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When Dubliner Edward Barrymore falls into the sea off Ballygally Head in north east Ulster, he thinks his end is nigh. Yet, from the darkness comes help in the form of Henry O'Halloran and his beguiling granddaughter, Ellen. Edward is immediately smitten by the beauty of the fair colleen and is enraptured to find she feels the same, but their happiness and that of their families and their country is threatened. Insurgency and rebellion are approaching and Ellen's grandfather, Edward's life-saver, is at the vanguard of the United men in this part of the country. Were the clouds of war not frightening enough, Ellen is also pursued by a monstrous cad who thinks nothing of having her beloved Edward murdered so he may take her for his own. In the dark of the night, when men with pikes will march against their royal masters, when cowards will skulk away and heroes rise, when neighbour will turn on neighbour and many a good man will fall, can love remain true, will honour repay its debts and what will become of O'Halloran, The Insurgent Chief? With forewords by Stephen Dornan, Ian Hooper, David Hume MBE, Angeline King, Stephen McCracken and Claire Mitchell. A re-publishing of the 1824 classic - a tale of two hearts united as Ireland rips herself apart. Note: The main body text of this work is in the Public Domain.
The festival tradition of Irish dancing has played a significant part in Ulster's culture over the past century. This historical account takes the reader on a journey from courtly ballrooms and cottage firesides across a landscape of barn dances, harvest homes, fancy dance classes, feiseanna and festivals, narrating how Catholic and Protestant children held hands in town halls, parochial halls and Protestant halls even when bombs splintered communities and deepened mistrust. Highlighting the various provincial towns that nurtured and helped grow the festival movement throughout the 20th century, Angeline's work explores significant figures in the development of both 'feis' and `festival', the champion dancers, influential teachers and unsung community `heroes' who kept this cross-community activity alive. Containing source and archive material drawn from newspaper reports dating back to the 1700s, Ordnance surveys, diaries, journals and interviews with more than 80 of the 20th century's festival dance teachers and pupils, this work will fill a significant gap in Irish dancing publications and appeal to the tens of thousands of current and former festival Irish dancers and Irish dancing enthusiasts in Northern Ireland and further afield.
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