Katharina Grosse (b. 1961) has created walkable artworks in three historical spaces within the Albertina in Vienna. The shimmering colour fields extends across the walls, ceiling and floor, crossing spatial and conceptual boundaries. Their power, intensity and sheer size is overwhelming. The catalogue documents the three-dimensional image world with detailed photos of the installations and pictures from the studio. Expansion and permanent boundary-crossing, freedom and autonomy form the basis of Grosse’s oeuvre. Her creative work is experimental and unpredictable, like untamed thoughts. Numerous photos from the artist’s personal archive provide an insight into her working methods and sources of inspiration, as well as the processes by which she develops her ideas.

George Segal’s ghostly figures are immediately recognizable, even by those who don’t know the artist’s name. Some are installed in public spaces, as if sitting on a park bench. This book explores his revolutionary technique of casting from live models, as well as his work across a variety of media, presenting him as a restless innovator. George Segal’s sculptures are unmistakable and inimitable. Among the most compelling artists in twentieth century art, Segal combined a reverence for tradition with a desire to speak in a contemporary idiom. His unique technique of casting live models using plaster and gauze and combining these ghostly white figures with objects of everyday use was revolutionary, catapulting him to fame in 1962. Including over 75 illustrations, the book and texts present Segal as a radical experimenter, a traditionalist, and a restless innovator who worked in paint, photography, printmaking, charcoal, and pastel.