This edited volume investigates knowledge networks based on materials and associated technologies in Prehistoric Europe and the Classical Mediterranean. It emphasises the significance of material objects to the construction, maintenance, and collapse of networks of various forms - which are central to explanations of cultural contact and change. Focusing on the materiality of objects and on the way in which materials are used adds a multidimensional quality to networks. The properties, functions, and styles of different materials are intrinsically linked to the way in which knowledge flows and technologies are transmitted. Transmission of technologies from one craft to another is one of the main drivers of innovation, whilst sharing knowledge is enabled and limited by the extent of associated social networks in place. Archaeological research has often been limited to studying objects made of one particular material in depth, be it lithic materials, ceramics, textiles, glass, metal, wood or others. The knowledge flow and transfer between crafts that deal with different materials have often been overlooked. This book takes a fresh approach to the reconstruction of knowledge networks by integrating two or more craft traditions in each of its chapters. The authors, well-known experts and early career researchers, provide concise case studies that cover a wide range of materials. The scope of the book extends from networks of craft traditions to implications for society in a wider sense: materials, objects, and the technologies used to make and distribute them are interwoven with social meaning. People make objects, but objects make people - the materiality of objects shapes our understanding of the world and our place within it. In this book, objects are treated as clues to social networks of different sorts that can be contrasted and compared, both spatially and diachronically.

This edited volume investigates knowledge networks based on materials and associated technologies in Prehistoric Europe and the Classical Mediterranean. It emphasises the significance of material objects to the construction, maintenance, and collapse of networks of various forms - which are central to explanations of cultural contact and change. Focusing on the materiality of objects and on the way in which materials are used adds a multidimensional quality to networks. The properties, functions, and styles of different materials are intrinsically linked to the way in which knowledge flows and technologies are transmitted. Transmission of technologies from one craft to another is one of the main drivers of innovation, whilst sharing knowledge is enabled and limited by the extent of associated social networks in place. Archaeological research has often been limited to studying objects made of one particular material in depth, be it lithic materials, ceramics, textiles, glass, metal, wood or others. The knowledge flow and transfer between crafts that deal with different materials have often been overlooked. This book takes a fresh approach to the reconstruction of knowledge networks by integrating two or more craft traditions in each of its chapters. The authors, well-known experts and early career researchers, provide concise case studies that cover a wide range of materials. The scope of the book extends from networks of craft traditions to implications for society in a wider sense: materials, objects, and the technologies used to make and distribute them are interwoven with social meaning. People make objects, but objects make people - the materiality of objects shapes our understanding of the world and our place within it. In this book, objects are treated as clues to social networks of different sorts that can be contrasted and compared, both spatially and diachronically.

This volume investigates smaller and larger networks of contacts within and across the Aegean and nearby regions, covering periods from the Neolithic until Classical times (6000-323 BC). It explores the world of technologies, crafts and archaeological 'left-overs' in order to place social and technological networks in their larger economic and political contexts. By investigating ways of production, transport/distribution, and consumption, this book covers a chronologically large period in order to expand our understanding of wider cultural developments inside the geographical boundaries of the Aegean and its regions of contact in the east Mediterranean. This book brings together scholars' expertise in a variety of different fields ranging from historical archaeology (using textual evidence), archaeometry, geoarchaeology, experimental work, archaeobotany, and archaeozoology. Chapters in this volume study and contextualize archaeological remains and explore networks of crafts-people, craft traditions, or people who employed various technologies to survive. Central questions in this context are how and why traditions, techniques, and technologies change or remain stable, or where and why cross-cultural boundaries developed and disintegrated.

This book presents ten papers about prehistoric Aegean people, technologies, and social networks. The geographical, chronological and methodological approaches employed in all papers weld them together into a single research theme. These papers demonstrate the value and the beauty of employing, to a more or lesser degree, the combined methodologies of cha ne op ratoire (operational chain) and cross-craft interaction. It is the theoretical underpinnings, though, that move this volume well beyond Aegean boundaries and open it up to wider anthropological and archaeological interests in pre-industrial technologies and their linked-in social networks.

