Ginger and the gang are back in Chicken Run: Dawn of the Nugget – Sticker Activity Book, an activity book based on the eagerly anticipated sequel to Chicken Run, the highest-grossing animated film of all time. Having pulled off a death-defying escape from Tweedy’s farm, Ginger has finally found her dream — a peaceful island sanctuary for the whole flock, far from the dangers of the human world. When she and Rocky hatch a little girl called Molly, Ginger’s happy ending seems complete. But back on the mainland the whole of chicken-kind faces a new and terrible threat. For Ginger and her team, even if it means putting their own hard-won freedom at risk — this time, they’re breaking in! Relive the egg-cellent adventure of Chicken Run: Dawn of the Nugget in this official Sticker Activity Book, based on the eagerly anticipated Netflix sequel from Aardman, creators of Wallace & Gromit, Shaun the Sheep and Morph. This action-packed activity book is filled with scenes to search, puzzles to complete and over 400 stickers to use wherever you want! Featuring incredible artwork taken from the animation, this sticker book is perfect for Chicken Run fans of all ages!

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Ginger and the gang are back in this junior novel of Chicken Run: Dawn of the Nugget, the eagerly anticipated sequel to Chicken Run, the highest-grossing animated movie of all time. Having pulled off a death-defying escape from Tweedy’s farm, Ginger has finally found her dream — a peaceful island sanctuary for the whole flock, far from the dangers of the human world. When she and Rocky hatch a little girl called Molly, Ginger’s happy ending seems complete. But back on the mainland the whole of chicken-kind faces a new and terrible threat. For Ginger and her team, even if it means putting their own hard-won freedom at risk — this time, they’re breaking in! Chicken Run: Dawn of the Nugget – The Junior Novel is based on the eagerly anticipated Netflix sequel from Aardman, creators of Wallace & Gromit, Shaun the Sheep and Morph. The action-packed adventure comes to life in this novelisation for young readers, packed with amazing illustrations, laugh-out-loud text and bite-sized chapters. Turn to the middle of the book to discover cool character profiles and full-colour artwork from the film! Featuring incredible artwork taken from the animation, this adventurous and hilarious story is perfect for Chicken Run fans of all ages!

Ginger and the gang are back in this official picture book of Chicken Run: Dawn of the Nugget, the eagerly anticipated sequel to Chicken Run, the highest-grossing animated movie of all time. Having pulled off a death-defying escape from Tweedy’s farm, Ginger has finally found her dream — a peaceful island sanctuary for the whole flock, far from the dangers of the human world. When she and Rocky hatch a little girl called Molly, Ginger’s happy ending seems complete. But back on the mainland the whole of chicken-kind faces a new and terrible threat. For Ginger and her team, even if it means putting their own hard-won freedom at risk — this time, they’re breaking in! Chicken Run: Dawn of the Nugget – The Official Book of the Film is the picture book based on the eagerly anticipated Netflix sequel from Aardman, creators of Wallace & Gromit, Shaun the Sheep and Morph. This action-packed storybook brings the film to life for young fans, with stunning artwork, character profiles and laugh-out-loud text – perfect for reading together. Featuring incredible artwork taken from the animation, this adventurous and hilarious story is perfect for picture book lovers and Chicken Run fans of all ages

Principles of Interrogation discusses the effective and efficient application of professional attitudes and procedures in Interrogation. It places much emphasis on the efficient planning of Interrogation for the achievement of maximum best possible results, focusing on National Security Issues.

