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Showing 1 - 13 of 13 matches in All Departments
for CCBar, piano, and opt. alto sax Red Boots On is a funky setting of a poem by Kit Wright, brought to life by Chilcott's jazzy chords and groovy syncopated rhythms. The melody begins in unison and grows in texture throughout the piece, and is accompanied by a characterful piano part. This new arrangement for cambiata voices also includes an optional alto saxophone part. Also available in a version for upper voices and piano.
for SABar and piano Setting a tender poem by Alfred, Lord Tennyson, this lullaby is full of sweet and recurring melodies that rock gently in 6/8 time. The vocal lines are well supported by a twinkling piano part and combine together to create a feeling of warmth and tranquillity. This piece is also available in versions for SA and piano, and SATB and piano.
for SATB and piano Setting a tender poem by Alfred, Lord Tennyson, this lullaby is full of sweet and recurring melodies that rock gently in 6/8 time. The vocal lines are well supported by a twinkling piano part and combine together to create a feeling of warmth and tranquillity. This piece is also available in versions for SA and piano, and SABar and piano.
for SA and piano. Setting a tender poem by Alfred, Lord Tennyson, this lullaby is full of sweet and recurring melodies that rock gently in 6/8 time. The vocal lines are well supported by a twinkling piano part and combine together to create a feeling of warmth and tranquillity. Originally published in As you sing, this piece is also available in versions for SABar and piano, and SATB and piano.
The current world is absurd. Faced with climate change, health pandemics, and ever-growing inequality, it is striking how globally, governments and organizations are malingering to find effective responses to these crises, leading to absurd situations where we are facing the destruction of the planet, while humankind is not making the necessary transformation towards truly sustainable societies and workplaces. Focusing on these grand, global challenges from an absurdity and hypernormalization lens, the book aims to elucidate what is happening in contemporary society and workplaces, why there is so little improvement being made in relation to the grand global challenges, and how a more sustainable social transformation can be made in organizations. It offers a wide, yet in-depth, perspective on absurdity in society and the workplace and presents a theoretical framework, as well as in-depth case studies of sectors or organizations where absurdity manifests itself. Presenting an overarching new perspective on society and workplaces, this book helps students and academics make sense of what is currently unfolding, and what can be done. The book therefore bridges theory, science and the everyday practice of organizational life, and how individuals working in a variety of organizations can contribute to more sustainable economies and societies.
for cambiata (opt. div.), baritone, and piano Brooke's arrangement of this traditional sea shanty is invigorating and atmospheric. Changing voices will enjoy the theme of trains and ships in the text, as well as the boisterous call-and-response texture, which is well-supported by the piano. The verses break into a reflective a cappella section before giving way to a rousing finish!
for CCBar and piano This entertaining three-part arrangement of the popular sea shanty was written for Cambiata North West. The humorous lyrics are complemented by a jovial piano accompaniment and the piece includes several key changes, allowing different parts to take the lead with the melody.
for CCBar & piano This fine arrangement of the popular sea-shanty 'Haul away' provides enjoyment and learning opportunities through call-and-response, opportunities for solos, amusing (and historical) lyrics, and an appealing, catchy chorus. A footnote makes further suggestions for choreography and how to inject the drama of the open seas.
for CCBar and piano This arrangement meets the demand for timeless popular songs, designed to appeal to teachers and students alike. For three-part choir, it contains that memorable tune, Joel's clever lyrics, riffs associated with the original, and an exciting piano part that supports the singers and provides short interludes.
for CCBarBar and piano This celebrated Spiritual has a strong, appealing, comfortable melody suitable for boys' choirs, and is arranged skilfully here for four-part choir and piano, with Ia cappella sections and affecting modulations. Suited to more established choirs, it has plenty of opportunities for musical growth.
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