"The imperishable quiet at the heart of form." This quietness to be found by contemplating the photographs of Maude Schuyler Clay was at the heart of Ann Fisher-Wirth's poetic process, which involved listening - listening to the voices that spoke their stories somehow in connection, however oblique, with the photographs. Clay is a seventh-generation Mississippian; Fisher-Wirth has lived there for 30 years, so the images and words represent long, complicated accumulations and recombinations of visual and linguistic experience.

Definitive and daring, The Ecopoetry Anthology is the authoritative collection of contemporary American poetry about nature and the environment--in all its glory and challenge. From praise to lament, the work covers the range of human response to an increasingly complex and often disturbing natural world and inquires of our human place in a vastness beyond the human. To establish the antecedents of today's writing,The Ecopoetry Anthology presents a historical section that includes poetry written from roughly the mid-nineteenth to the mid-twentieth century. Iconic American poets like Walt Whitman and Emily Dickinson are followed by more modern poets like Wallace Stevens, William Carlos Williams, Ezra Pound, and even more recent foundational work by poets like Theodore Roethke, Elizabeth Bishop, Robert Hayden, and Muriel Rukeyser. With subtle discernment, the editors portray our country's rich heritage and dramatic range of writing about the natural world around us.

A compilation of poetry of great beauty and searing honesty, this book consists of two long experimental sequences: the title poem "Dream Cabinet," set on an island in Sweden, and an eloquent account of the poet's first marriage entitled "Answers I Did Not Give to the Annulment Questionnaire." Exploring the full cycle of human life, this collection responds to compelling personal, political, and environmental issues of modern times while remaining aware of the evanescence of all mortal experience.