Policing youth probes beneath the media sensationalism surrounding youth crime in order to evaluate the workings of juvenile justice and the relationship between young people and practitioners in a key era of social change. The work of state representatives - the police, magistrates and probation officers - is mapped alongside discipline within families, neighbourhoods, schools and churches as well as the growing commercial sector of retail and leisure. Youth culture is considered alongside the social and moral regulation of everyday life. The book offers an important comparison of England and Scotland, uses a wide variety of sources (including criminal statistics, media, film and autobiography), and combines quantitative research methods with textual and spatial analysis. Individual chapters focus on police officers, the court system, violence, home and community, sexuality, commercial leisure and reform. This significant study will appeal to scholars and students of history, criminology, cultural studies, social policy and sociology. -- .

Fifth film in Disney's animated adventure series following Tinker Bell and her friends.

Lured by its magic powers, dust-keeper fairy Zarina steals the Blue Pixie Dust and joins the Skull Rock pirates who make her their captain. Without the dust Tinker Bell and her friends - Silvermist, Vidia, Iridessa, Rosetta and Fawn - will lose their ability to fly.

The fairies embark on a race against time to bring it back to Pixie Hollow but when Zarina switches their unique talents, their journey only becomes more challenging.

This book deals with post-war culture and society and the Edinburgh Festivals. The Edinburgh Festival is the world's largest arts festival. It has also been the site of numerous 'culture wars' since it began in 1947. Key debates that took place across the western world about the place of culture in society, the practice and significance of the arts, censorship, the role of organised religion, and meanings of morality were all reflected in contest over culture in the Festival City. This book explores the 'culture wars' of 1945-1970 and is the first major study of the origins and development of this leading annual arts extravaganza. This is the first critical history of the first 25 years of the world's biggest arts festival. It uses festivals (and key theatre ventures) in Edinburgh as a lens for understanding wider social and cultural change in post-war Britain. It draws upon a range of archival sources, including original oral history interviews with key players in the arts scene of Edinburgh and beyond.