In Abundance, Anjali Arondekar refuses the historical common sense that archival loss is foundational to a subaltern history of sexuality, and that the deficit of our minoritized pasts can be redeemed through acquisitions of lost pasts. Instead, Arondekar theorizes the radical abundance of sexuality through the archives of the Gomantak Maratha Samaj—a caste-oppressed devadasi collective in South Asia—that are plentiful and quotidian, imaginative and ordinary. For Arondekar, abundance is inextricably linked to the histories of subordinated groups in ways that challenge narratives of their constant devaluation. Summoning abundance over loss upends settled genealogies of historical recuperation and representation and works against the imperative to fix sexuality within wider structures of vulnerability, damage, and precarity. Multigeneric and multilingual, transregional and historically supple, Abundance centers sexuality within area, post/colonial, and anti/caste histories.

In Abundance, Anjali Arondekar refuses the historical common sense that archival loss is foundational to a subaltern history of sexuality, and that the deficit of our minoritized pasts can be redeemed through acquisitions of lost pasts. Instead, Arondekar theorizes the radical abundance of sexuality through the archives of the Gomantak Maratha Samaj—a caste-oppressed devadasi collective in South Asia—that are plentiful and quotidian, imaginative and ordinary. For Arondekar, abundance is inextricably linked to the histories of subordinated groups in ways that challenge narratives of their constant devaluation. Summoning abundance over loss upends settled genealogies of historical recuperation and representation and works against the imperative to fix sexuality within wider structures of vulnerability, damage, and precarity. Multigeneric and multilingual, transregional and historically supple, Abundance centers sexuality within area, post/colonial, and anti/caste histories.

Staging a much-needed conversation between two often-segregated fields, this issue addresses the promising future of queer and area studies as collaborative formations. Within queer studies, the turn to geopolitics has challenged the field's logics of time, space, and culture, which have routinely been rooted in the United States. For area studies, the focus on diaspora, forced migration, and other transnational trajectories has unmoored the geopolitical from the stability of nations as organizing concepts. The contributors to this issue seek to imagine and broker conversations between the two fields in which "area" becomes the form through which epistemologies of empire and market are critiqued. Histories of debt bondage; sexuality, and indentured labor; Afro-pessimism in African studies; trans theater facing obdurate transits; religion and the politics of Dalit modernity; the biopolitics of maiming: these are some of the conduits through which the authors approach a queer geopolitics. Contributors: Anjali Arondekar, Ashley Currier, Aliyah Khan, Keguro Macharia, Therese Migraine-George, Maya Mikdashi, Geeta Patel, Jasbir K. Puar, Lucinda Ramberg, Neferti Tadiar, Diana Taylor, Ronaldo Wilson

This book is conceived as a reader for use in American studies, Asian American studies, ethnic studies, gender studies, lesbian/gay/bisexual/transgender studies, performance studies, and queer studies. It also contains new scholarship on Asian/American sexualities that would be useful for faculty and students. In particular, this volume highlights materials that receive little academic attention such as works on Southeast Asian migrants, mixed race cultural production, and Asian/American pornography. As an interdisciplinary anthology, this collection weaves together various forms of 'knowledge'_autobiographical accounts, humanistic research, community-based work, and artistic expression. Responsive to the imbrication of knowledge and power, the authors aspire to present a diverse sample of discourses that construct Asian/American bodies. They maintain that the body serves as the primary interface between the individual and the social, yet, as Elizabeth Grosz noted over a decade ago, feminist theory, and gender and sexuality studies more generally, 'has tended, with some notable exceptions, to remain uninterested in or unconvinced about the relevance of refocusing on bodies in accounts of subjectivity.' This volume attempts to address this concern.

Anjali Arondekar considers the relationship between sexuality and the colonial archive by posing the following questions: Why does sexuality (still) seek its truth in the historical archive? What are the spatial and temporal logics that compel such a return? And conversely, what kind of “archive” does such a recuperative hermeneutics produce? Rather than render sexuality’s relationship to the colonial archive through the preferred lens of historical invisibility (which would presume that there is something about sexuality that is lost or silent and needs to “come out”), Arondekar engages sexuality’s recursive traces within the colonial archive against and through our very desire for access.The logic and the interpretive resources of For the Record arise out of two entangled and minoritized historiographies: one in South Asian studies and the other in queer/sexuality studies. Focusing on late colonial India, Arondekar examines the spectacularization of sexuality in anthropology, law, literature, and pornography from 1843 until 1920. By turning to materials and/or locations that are familiar to most scholars of queer and subaltern studies, Arondekar considers sexuality at the center of the colonial archive rather than at its margins. Each chapter addresses a form of archival loss, troped either in a language of disappearance or paucity, simulacrum or detritus: from Richard Burton’s missing report on male brothels in Karáchi (1845) to a failed sodomy prosecution in Northern India, Queen Empress v. Khairati (1884), and from the ubiquitous India-rubber dildos found in colonial pornography of the mid-to-late nineteenth century to the archival detritus of Kipling’s stories about the Indian Mutiny of 1857.

This book is conceived as a reader for use in American studies, Asian American studies, ethnic studies, gender studies, lesbian/gay/bisexual/transgender studies, performance studies, and queer studies. It also contains new scholarship on Asian/American sexualities that would be useful for faculty and students. In particular, this volume highlights materials that receive little academic attention such as works on Southeast Asian migrants, mixed race cultural production, and Asian/American pornography. As an interdisciplinary anthology, this collection weaves together various forms of 'knowledge'_autobiographical accounts, humanistic research, community-based work, and artistic expression. Responsive to the imbrication of knowledge and power, the authors aspire to present a diverse sample of discourses that construct Asian/American bodies. They maintain that the body serves as the primary interface between the individual and the social, yet, as Elizabeth Grosz noted over a decade ago, feminist theory, and gender and sexuality studies more generally, 'has tended, with some notable exceptions, to remain uninterested in or unconvinced about the relevance of refocusing on bodies in accounts of subjectivity.' This volume attempts to address this concern.