From allotment inspiration to nature prints, from harnessing patchwork concepts to recycling pieces of art, to the alchemy of found materials, this is a journey to find new creativity through our connection with the natural world.

In her most passionate and personal book for artists, acclaimed watercolor artist Ann Blockley takes the reader through a series of ideas of working with nature—in its widest sense—to nurture our creativity, inspire us, make us more sustainable artists, and breathe back energy and flow when our artistic streams run dry. In “Go Outside and Play,” the author exhorts artists to recapture a fun, no-pressure way of being outside and use that feeling when creating. In “Connecting Materials to Place,” she creates her own paint from the local pond. In “The Slow Movement,” the artist reveals her year of working on a specific local hedgerow and painting a series of different interpretations in its every-changing detail. She created regular creative rituals, using her weekly playing card as a starting point for a new painting to reflect the season each week. She reuses old paintings, and tissue and paper—wabi-sabi style—to create new textures and even new paintings. Including work from other artists as well as her own, she shows the ideas and work from textile and mixed-media artists.

An inspirational and practical art manual, packed with step-by-step projects. Artist Ann Blockley is renowned for her innovative approach to watercolour painting. Her highly anticipated new book provides a series of workshops demonstrating how to push the boundaries of watercolour, using key techniques to develop your own work and take your paintings to the next level. Ann's easy-to-follow, step-by-step projects demonstrate how some of her most dramatic paintings are created. She describes in detail some of the key techniques used and how you can experiment with alternative methods to create your own interpretations. Finally, her beautiful and inspirational artworks demonstrate how different interpretations of a subject might take an unexpected or unusual direction, and how to make the most of these opportunities. The book moves, with progressively challenging projects, from loose wildflower meadows, textured woodland and rustic rambling walls to atmospheric or semi-abstract landscape corners, all rendered in Ann's adventurous signature style. Loose, expressive mark-making and unusual techniques include combining water-based paint and ink with granulation medium for dramatic texture, drawing with twigs, using gesso and collage to create unique effects; manipulating paint with materials such as plastic wrap (clingfilm); developing printed marks made using found materials. Following the huge demand for more practical guidance in experimental painting, the book provides plenty of techniques and instruction. Ann's personal commentary also gives a unique insight into the mind of the artist - ways of looking at your subject, how to explore and experiment - to unlock the potential of your watercolour painting.

Ann Blockley is a very successful artist, known for the innovative way in which she uses texture as a key element in her work. This book, in Collins Artist s Studio series, looks at how she achieves her stunning effects and provides essential guidelines for the intermediate painter wishing to develop this aspect of their own painting.

Creating texture in watercolour can be quite a challenge but this book provides a fresh approach to the subject. It focuses on a wide range of unusual techniques, some of which depart from the more conventional methods, revealing how to portray texture by a variety of means. Ann explains how to manipulate the paint by lifting out colour, scraping and scratching the paint, and by using additional materials such as wax, clingfilm, salt and metallic pigments. She also explains how the surface itself can play an important role in the effects that can be achieved, and experiments with acrylics, inks, gouache and collage as well as watercolour.

In later chapters Ann looks at the creative process and provides insights into how to develop ideas, then concentrates on how to portray texture in specific subjects, such as flowers and foliage, animals, still life, buildings and landscapes. Practical exercises, projects, step-by-step demonstrations and studio tips are included, as well as the work of several guest artists John Blockley, Moira Huntly and Shirley Trevena."

Innovative techniques in painting woodlands from renowned artist Ann Blockley. Watercolourist Ann Blockley is known for her striking and intriguing paintings of natural landscapes. In this beautiful guide she explores woodlands in a variety of interpretations, from tangled groves and ancient trees to fiery leaves and springtime orchards. With simple instructions and easy-to-follow demonstrations throughout, the book draws inspiration from forest poetry, birdsong and folklore. There’s practical advice on working outside, experimenting with mixing colours (especially greens), playing with water effects, using salt and granulation, mark-making and spattering with found objects such as leaves and twigs, creating texture with gesso and working with collage. Other techniques include working with oak gall ink and charcoal, and how to incorporate words, text and photo transfer. The book is illustrated throughout with stunning examples of Blockley’s colourful, expressive work, including a case study of her own woodland garden. Also showcased are works by fellow artists from The Arborealist group, the Royal Institute, and the Pastel Society to inspire you further. Pushing the boundaries of watercolour and other mixed media, this delightful wander through the woods is the ideal companion for both beginners and the more experienced landscape painter who wishes to take their painting to the next level.

Artist Ann Blockley is renowned for her innovative approach to traditional subjects. Following the huge success of her previous book, Experimental Flowers in Watercolour, she now explores ways to interpret landscape. Packed with stunning examples of her colourful, expressive work, this book encourages you to experiment with the same techniques in your own watercolour painting to develop a personal style. Techniques covered include combining water-based paint and ink with other media such as gesso and collage to create dramatic effects; manipulating paint with materials such as plastic wrap (clingfilm); tearing, layering and reassembling paintings into watercolour collages; and developing textures and marks made using fabrics and other found objects. Throughout the book Ann offers her personal commentary on how her paintings were created, giving us a unique insight into the mind of the artist. Both practical and inspirational, this glorious book is the ideal companion for watercolour painters who want to take their work a step further.