During a long career in journalism, Andy McSmith encountered Prime Minister Margaret Thatcher in a Siberian town called Bratsk; dined with Sir Edward Heath in his home in Salisbury; was mugged in the street while visiting Moscow with John Major; and knew Boris Johnson as a colleague with an ambition to be something more than just a journalist. Unusually, though, early in his career he abandoned journalism, to return after more than a decade as a left-wing political activist and playwright. This brought him into close contact with people he would never otherwise have met, including a Trotskyist with a weird millennial vision of the coming revolution, and the strike organiser who brought down leaders of the Polish Communist Party years before the Iron Curtain fell. Working full time for the Labour Party, he knew Gordon Brown and Tony Blair as new MPs, sharing a cramped office in Parliament. Before all that, he was a rebellious teenager who was hanging out with the hippies in San Francisco on the day the Beatles icon George Harrison paid a visit. A host of characters pass through this account of his long life – some highly successful, others not, each recalled in vivid detail.

Can great art be produced in a police state? Josef Stalin ran one of the most oppressive regimes in world history. Nevertheless, Stalinist Russia produced an outpouring of artistic works of immense power. More than a dozen great artists were visible enough for Stalin to take an interest in them - which meant he chose whether they were to live in luxury and be publicly honoured or to be sent to the Lubyanka for torture and execution. Journalist and novelist Andy McSmith brings together the stories of these artists, revealing how they pursued their art, often at great risk.

"He was surrounded on every side by those who wanted to be. Some wanted to be famous, some to be praised, some to be on television every night, some to be outstandingly loyal, some to be famously disloyal, some to be driven by chauffeurs in ministerial cars and some to be Prime Minister. They were breathing down his neck and pressing against his sides; but Joseph Pilgrim's life had been so full of what he wanted to do that he had never applied himself to wanting to be anything. He certainly had not expected to be a Member of Parliament, until that singular status rose up one evening and took over his life." Joseph Pilgrim is the hero of Andy McSmith's compelling fictional debut. Pilgrim has already made several wrong career moves before he is swept into the House of Commons by Labour's landslide in 1997, much to his own surprise. Ingenuous, though nobody's fool, he tries to avoid joining a system of patronage and sycophancy, but cannot stop himself from stumbling repeatedly upward towards success. It's not long before the Prime Minister is making inquiries about the mysterious newcomer and the front benches beckon. But when the story of a sexual peccadillo from long ago falls into the hands of Grub Street's grubbiest, Pilgrim's past returns to haunt him. Andy McSmith draws on long experience as a Labour Party press officer and political journalist to create a convincing and exciting tale of politics and scandal. His story is enlivened by cameo appearances of characters that bear an eerily close resemblance to real political figures.

'Affable, invisible... the man with a brilliant future behind him.' Thus Varsity magazine appraised Kenneth Clarke's term as President of the Cambridge Union in the summer of 1963. Dominated by his opposition to the admission of women students to the Union, Clarke's Presidency had been less than distinguished. But Varsity, like so many commentators throughout Clarke's political career, seriously underestimated a politician who, three decades later, has emerged as a strong man within a weak Conservative administration, often tipped as a possible successor to John Major should the bailiffs be summoned to Number Ten. Clarke, as Andy McSmith explains in this fast-paced and highly readable biography, is above all a survivor who has been a government minister since 1979. Despite his reputation as the 'thinking man's lager lout', Clarke is an old-fashioned 1960s One-Nation Tory who played the tough guy with considerable adroitness in order to survive under Thatcher's hard-line administration. Displaying the same joviality which has seen him sign up for both the Campaign for Social Democracy and the Conservative Club on arrival at Cambridge, Clarke frankly admitted in the 1970s that it was only the arithmetic of Britain's first-past-the-post election system which kept him in the same party as the British nationalists of the Tory right. His pragmatism served him well as he progressed from being the youngest high-flier in the Heath government to the Minister responsible for introducing the highly controversial 'internal market' in the NHS under Thatcher, and now to the happy position of Chancellor of the Exchequer with an economy recovering from recession. Clarke's presence at the heart of the Tory government demonstrates that the mix of free-market liberalism and British nationalism to which Mrs Thatcher gave her name never really took root in the Conservative government. Right-wing Tory rebels who plead that the EC is destroying Britain as a nation-state, or free-market ideologues who want to privitize whatever remains of the welfare state, find Kenneth Clarke an obstacle to their ambitions. From Clarke's point of view, social instability and trade barriers are bad for business. The rise and rise of this most flexible of politicians, according to Andy McSmith's engaging account, may not be enough to stop the cracks in a Tory Party now beyond repair.

The 1980s was the revolutionary decade of the twentieth century. To look back in 1990 at the Britain of ten years earlier was to look into another country. The changes were not superficial, like the revolution in fashion and music that enlivened the 1960s; nor were they quite as unsettling and joyless as the troubles of the 1970s. And yet they were irreversible. By the end of the decade, society as a whole was wealthier, money was easier to borrow, there was less social upheaval, less uncertainty about the future. Perhaps the greatest transformation of the decade was that by 1990, the British lived in a new ideological universe where the defining conflict of the twentieth century, between capitalism and socialism, was over. Thatcherism took the politics out of politics and created vast differences between rich and poor, but no expectation that the existence of such gross inequalities was a problem that society or government could solve - because as Mrs Thatcher said, 'There is no such thing as society ... people must look to themselves first.' From the Falklands war and the miners' strike to Bobby Sands and the Guildford Four, from Diana and the New Romantics to Live Aid and the 'big bang', from the Rubik's cube to the ZX Spectrum, McSmith's brilliant narrative account uncovers the truth behind the decade that changed Britain forever.