This dynamic collaboration resulted in what we hoped for; opening windows on people 's past interactions with each other and material worlds, while our contemporary lives intertwined with cross-fertilized ideas, as the unique outcome of our efforts.

This volume brings together the expertise of ten people and presents a holistic approach to materials and technology studies on ceramics, orality, stone tools, figurines, music, gender issues, weights, apiculture, leftovers, and warfare. We believe that having teamed up on a search for such past social networks through multiple technologies, we have brought this past somewhat closer to our present.

In the past, Bronze Age painted plaster in the Aegean and the Eastern Mediterranean has been studied from a range of different but isolated viewpoints. One of the current questions about this material is its direction of transfer. This volume brings both technological and iconographic (and other) approaches closer together: 1) by completing certain gaps in the literature on technology and 2) by investigating how and why technological transfer has developed and what broader impact this had on the wider social dynamics of the late Middle and Late Bronze Age in the eastern Mediterranean. This study approaches the topic of painted plaster by a multidisciplinary methodology. Moreover, when human actors and their interactions are placed in the centre of the scene, it demonstrates the human forces through which transfer was enabled and how multiple social identities and the inter-relationships of these actors with each other and their material world were expressed through their craft production and organization. The investigated data from sixteen sites has been contextualized within a wider framework of Bronze Age interconnections both in time and space because studying painted plaster in the Aegean cannot be considered separate from similar traditions both in Egypt and in the Near East. This study makes clear that it is not possible to deduce a one-way directional transfer of this painting tradition. Furthermore, by integrating both technology and iconography with its hybrid character, a clear technological style was defined in the predominant al fresco work found on these specific sites. The author suggests that the technological transfer most likely moved from west to east. This has important implications in the broader politico-economic and social dynamics of the eastern Mediterranean during the LBA. Since this art/craft was very much elite-owned, it shows how the smaller states in the LBA, such as the regions of the Aegean, were capable of staying within the large trade and exchange network that comprised the large powers of the East and Egypt. The painted plaster reflects a very visible presence in the archaeological record and, because it cannot be transported without its artisans, it suggests specific interactions of royal courts in the East with the Aegean peoples. The painted plaster as an immovable feature required at least temporary presence of a small team of painters and plasterers. Exactly this factor forms an argument in support of travelling artisans, who, in turn, shed light onto broader aspects of contact, trade and exchange mechanisms during the late MBA and LBA.

The 2002 Symposium on Mediterranean Archaeology brought together a number of postgraduate students researching a broad range of topics on the archaeology of the Mediterranean area from prehistory to the modern period. This volume presents twenty contributions from the workshop which was held at Glasgow University. Papers include: An approach to the archaeology of transitions in palaeolithic Iberia; Chapels and navigation in medieval Gozo; Constructing the meaning of the Persian Wars in Athens; Nationalism and archaeology in Cyprus; Cycladic idols on the Greek mainland; Modelling the Post-Roman landscape in Lazio; Rethinking Roman sculptures.

In the past, Bronze Age painted plaster in the Aegean and the Eastern Mediterranean has been studied from a range of different but isolated viewpoints. This volume brings both technological and iconographic approaches closer together by completing certain gaps in the literature on technology and by investigating how and why technological transfer has developed and what broader impact this had on the wider social dynamics of the late Middle and Late Bronze Age in the eastern Mediterranean. This study approaches the topic of painted plaster by a multidisciplinary methodology and demonstrates the human forces through which transfer was enabled and how multiple social identities and the inter-relationships of these actors with each other and their material world were expressed through their craft production and organization. The investigated data from sixteen sites has been contextualized within a wider framework of Bronze Age interconnections both in time and space because studying painted plaster in the Aegean cannot be considered separate from similar traditions both in Egypt and in the Near East.