Realist drama from Ealing Studios, based on a novel by Arthur La Bern and set in London's working-class East End just after World War 2. The action unfolds over the course of one dismal, rainy Sunday. Tommy Swann (John McCallum) has escaped from Dartmoor prison and turns up at the drab East End home of his former love Rose (Googie Withers), who is now married to the staid George (Edward Chapman) with three children. Rose has a difficult decision to make: should she help Tommy, or put her marriage - and the claustrophobic domesticity it entails - first?

Realist drama from Ealing Studios, based on a novel by Arthur La Bern and set in London's working-class East End just after World War 2. The action unfolds over the course of one dismal, rainy Sunday. Tommy Swann (John McCallum) has escaped from Dartmoor prison and turns up at the drab East End home of his former love Rose (Googie Withers), who is now married to the staid George (Edward Chapman) with three children. Rose has a difficult decision to make: should she help Tommy, or put her marriage - and the claustrophobic domesticity it entails - first?

Classic Ealing comedy. During the Second World War, the inhabitants of a small Hebridean island are wilting under a chronic shortage of whisky. When a ship is wrecked on the shore, it is discovered to contain 50,000 cases of malt, which are promptly appropriated by the menfolk of the island. All is well until an English Home Guard commander - determined to see the whisky restored to its rightful owners - calls in Her Majesty's Customs, and the islanders make frantic attempts to hide their treasured alcoholic booty!

6-movie collection of Hitchcock classics features.

North By Northwest:
North By Northwest is a suspense thriller that finds Cary Grant in the role of Roger Thornhill, a Manhattan advertising executive mistaken for a spy. Considered by many to be the prototypical pure action movie (creating the template for later James Bond and Indiana Jones films), the film is a cross-country roller-coaster ride with Alfred Hitchcock at the helm. The film is duly famous for several classic and indelible scenes, including the desert biplane encounter and the Mt. Rushmore climax.

The Wrong Man:
Hitchcock movie starring Henry Fonda and Vera Miles. Manny Ballestero is an honest hardworking musician at New York's Stork Club. When his wife needs money for dental treatment, Manny goes to the local insurance office to borrow on her policy. Employees at the office mistake him for a hold-up man who robbed them the year before and the police are called. The film tells the true story of what happened to Manny and his family.

Dial M For Murder:
Classic Hitchcock movie starring Grace Kelly and Ray Milland. Ex-tennis pro Tony Wendice decides to murder his wife for her money and because she had an affair the year before. He blackmails an old college associate to strangle her, but when things go wrong he sees a way to turn events to his advantage.

I Confess:
Hitchcock movie starring Montgomery Clift and Anne Baxter. Otto Kellar and his wife Alma work as caretaker and housekeeper at a Catholic church in Quebec. Whilst robbing a house where he sometimes works as a gardener, Otto is caught and kills the owner. Racked with guilt he heads back to the church where Father Michael Logan is working late. Otto confesses his crime, but when the police begin to suspect Father Logan he cannot reveal what he has been told in the confession.

Strangers On A Train:
Based on the Patricia Highsmith novel, Strangers On A Train quickly became one of Alfred Hitchcock's most successful thrillers and remains one of his most popular films. En route from Washington, D.C., champion tennis player Guy Haines (Farley Granger) meets pushy playboy Bruno Anthony (Robert Walker). What begins as a chance encounter turns into a series of morbid confrontations, as Bruno manipulates his way into Guy's life. Bruno is eager to kill his father and knows Guy wants to marry a senator's daughter (Ruth Roman) but cannot get a divorce from his wife, Miriam (Laura Elliot). So Bruno suggests the men swap murders, which would leave no traceable clues or possible motives. Though Guy refuses, it will not be so easy to rid himself of the psychopathic Bruno. The film is tightly paced and disturbing from beginning to end, an effect heightened by Hitchcock's inventive camera work, including a terrifying sequence shot through a pair of eyeglasses that have been knocked to the ground.

Stage Fright:
Hitchcock movie starring Jane Wyman and Marlene Dietrich. Jonathan Cooper is wanted by the police who suspect him of killing his lover's husband. His friend Eve Gill offers to hide him and Jonathan explains to her that his lover, actress Charlotte Inwood is the real murderer. Eve decides to investigate for herself, but when she meets the detective in charge of the case, she starts to fall in love.

Double bill of 1940s classics from Ealing Studios. In 'The Foreman Went to France' (1941), after his bosses have sold three machines for making fighter cannons to a French company, an English factory foreman (Clifford Evans) travels to France in 1940 in order to engineer the smuggling of the vital machinery out of the country before the invading Germans can get their hands on it. Whilst in France he meets two British soldiers (Tommy Trinder and Gordon Jackson) who agree to help him as it soon becomes a race against time. In 'Fiddlers Three' (1944), a couple of sailors (Trinder and Sonnie Hale) are on shore leave and decide to visit Stonehenge. Whilst there they rescue a damsel in distress (Frances Day) and all three get struck by lightning at midnight. This transports them back in time to ancient Rome and they find themselves slaves who very soon are on their way to the arena and the mouth of a lion.

Triple bill of comedies starring Will Hay. 'Radio Parade of 1935' (1934) was one of the first screen outings for Hay. He plays the Director General of the National Broadcasting Group (NBG) who hides away in his office unaware that the general feeling about his programming is that it is too high-brow and the public are not happy. However, when he discovers this he decides to take action and promotes Jimmy, his Head of the Complaints Department, to Programme Director. Jimmy decides that a series of variety spectaculars are what the public want and sets about hiring the acts. But obstacles are put in his way and he discovers that the NBG has its own cluster of wannabe variety stars. In 'The Ghost of St Michaels' (1941), the outbreak of the Second World War results in the boys' school of St Michaels relocating to Dubain Castle on the Isle of Skye. The new schoolmaster (Hay) scoffs at the legends of a ghostly piper which haunts the castle - until two headmasters come to a grisly end. Who will become the next victim of the phantom piper? In 'The Black Sheep of Whitehall' (1942), Hay plays Professor Davis, the intrepid head of a correspondence college. Davis gets wind of the fact that a Nazi spy has infiltrated an economic delegation with the intent of undermining attempts to reach a trade agreement between Great Britain and certain South American countries. The effort to expose the dastardly fellow sees Hay adopt various disguises in a steady onslaught of mistaken-identity comedy.

Classic Ealing comedy. During the Second World War, the inhabitants of a small Hebridean island are wilting under a chronic shortage of whisky. When a ship is wrecked on the shore, it is discovered to contain 50,000 cases of malt, which are promptly appropriated by the menfolk of the island. All is well until an English Home Guard commander - determined to see the whisky restored to its rightful owners - calls in Her Majesty's Customs, and the islanders make frantic attempts to hide their treasured alcoholic booty!

William Fitch (Will Hay, in his last film) is a disbarred barrister now summoned to court to face charges of sending begging letters. Falling back on his legal skills, Fitch manages to make mincemeat of the cross examining lawyer, Claude Bobbington (Claude Hulbert), and is found not guilty. However, this lucky streak does not last for long; a madman Fitch helped put in prison years earlier has now escaped, and is out for revenge. Fitch turns to Claude for help, but the pair fail to convince the constabulary that there is a real threat to Fitch's life, and are forced to track down the convict themselves.