To save his father from execution for treason, the Bravo Giovanni agrees to act as an assassin for The Council of Ten, and ruthlessly carries out their orders for targeted killings against real or imagined enemies of the Serene Republic of Venice in Italy. Inevitably, the Council members begin using the Bravo for their own purposes. When the Count de Bellamonte lusts after a helpless orphan girl, he forces Giovanni to eliminate her protector. But the girl's mother, the most sought-after courtesan in Venice, uses all her power and influence to protect her daughter. The play, adapted from a novel by American writer James Fenimore Cooper, is filled with eerie beauty and quiet horror--like Venice itself, a gondola of pretty pearls rocking gently on the murky, putrefying, garbage-laden waves of its many canals.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Robespierre Oder Der Neunte Thermidor: Drama In 3 Th. U. 8 Bildern: Ein Gemalde D. Franz. Revolution Im Jahre 1794 Auguste Anicet-Bourgeois, Francis Cornu, Georg Ball Winter, 1832

In 1828 a young man in rags appeared in the German city of Nurnberg, saying that he'd been kept isolated in a dungeon all of his life. Was he the bastard offshoot of some noble or royal family, secreted away to preserve the honor of the house? Within a few months he was dead under mysterious circumstances, his mystery still unsolved. CASPER HAUSER uses the uproar caused by Hauser's emergence to focus the white heat of the authors' indignation on the systematic maltreatment of individuals solely to spare the feelings of the rich and powerful elements of society. The anger of the playwrights permeates this straightforward, exceptionally powerful tale of a young man who never had a chance of living a normal life. The drama still plays well to a modern audience

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Paris. Mid-19th century. As the old aristocracy dies off, vast inheritances become the object of a colossal struggles between the forces of good and evil. The stalwart Comte de Kergaz and the dashing reformed courtesan known as Baccarat clash with the infamous Club of the Jack of Hearts; their leader is none other than Armand's half-brother, the evil Andrea, a.k.a. Sir Williams. Standing alone in the midst of this struggle is Rocambole, a resourceful young man who owes allegiance to none but himself and whose actions will eventually tilt the balance. The immortal hero created in 1857 by Ponson du Terrail stars here in two plays, one written contemporaneously in 1864 chronicling the fall of the Jack of Hearts, and the other, a modern adaptation penned in 1951 revisiting the very first exploits of a young Rocambole. Both are translated by playwright Frank J. Morlock who also adapted Lord Ruthven the Vampire, The Return of Lord Ruthven and the Arshne Lupin vs Sherlock Holmes stage play for Black Coast Press.