The state is frequently conceived as a universal, although one apparently extraordinarily difficult to define. It often appears in academic discourse and, especially, in the popular imagination as an abstraction, usually nebulous, grasped as pervasive - a spectre to be feared. In this book, distinguished scholars from around the world take issue with this purported universality, exploring alternative imaginings of the state, of power and of global processes at the margins. Taking an anthropological perspective based in diverse ethnographic contexts outside Europe and North America, if not beyond their controlling influence in globalizing realities, this volume reveals different complexes of power, as well as processes that are external to power and often against it (contra Foucault, and as Pierre Clastres has famously argued). The authors stress not only the different structures of institutional power, but also the persistence or transmutation of local kinds of power and their relevant cosmologies into contemporary globalized settings. They find innovative kinds of modernity, reconfigurations that have effects that cannot be reduced to over-generalized and often intensely Eurocentric concepts of power and the kinds of subjectivities realized by them. In this, the volume opens up the diversity of experiences of the state and offers new directions for its study.

In various ways, the essays presented in this volume explore the structures and aesthetic possibilities of music, dance and dramatic representation in ritual and theatrical situations in a diversity of ethnographic contexts in Europe, the Americas, Africa and Asia. Each essay enters into a discussion of the "logic" of aesthetic processes exploring their social and political and symbolic import. The aim is above all to explore the way artistic and aesthetic practices in performance produce and structure experience. Angela Hobart is the coordinating lecturer at Goldsmiths College on Intercultural Therapy and lectures at the British Museum on the Art and Culture of South East Asia. Bruce Kapferer is Professor of Social Anthropology at the University of Bergen, Adjunct Professor at James Cook University and Honorary Professor at University College London.

In various ways, the essays presented in this volume explore the structures and aesthetic possibilities of music, dance and dramatic representation in ritual and theatrical situations in a diversity of ethnographic contexts in Europe, the Americas, Africa and Asia. Each essay enters into a discussion of the "logic" of aesthetic processes exploring their social and political and symbolic import. The aim is above all to explore the way artistic and aesthetic practices in performance produce and structure experience.

'Ambiguous sanctuaries' are places in which the sacred is shared. These exist in almost all religions: tombs of saints, mausoleums, monasteries and shrines, a revered mountain peak, a majestic tree, a cave or special boulders in the river. This book examines this phenomenon in diverse parts of the world: in Europe, the Middle East, Asia and Brazil. What these ritual spaces share is the capacity to unsettle and challenge people's experiences and understandings of reality, as well as to provoke the imagination, allowing universes of meanings to be interlinked. The spaces discussed reveal the many different ways the sacred can be shared. Different groups may once have visited sites that are nowadays linked to only one religion. The legacy of earlier religious movements is subtly echoed in the devotional forms, rituals, symbols or narratives (hagiographies) of the present, and the architectural settings in which they take place. In some pilgrimage sites, peoples of different faiths visit and take part in devotional acts and rituals - such as processing, offering candles, incenses and flowers - that are shared. The saints to whom a shrine is dedicated can also have a double identity. Such ambiguity has often been viewed through the lens of religious purity, and the exclusivity of orthodoxy, as confusion, showing a lack of coherence and authenticity. But the openness to interpretation of sacred spaces in this collection suggests a more positive analysis: that it may be through ambiguity transcending narrow confines that pilgrims experience the sanctity and power they seek. In the engaging and accessible essays that comprise Pilgrimage and Ambiguity the contributors consider the ambiguous forces that cohere in sacred spaces - forces that move us into the inspirational depths of human spirituality. In so doing, the essays bring us closer to a deeper appreciation of how ambiguity helps to define the human condition. This collection is one that will be read and debated for many years to come. Paul Stoller, West Chester University, Pennsylvania, 2013 Anders Retzius Gold Medal Laureate in Anthropology In a time of religious polarization, this fine collection of essays recalls that ambiguity, ambivalence and shared experience characterize the sacred as it is encountered in pilgrimages. Readers will travel through the Mediterranean, India, Pakistan and China, but also Western Europe and Amazonia, to discover saintly landscapes full of multiple meanings. Alexandre Papas, Senior Research Fellow, National Centre for Scientific Research, Paris

Here, Thierry Zarcone and Angela Hobart offer a vigorous and authoritative exploration of the link between Islam and shamanism in contemporary Muslim culture, examining how the old practice of shamanism was combined with elements of Sufism in order to adapt to wider Islamic society. Shamanism and Islam thus surveys shamanic practices in Central Asia, the Middle East, North Africa and the Balkans, to show how the Muslim shaman, like his Siberian counterpart, cultivated personal relations with spirits to help individuals through healing and divination. It explores the complexities and variety of rituals, involving music, dance and, in some regions, epic and bardic poetry, demonstrating the close links between shamanism and the various arts of the Islamic world. This is the first in-depth exploration of 'Islamized shamanism', and is a valuable contribution to the field of Islamic Studies, Religion, Anthropology, and an understanding of the Middle East more widely.

The state is frequently conceived as a universal, although one apparently extraordinarily difficult to define. It often appears in academic discourse and, especially, in the popular imagination as an abstraction, usually nebulous, grasped as pervasive - a spectre to be feared. In this book, distinguished scholars from around the world take issue with this purported universality, exploring alternative imaginings of the state, of power and of global processes at the margins. Taking an anthropological perspective based in diverse ethnographic contexts outside, or marginal to, Europe and North America, if not beyond their controlling influence in globalizing realities, this volume reveals different complexes of power, as well as processes that are external to power and often against it (contra Foucault, and as Pierre Clastres has famously argued). The authors stress not only the different structures of institutional power, but also the persistence or transmutation of local kinds of power and their relevant cosmologies into contemporary globalized settings. They find innovative kinds of modernity, reconfigurations that have effects that cannot be reduced to over-generalized and often intensely Eurocentric concepts of power and the kinds of subjectivities realized by them. In this, the volume opens up the diversity of experiences of the state and offers new directions for its study.