'the real horror and tension of the original' in their masterful re-telling.
Preparing to deliver a lecture in Pisa, Professor Horace Dorlan plans to incorporate music and performance into his scientific presentation. On the eve of his big event, however, strange things start to happen. Consciousness and reality start to shift, divergent voices speak of confusing things and questions start to mount up. Where, for instance, is his wife, why is there a miniature musical quintet in his room, and what of the accident that afflicted him? A darkly imaginative tour de force - that melds elements of silent movies, graphic novels, thrillers and the surreal - Horace Dorlan is Andrzej Klimowski's first work to incorporate text into his visual narratives.
This is another disturbing novel without words by the Polish artist-illustrator of The Depository. The narrative is rendered entirely as a sequence of 300 pages of compelling drawings and photo-montages. The Secret projects an unsettling story about a young woman and her two children who vanish from their apartment one evening, leaving a distraught husband to follow a trail of sinister signs and traces left by their abductors. There is something alarming and almost occult in the forces at work in the background, and a turning point in the mystery is a giant camera obscura which ultimately envelops everything. The Secret, in its metamorphosis of daily reality into a dark and frightening dream world, leaves a stream of surreal images and ideas in the visual memory and the mind.
By the end of this wordless novel, when the artist wakes and ends the nightmare, readers have experienced a visual thriller with political overtones.
For the high-flying, heavy-drinking advertising boss Tom Banbury, the art of persuasion relies on an infiltration of the consumer's mind. In the case of his colleague and confidante Nikos Gazidis, the overdeveloped sense of empathy that makes him so well suited to the business has resulted in a strange psychiatric condition. Nick has unwittingly crashed into the consciousness of his boss. While Tom drinks to forget the troubles of his earthly life, Nick is forced to confront a past that is not his own: a childhood scarred by the small wars waged by an abusive father-and by the events that brought these battles to a close. When Nick enters the panicked silence of the Abbey, a fortress for the rich and unstable, his sister guards him from the visiting Tom Banbury. But can this peculiar bond be broken? Or has Nikos Gazidis taken an empathetic leap too far?
"He leads the field by a very long furlong, out on his own, making his own weather. He is Klimowski, unafraid."-Harold Pinter, Nobel Prize-winning playwright In the mid-1970s, Andrzej Klimowski's fearlessly original artwork caught the eye of leading Polish theater and film companies, for whom he designed some of the period's most iconic posters. The London-born artist, who moved to Poland at a time when many East Europeans dreamed of going West, went on to create posters for works by filmmakers and playwrights from Scorsese to Altman, Beckett to Brecht. Drawing on folk art and Polish Surrealism, Klimowski uses techniques including photomontage and linocut to create posters that are filled with metaphor, drama, and originality.
Walter Benjamin is often considered the key modern philosopher and critic of modern art. Tracing his influence on modern aesthetics and cultural history, Introducing Walter Benjamin highlights his commitment to political transformation of the arts as a means to bring about social change. Benjamin witnessed first-hand many of the cataclysmic events of modern European history. He took a critical stance on the dominant ideologies of Marxism, Zionism and Technocracy, and his attempt to flee Nazi Europe ultimately led to his suicide in 1940. With its brilliant combination of words and images, this is an ideal introduction to one of the most elusive philosophers.
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