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Showing 1 - 13 of
13 matches in All Departments
for CCBar, piano, and opt. alto sax Red Boots On is a funky setting
of a poem by Kit Wright, brought to life by Chilcott's jazzy chords
and groovy syncopated rhythms. The melody begins in unison and
grows in texture throughout the piece, and is accompanied by a
characterful piano part. This new arrangement for cambiata voices
also includes an optional alto saxophone part. Also available in a
version for upper voices and piano.
for SABar and piano Setting a tender poem by Alfred, Lord Tennyson,
this lullaby is full of sweet and recurring melodies that rock
gently in 6/8 time. The vocal lines are well supported by a
twinkling piano part and combine together to create a feeling of
warmth and tranquillity. This piece is also available in versions
for SA and piano, and SATB and piano.
for SATB and piano Setting a tender poem by Alfred, Lord Tennyson,
this lullaby is full of sweet and recurring melodies that rock
gently in 6/8 time. The vocal lines are well supported by a
twinkling piano part and combine together to create a feeling of
warmth and tranquillity. This piece is also available in versions
for SA and piano, and SABar and piano.
for SA and piano. Setting a tender poem by Alfred, Lord Tennyson,
this lullaby is full of sweet and recurring melodies that rock
gently in 6/8 time. The vocal lines are well supported by a
twinkling piano part and combine together to create a feeling of
warmth and tranquillity. Originally published in As you sing, this
piece is also available in versions for SABar and piano, and SATB
and piano.
The current world is absurd. Faced with climate change, health
pandemics, and ever-growing inequality, it is striking how
globally, governments and organizations are malingering to find
effective responses to these crises, leading to absurd situations
where we are facing the destruction of the planet, while humankind
is not making the necessary transformation towards truly
sustainable societies and workplaces. Focusing on these grand,
global challenges from an absurdity and hypernormalization lens,
the book aims to elucidate what is happening in contemporary
society and workplaces, why there is so little improvement being
made in relation to the grand global challenges, and how a more
sustainable social transformation can be made in organizations. It
offers a wide, yet in-depth, perspective on absurdity in society
and the workplace and presents a theoretical framework, as well as
in-depth case studies of sectors or organizations where absurdity
manifests itself. Presenting an overarching new perspective on
society and workplaces, this book helps students and academics make
sense of what is currently unfolding, and what can be done. The
book therefore bridges theory, science and the everyday practice of
organizational life, and how individuals working in a variety of
organizations can contribute to more sustainable economies and
societies.
for cambiata (opt. div.), baritone, and piano Brooke's arrangement
of this traditional sea shanty is invigorating and atmospheric.
Changing voices will enjoy the theme of trains and ships in the
text, as well as the boisterous call-and-response texture, which is
well-supported by the piano. The verses break into a reflective a
cappella section before giving way to a rousing finish!
for CCBar and piano This entertaining three-part arrangement of the
popular sea shanty was written for Cambiata North West. The
humorous lyrics are complemented by a jovial piano accompaniment
and the piece includes several key changes, allowing different
parts to take the lead with the melody.
for CCBar & piano This fine arrangement of the popular
sea-shanty 'Haul away' provides enjoyment and learning
opportunities through call-and-response, opportunities for solos,
amusing (and historical) lyrics, and an appealing, catchy chorus. A
footnote makes further suggestions for choreography and how to
inject the drama of the open seas.
for CCBar and piano This arrangement meets the demand for timeless
popular songs, designed to appeal to teachers and students alike.
For three-part choir, it contains that memorable tune, Joel's
clever lyrics, riffs associated with the original, and an exciting
piano part that supports the singers and provides short interludes.
for CCBarBar and piano This celebrated Spiritual has a strong,
appealing, comfortable melody suitable for boys' choirs, and is
arranged skilfully here for four-part choir and piano, with Ia
cappella sections and affecting modulations. Suited to more
established choirs, it has plenty of opportunities for musical
growth.
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