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Is there something like artistic exile? What share do planning and
calculation, coincidence and impermanence have in the creation of
artworks and exhibitions? Valérie Favre (*1959), an
internationally renowned painter, dedicates herself to these
questions with an unusual exhibition at the Berliner Galerie
Pankow. It opens up a continuously developing conversation with her
own works and with invited artists, poets, philosophers, and
sociologists. In all of this, the mysterious figure “La
Poulinière” plays an important role. Text in English and German.
The political collages of John Heartfield (1891-1968) have earned
him a reputation as one of the most innovative graphic artists of
the Weimar Republic. His photomontages and book covers based on
collages which had their origins in Berlin's Dada scene were
directed against Fascism and made him internationally famous. Their
explosive power has lost none of its impact today.
In Ulrike Flaig's art practice, the media of drawing, installation,
performance, and experimental music overlap. She describes her
works, among other things, as making images audible - and thus as
extensions of the art cosmos. Ulrike Flaig translates paintings
into installations set to music by making the structure of a
painting the basis for notations. The artist's analytical view and
reflection on art practices play a major role here. In her
research, she is as concerned with musical icons at the interface
of art and music as she is with literature and philosophy. The
publication conveys numerous cross-references and thoughts of the
artist and shows a further development of her statements.
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