Evolving from a conversation between Joshua Whitehead and Angie Abdou, Indigiqueerness is part dialogue, part collage, and part memoir. Beginning with memories of his childhood poetry and prose and travelling through the library of his life, Whitehead contemplates the role of theory, Indigenous language, queerness, and fantastical worlds in all his artistic pursuits. This volume is imbued with Whitehead’s energy and celebrates Indigenous writers and creators who defy expectations and transcend genres.

Digger, an 85 kilo wrestler, and Sadie, a 26-year-old speed swimmer, stand on the verge of realizing every athlete' s dream-- winning a gold medal at the Olympics. Both athletes are nearing the end of their athletic careers, and are forced to confront the question: what happens to athletes when their bodies are too old and injured to compete? The blossoming relationship between Digger and Sadie is tested in the all-important months leading up to the Olympics, as intense training schedules, divided loyalties, and unpredicted obstacles take their draining toll. The Olympics, as both of them are painfully aware, will be the realization or the end of a life' s dream. The Bone Cage captures the physicality, sensuality, and euphoric highs of amateur sport, and the darker, cruel side of sport programs that wear athletes down and spit them out at the end of their bloom. With realism and humour, author Angie Abdou captures athletes on the brink of that transition-- the lead-up to that looming redefinition of self-- and explores how people deal with the loss of their dream.

Winner of the Gold Medal for Western Canadian Fiction at the 2012 Independent Publisher (IPPY) Book Awards It's the last ski weekend of the season and a mishmash of snow-enthusiasts is on its way to a remote backwoods cabin. In an odd pilgrimage through the mountains, the townsfolk of Coalton--from the ski bum to the urbanite--embark on a bizarre adventure that walks the line between comedy and tragedy. As the rednecks mount their sleds and the hippies snowshoe through the cedar forest, we see rivals converge for the weekend. While readers follow the characters on their voyage up and over the mountain, stereotypes of ski-town culture fall away. Loco, the ski bum, is about to start his first real job; Alison, the urbanite, is forced to learn how to wield an avalanche shovel; and Michael, the real estate developer, is high on mushroom tea. In a blend of mordant humour and heartbreak, Angie Abdou chronicles a day in the life of these industrious few as they attempt to conquer the mountain. In an avalanche of action, Angie Abdou explores the way in which people treat their fellow citizens and the landscape they love.

In this carefully curated collection of essays, editors Jamie Dopp and Angie Abdou go beyond their first collection, Writing the Body in Motion, to engage with the meaning of sport found in Canadian sport literature. How does “sport” differ from physically risky recreational activities that require strength and skill? Does sport demand that someone win? At what point does a sport become an art? With the aim of prompting reflections on and discussions of the boundaries of sport, contributors explore how literature engages with sport as a metaphor, as a language, and as bodily expression. Instead of a focus on what is often described as Canada’s national pastime, contributors examine sports in Canadian literature that are decidedly not hockey. From skateboarding and parkour to fly fishing and curling, these essays engage with Canadian histories and broader societal understandings through sports on the margin. Interspersed with original reflections by iconic Canadian literary figures such as Steven Heighton, Aritha Van Herk, Thomas Wharton, and Timothy Taylor, this volume is fresh and intriguing and offers new ways of reading the body.