The theatre is the central theme of this fourth volume in our series titled 'Art Brut - The Collection', published to coincide with the fourth Art Brut Biennale. After exploring architecture, vehicles, and bodies, attention turns to the theatre, a theme that is developed in its various aspects. The simplest example is the depiction of theatrical architecture, as in the work of Eugen Gabritschevsky or Victorien Sardou. Other artists create works that are intimately connected to the world of theatre, however without necessarily being a part of it. For example, for Giovanni Battista Podesta or Vahan Poladian, a public stage is a place where they put on a 'performance' that responds to a society that consigns them to its margins. Their intrinsically ephemeral approach uses clothing or accessories as a means of communication and to have their voices or protestations heard. Other artists conceive whole cosmogonies that take the form of a gigantic staging of a fanciful, phantasmagoric world, as in the case of Aloise Corbaz, whose work is to be viewed as a 'Theatre of the universe', or in that of Marguerite Burnat-Provins, with her graphic work titled 'Ma Ville'. The book includes over 100 illustrations, many of which are published for the first time, carefully chosen to enable the reader to explore the theme of the theatre in Outsider Art, or Art Brut. Also available in the series: Vehicles ISBN 9788874396580, Architecture ISBN 9788874397105, Body ISBN 9788874397884.

This catalogue for the 5th Art Brut Biennial at the Collection de l'Art Brut in Lausanne highlights the museum's holdings with a focus on the subject of belief. In a wide range of mediums, the show reveals the particular link between Art Brut and Outsider artists, religion, and the occult. The subjects of these works include deities, saints, religious figures, as well as abstract compositions, symbolist paintings, and ritual objects. With their diverse and original representations of belief, these artists transcend the often difficult conditions of their lives.

Carlo Zinelli is one of the leading figures in Art Brut. Contains previously unpublished archive material. Lavishly illustrated and published to accompany an exhibition at Art Brut Collection, Lausanne, 7 June - 2 December 2019. Carlo Zinelli, called Carlo (1916-1974), is one of the leading figures in Art Brut, along with Aloïse Corbaz and Adolf Wölfli. The book devoted to him by Collection de l'Art Brut, in Lausanne - the public institution that possesses the largest body of work by the Italian artist - gathers together a series of articles on Zinelli by experts in different disciplines. This makes it possible to give due weight to relatively neglected aspects of a rich and diverse opus, such as Carlo's writings, which mingle with his graphic compositions, well known for their characteristic accumulation of motifs, especially stylised human beings and animals, as well as vehicles. This bilingual book is lavishly illustrated throughout with reproductions of Zinelli's paintings and many photographs, several of which are by John Phillips, as well as previously unpublished archive material. Text in English and French.