Shifting the focus from poetry to the novel; from Afro-Cuban writing to the representation of Asian-Caribbean women; from the oral tradition to the scribal, this critical anthology develops the debate concerning ways of reading Caribbean women's literature. Framing The Word offers challenging perspectives from writers and critics alike writing and/or teaching in the Caribbean, the UK and the USA. Reflecting on the diversity within that body of literature generally known as Caribbean women's writing, Framing The Word moves beyond the celebratory to explore and substantiate the central questions of gender and genre. This book will be of special interest to students, teachers and a wider readership interested to become better informed about this remarkable and vibrant new writing. Contents Isms and Schisms in the Critical Frame Framing The Word: Caribbean Women's Writing ?Merle Collins, Associate Professor in Creative Writing, University of Maryland, USA En/Gendering Spaces: The Poetry of Marlene Nourbese Philip and Pamela Mordecai?Elaine Savory, New School for Social Research, New York, USA Writing for Resistance: Nationalism and Narratives of Liberation ?Alison Donnell, Lecturer in Post-Colonial Literatures, Nottingham Trent University, England Jamaica Kincaid's Prismatic Self and the Decolonialisation of Language and Thought ?Giovanna Covi, Researcher in English Language and Literature, University of Trento, Italy Views from Within and Betwixt Genres Figures of Silence and Orality in the Poetry of M. Nourbese Philip?David Marriott, Lecturer in Literary and Cultural Studies, Queen Mary and Westfield College, London, England Saint Lucian Lawoz and Lamagwit Songs Within the Caribbean and African Tradition?Morgan Dalphinis, Senior Lecturer/Caribbean Coordinator, Handsworth College, Birmingham, England Keeping Tradition Alive?Jean Buffong, Writer New Encounters: Availability, Acceptability and Accessibility of New Literature from Caribbean Women?Susanna Steele Senior Lecturer, University of Greenwich. and Joan Anim-Addo in Conversation Children Should Be Seen and Spoken To: or ... Writing For and About Children?Thelma Perkins, Teacher, South East London, England 'A World Of Caribbean Romance': Reformulating the Legend of Love or: 'Can a Caress be Culturally Specific?'?Jane Bryce, Lecturer in African Literature, Cave Hill Department of English, University of the West Indies Houses and Homes: Elizabeth Jolley's Mr Scobie's Riddle and Beryl Gilroy's Frangipani House?Mary Conde Lecturer in English, School of English and Drama, Queen Mary and Westfield College, London, England. Beyond the Divide of Language Women Writers in Twentieth Century Cuba: An Eight-Point Survey?Catherine Davies, Professor, Department of Spanish and Portuguese, Manchester University, England. Patterns of Resistance in Afro-Cuban Women's Writing: Nancy Morejon's 'Amo a mi amo' ?Conrad James, Lecturer, Department of Spanish and Italian, University of Durham, England Encoding the Voice: Caribbean Women's Writing and Creole ?Susanne Muhleisen, Lecturer in Linguistics, Department of English, University of Hanover, Germany. Surinam Women Writers and Issues of Translation?Petronella Breinburg, Head of the Caribbean Centre, Goldsmiths' College, London, England. Out of a Diverse Caribbean Womanhood Frangipani House Beryl Gilroy Writer 'One of the Most Beautiful Islands in the World and One of the Unluckiest': ?Jean Rhys and Dominican National Identity Thorunn Lonsdale, Researcher, Queen Mary and Westfield College, London, England Audacity and Outcome: Writing African-Caribbean Womanhood Joan Anim-Addo Coming Out of Repression: Lakshmi Persaud's Butterfly in the Wind?Kenneth Ramchand, Professor of West Indian Literature, University of the West Indies, St Augustine, and Professor of English, Colgate University, New York.

Return to Paris with Marinette and Adrian in the manga of the beloved animated series, now streaming on Netflix and Disney+! Marinette is your typical high school student: cheery and a little clumsy. Not so typical? She can transform into a superhero! As the confident, masked Ladybug, Marinette guards the streets of the City of Lights alongside Cat Noir, another superhero who, unbeknownst to Marinette, is her classmate Adrian, and her crush! Adrian doesn't know who Ladybug is, either, but he's crushing on her, too. Supervillains, school, and criss-crossed crushes? As if being a teenager and a crime fighting superhero wasn’t enough!