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In this book, Andy Gill assesses the circumstances behind Dylan's
most famous songs, tracing the artist's progress from young tyro
folkie to acclaimed protest singer, and through the subsequent
changes which saw him invent folk-rock and transform rock 'n' roll
with symbolist poetry, before retreating into country-tinged
conservatism just as his followers were engaged in the great
psychedelic freak-show of the late 1960s. Even then, he couldn't
help but innovate, introducing the world to another strain of
popular music-country-rock-which would come to dominate the
American charts through the next decade. Always one step ahead of
the crowd, always pushing himself to extend the boundaries of his
art, the Dylan of the 1960s remains a beacon of integrity to which
fans and fellow musicians keep returning.
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Implementation and Application of Functional Languages - 23rd International Symposium, IFL 2011, Lawrence, KS, USA, October 3-5, 2011, Revised Selected Papers (Paperback, 2012 ed.)
Andy Gill, Jurriaan Hage
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R1,968
Discovery Miles 19 680
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Ships in 10 - 15 working days
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This book constitutes the thoroughly refereed post-conference
proceedings of the 23rd International Symposium on Implementation
and Application of Functional Languages, IFL 2011, held in
Lawrence, Kansas, USA, in October 2011. The 11 revised full papers
presented were carefully reviewed and selected from 33 submissions.
The papers by researchers and practitioners who are actively
engaged in the implementation and the use of functional and
function based programming languages describe practical and
theoretical work as well as applications and tools. They discuss
new ideas and concepts, as well as work in progress and results.
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Practical Aspects of Declarative Languages - 11th International Symposium, PADL 2009, Savannah, GA, USA, January 19-20, 2009, Proceedings (Paperback, 2008 ed.)
Andy Gill, Terrance Swift
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R1,540
Discovery Miles 15 400
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Ships in 10 - 15 working days
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Declarative languages have long promised the ability to rapidly
create easily maintainable software for complex applications. The
International Symposium of Practical Aspects of Declarative
Languages (PADL) provides a yearly - rum for presenting results on
the principles the implementations and especially the applications
of declarative languages. The PADL symposium held January 19-20,
2009 in Savannah, Georgia was the 11th in this series. This year 48
papers were submitted from authors in 17 countries. The P- gram
Committee performed outstandingly to ensure that each of these
papers submitted to PADL 2009 was thoroughly reviewed by at least
three referees in a short period of time. The resulting symposium
presented a microcosm of how the current generation of declarative
languages are being used to address real applications, along with
on-going work on the languages themselves. The program also
included two invited talks, "Inspecting and Preferring Abductive
Models" by Luis Moniz Pereira and "Applying Declarative Languages
to C- mercial Hardware Design" by Je? Lewis. Regular papers
presented a variety of applications, including distributed
applications over networks, network veri?- tion, user interfaces,
visualization in astrophysics, nucleotide sequence analysis and
planning under incomplete information. PADL 2009 also included
ongoing work on the declarative languages themselves.
Multi-threaded and concurrent Prolog implementation was addressed
in several papers, as were innovations for tabling in Prolog and
functional arraysin Haskell. Recent applications have also sparked
papers on meta-predicates in Prolog and a module system for ACL2.
An in-depth look at the creation of one of Bob Dylan's most
celebrated albums, Blood on the Tracks. In 1974 Bob Dylan wrote,
recorded, reconsidered, and then re-recorded the best-selling
studio album of his career. Blood on the Tracks was composed as
Dylan's twelve-year marriage began to unravel, and songs like
Tangled Up in Blue and Shelter from the Storm have become templates
for multidimensional, adult songs of love and loss.Yet the story
behind the creation of this album has never been fully told; even
the credits on the present-day album sleeve are inaccurate. Dylan
recorded the album twice-once in New York City and again in
Minneapolis, with a rag-tag gang of local musicians, quickly
rewriting many of the songs in the process.For A Simple Twist of
Fate, the authors have interviewed the musicians and producers,
industry insiders, and others, creating an engaging chronicle of
how one musician channeled his pain and confusion into great art.
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