aThe Chicana/o Cultural Studies Forum conveys all the lucidity, passion, dynamism, and insightfulness of the field over several generations of scholars. The book captures the deeply collective character that Chicana/o cultural studies has exemplified since its beginnings.a
--Mary Louise Pratt, New York University

The Chicana/o Cultural Studies Forum brings together a diverse group of scholars whose work spans the interdisciplinary fields of Chicana/o studies and cultural studies. Editor Angie Chabram-Dernersesian provides an overview of current debates, locating Chicana/o cultural criticism at the intersections of these fields. She then acts as moderator of a virtual roundtable of critics, including Frances Aparicio, Lisa Lowe, George Lipsitz, Wahneema Lubiano, Renato Rosaldo, Jose David Saldivar, and Sonia Saldivar-Hull.

This highly collaborative and deeply interdisciplinary project addresses the questions: What is the relationship between Chicana/o studies and cultural studies? How do we do cultural studies from within Chicana/o cultural studies? How do Chicana/o cultural studies formations (hemispheric, borderland, and feminist) intermingle? The lively conversations documented here attest to the vitality and spirit of Chicana/o cultural studies today and track the movements between disciplines that share an interest in the study of culture, power relations, identity, and representation.

This book offers a unique resource for understanding not just the development of Chicana/o cultural studies, but how new social movements and epistemologies travel and affiliate with progressive forms of social inquiry in the global era.

The first and only book of its kind, The Chicana/o Cultural Studies Reader brings together key writings from experts and contributors in this newly-emerging field.

The articles embrace a broad range of writing on culture, including TV, film, art, music, dance, theatre and literature. They capture the shifting terrain of Chicana/o cultural studies, and reflect the changing social and cultural condition of Chicana/os in the United States.

The sections, each contributed by different authors, all feature an editor 's introduction, and each one addresses a central issue in Chicana/o cultural studies. These key issues include:

* the border
* identity
* sexuality and gender identities
* the relationship between Chicana/o theories and academia.

With such a range of essays from the contributors and experts in the field, this book will be a vital addition to all courses on Chicana/o cultural studies and Latin American studies.

Each issue of this pioneering journal reveals important new perspectives on cultural manifestations and expression in all their manifestations-from Shakespeare to the X-Files, at pop festivals and in living rooms, in the workplace, in academia, in cyberspace and beyond-as they engage with issues of ethnicity, gender and sexuality and other issues of identity, community and change.

The Chicana/o Cultural Studies Reader brings together key writings in this newly-emerging field. Articles embrace a broad range of writing on culture including TV, film, art, music, dance, theatre and literature, capturing both the shifting terrain of Chicana/o cultural studies and reflecting the changing social and cultural condition of Chicanas/os in the United States. Each section features an editor's introduction and addresses a central issue in Chicana/o cultural studies, including the border, identity, sexuality, and the relationship between Chicana/o theories and academia. Includes essays by: Norma Alarcn, Alicia Gaspar de Alba, Gloria Anzald.a, Frances Aparicio, Ines Hernandez-Avila, Yvonne Yarbro-Bejarano, Charles Ramirez-Berg, Mary Pat Brady, Richard Chabin, C. Ondine Chavoya, Raoul Coronado Jr, Roberto Delgado, Angie Chabram-Dernersesian, Rosa Linda Fregoso, Ramon Garcia, Yolanda Broyles-Gonzalez, Lisa Sanchez-Gonzalez, Sonia Salvadar-Hull, Josh Kun, George Lipsitz, Jorge Mariscal, Frances Negrn-Mutaneur, Carmen Huaco-Nuzum, Michelle Habell-Pallan, Emma Perez, Beatriz Pita, Alvina Quintana, Ray Rocco, David Roman, Renato Rosaldo Jr, Jose David Salvidar, Ramn Salvadar, Ge

In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music, theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology.

aThe Chicana/o Cultural Studies Forum conveys all the lucidity, passion, dynamism, and insightfulness of the field over several generations of scholars. The book captures the deeply collective character that Chicana/o cultural studies has exemplified since its beginnings.a
--Mary Louise Pratt, New York University

The Chicana/o Cultural Studies Forum brings together a diverse group of scholars whose work spans the interdisciplinary fields of Chicana/o studies and cultural studies. Editor Angie Chabram-Dernersesian provides an overview of current debates, locating Chicana/o cultural criticism at the intersections of these fields. She then acts as moderator of a virtual roundtable of critics, including Frances Aparicio, Lisa Lowe, George Lipsitz, Wahneema Lubiano, Renato Rosaldo, Jose David Saldivar, and Sonia Saldivar-Hull.

This highly collaborative and deeply interdisciplinary project addresses the questions: What is the relationship between Chicana/o studies and cultural studies? How do we do cultural studies from within Chicana/o cultural studies? How do Chicana/o cultural studies formations (hemispheric, borderland, and feminist) intermingle? The lively conversations documented here attest to the vitality and spirit of Chicana/o cultural studies today and track the movements between disciplines that share an interest in the study of culture, power relations, identity, and representation.

This book offers a unique resource for understanding not just the development of Chicana/o cultural studies, but how new social movements and epistemologies travel and affiliate with progressive forms of social inquiry in the global era.

In compelling first-person accounts, Latinas speak freely about dealing with serious health episodes as patients, family caregivers, or friends. They show how the complex interweaving of gender, class, and race impacts the health status of Latinas--and how family, spirituality, and culture affect the experience of illness.
Here are stories of Latinas living with conditions common to many: hypertension, breast cancer, obesity, diabetes, depression, osteoarthritis, rheumatoid arthritis, dementia, Parkinson's, lupus, and hyper/hypothyroidism. By bringing these narratives out from the shadows of private lives, they demonstrate how such ailments form part of the larger whole of Latina lives that encompasses family, community, the medical profession, and society. They show how personal identity and community intersect to affect the interpretation of illness, compliance with treatment, and the utilization of allopathic medicine, alternative therapies, and traditional healing practices. The book also includes a retrospective analysis of the narratives and a discussion of Latina health issues and policy recommendations.
These Latina cultural narratives illustrate important aspects of the social contexts and real-world family relationships crucial to understanding illness. "Speaking from the Body" is a trailblazing collection of personal testimonies that integrates professional and personal perspectives and shows that our understanding of health remains incomplete if Latina cultural narratives are not included.

Stuart Hall's retirement from the Open University in 1997 provided a unique opportunity to reflect on an academic career which has had the most profound impact on scholarship and teaching in many parts of the world. From his early work on the media, through his influential re-working of Gramsci for the analysis of Britain in the late 1970s, through his considered debates on Thatcherism and more recently on "race" and new ethnicities, Hall has been an inspirational figure for generations of academics. He has helped to make universities places where ideas and social commitment can exist alongside each other. This collection invites a wide range of academics who have been influenced by Stuart Hall's writing to contribute not a memoir or a eulogy but an engaged piece of social, cultural or historical analysis which continues and develops the field of thinking opened up by Hall. The topics covered include identity and hybridity, history and post-colonialism, pedagogy and cultural politics, space and place, globalization and economy, modernity and difference.

In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music, theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology.