The most supportive, easy-to-use and focussed literature guides to help your students understand the texts they are studying at GCSE and A Level

An enhanced exam section: expert guidance on approaching exam questions, writing high-quality responses and using critical interpretations, plus practice tasks and annotated sample answer extracts. Key skills covered: focused tasks to develop your analysis and understanding, plus regular study tips, revision questions and progress checks to track your learning. The most in-depth analysis: detailed text summaries and extract analysis to in-depth discussion of characters, themes, language, contexts and criticism, all helping you to succeed.

In this book you will find Rhyming stories that are one of a kind. A little boy's jacket flies away in the breeze. A schoolgirl who would rather stay home if you please. A tea party birthday set with fine china at the table. An alligator that cooks and calls herself Mable. Of course, we all know that all grandmas are grand, And a wish for a frog is easy to understand. A pink pig with a passion for pancakes. My favorite things that my mom always makes. The sunnyside of the sandbox is warm indeed, And Sonny, the Bunny plants orange carrot seeds.To purchase more books by Julie Ann Howell, please go to her website at: www.julieannhowell.com

Sarah Reddington traveled to far-away Maine to escape the chaos of the windy city. She wanted to concentrate on completing her novel and enjoy the peaceful quiet of the Atlantic's craggy shore. Although she was the only registered guest staying in an elegant, but quaint Victorian Inn, subsequent events quickly placed her writing on hold. The haunting cries that echoed around her made her question not only her own mortality, but made it difficult for her to decipher between fiction and insanity. This is an old-fashioned ghost story through-and-through that will keep you guessing until the last written word.

Grandpa always said they went together like Peas and Carrots, but Polly and Penny didn't think so. This family story is about getting along, working together and friendship. Find out what lessons the girls learned while in the garden on that bright summer day To view more books published by Julie Ann Howell please go to her website at: www.julieannhowell.com To view books published by the Peppertree Press please go to; www.peppertreepublishing.com

Finnigan McDoodle Magoo Magee he lives in the land of literacy. A castle his home not the sort you might think. For him a library filled with books, paper, pen and ink. If you would like to purchase this book on CD please contact the author directly at: www.julieannhowell.com or www.peppertreepublishing.com

First published in 1987, this is an introductory study of the most widely read Canadian women's novelists of the 1970s and 1980s. At its centre lies the question of how the search for a distinctive cultural identity relates to the need for a national cultural identity in the post-colonial era. Coral Ann Howells argues that Canadian women's fiction throughout the period of study represents how the Canadian cultural identity exceeds its geographical limits, and those traditional structures of patriarchal authority need revision if women's alternative views are to be taken into account. Including short biographical sketches and a complete list of the books published by the authors under discussion, writers examined include Margaret Atwood, Alice Munro, and Margaret Laurence.

The current Gothic revival in literature and film encourages us to look again to the earliest Gothic novels written beween 1790 and 1820, when Gothic was the most popular kind of fiction in England. Dr. Howells proposes a radical reassessment of these novels to emphasize their importance as experiments in imaginative writing. Her object, the study of feeling, is central to Gothic, for its spell consists in the feelings it arouses and exercises. As pseudo-historical fantasy, Gothic fiction embodies contemporary neuroses, especially sexual fears and repressions, which run right through it and are basic to its conventions. This study traces the effort to articulate these disconcerting emotions in symbol, incident, landscape and architecture. The chronological design suggests developments in Gothic, from the initial explorations of Mrs Radcliffe and M.G. Lewis, through the Minerva Press novelists and Jane Austen's "Northanger Abbey," to new directions taken by C.R. Maturin in "Melmoth the Wanderer" and later by Charlotte Bronte whose "Jane Eyre," arguably the finest of Gothic novels, places the earlier experiments in perspective.

Diasporic writing simultaneously asserts a sense of belonging and expresses a sense of being 'ethnic' in a society of immigration. The essays in this volume explore how contemporary diasporic writers in English use their works to mediate this dissonance and seek to work through the ethical, political, and personal affiliations of diasporic identities and subjectivities. The essays call for a remapping of post-colonial literatures and a reevaluation of the Anglophone literary canon by including post-colonial diasporic literary discourses. Demonstrating that an intercultural dialogue and constant cultural brokering are a must in our post-colonial world, this volume is a valuable contribution to the ongoing discourse on post-colonial diasporic literatures and identities.

First published in 1987, this is an introductory study of the most widely read Canadian women novelists of the 1970s and 1980s. At its centre lies the question of how the search for a distinctive cultural identity relates to the need for a national cultural identity in the post-colonial era. Coral Ann Howells argues that Canadian women s fiction throughout the period of study represents how the Canadian cultural identity exceeds its geographical limits, and those traditional structures of patriarchal authority need revision if women s alternative views are to be taken into account. Including short biographical sketches and a complete list of the books published by the authors under discussion, writers examined include Margaret Atwood, Alice Munro, and Margaret Laurence. "

From Aboriginal writing to Margaret Atwood, this is a complete English-language history of Canadian writing in English and French from its beginnings. The multi-authored volume pays special attention to works from the 1960s and after, to multicultural and Indigenous writing, popular literature, and the interaction of anglophone and francophone cultures throughout Canadian history. Established genres such as fiction, drama and poetry are discussed alongside forms of writing which have traditionally received less attention, such as the essay, nature-writing, life-writing, journalism, and comics, and also writing in which the conventional separation between genres has broken down, such as the poetic novel. Written by an international team of distinguished scholars, the volume includes a separate, substantial section discussing major genres in French, as well as a detailed chronology of historical and literary/cultural events, and an extensive bibliography covering criticism in English and French.

The field of Margaret Atwood studies, like her own work, is in constant evolution. This second edition of The Cambridge Companion to Margaret Atwood provides substantial reconceptualization of Atwood's writing in multiple genres that has spanned six decades, with particular focus on developments since 2000. Exploring Atwood in our contemporary context, this edition discusses the relationship between her Canadian identity and her role as an international literary celebrity and spokesperson on global issues, ranging from environmentalism to women's rights to digital technology. As well as providing novel insights into Atwood's recent dystopias and classic texts, this edition highlights a significant dimension in the reception of Atwood's work, with new material on the striking Hulu and MGM television adaptation of The Handmaid's Tale. This up-to-date volume illuminates new directions in Atwood's career, and introduces students, scholars and general readers alike to the ever-expanding dimensions of her literary art.

A collection of new essays on the multi-talented Canadian writerMargaret Atwood. Novelist, poet, cultural critic, Margaret Atwood is one of the most fascinating, versatile, and productive authors of our time, a superb writer in any genre she chooses to tackle. This book was prepared on the occasion of Atwood's sixtieth birthday in November 1999. Its first aim is therefore to take stock of Atwood's multifarious works and international impact at the height of her creative powers. Secondly, the book serves as a wide-ranging introduction to the writer and her works. Fifteen informative articles written specifically for this volume by Atwood specialists from Canada, the USA, the UK, Germany, and France treat her life and status, her works (up-to-date surveyarticles on Atwood's novels, short fiction, poetry, and literary and cultural criticism), and important approaches to her works (from the standpoints of gender politics, mythology, ecology, popular culture, constructivism, and Canadian nationalism). A final section on creativity, transmission, and reception includes an interview with Atwood on creativity, statements by some of Atwood's important transmitters, including publishers, editors, literaryagents, and translators, and some 15 statements by Atwood's fellow writers, in which they explore her importance for them. A number of photographs of Atwood, several cartoonsdrawn by and about her, an up-to-date bibliography ofworks by and about her, and an index round out the volume. Reingard M. Nischik is Professor of American literature at the University of Konstanz, Germany.

The field of Margaret Atwood studies, like her own work, is in constant evolution. This second edition of The Cambridge Companion to Margaret Atwood provides substantial reconceptualization of Atwood's writing in multiple genres that has spanned six decades, with particular focus on developments since 2000. Exploring Atwood in our contemporary context, this edition discusses the relationship between her Canadian identity and her role as an international literary celebrity and spokesperson on global issues, ranging from environmentalism to women's rights to digital technology. As well as providing novel insights into Atwood's recent dystopias and classic texts, this edition highlights a significant dimension in the reception of Atwood's work, with new material on the striking Hulu and MGM television adaptation of The Handmaid's Tale. This up-to-date volume illuminates new directions in Atwood's career, and introduces students, scholars and general readers alike to the ever-expanding dimensions of her literary art.

From Aboriginal writing to Margaret Atwood, this is a complete English-language history of Canadian writing in English and French from its beginnings. The multi-authored volume pays special attention to works from the 1960s and after, to multicultural and indigenous writing, popular literature, and the interaction of anglophone and francophone cultures throughout Canadian history. Established genres such as fiction, drama and poetry are discussed alongside forms of writing which have traditionally received less attention, such as the essay, nature-writing, life-writing, journalism, and comics, and also writing in which the conventional separation between genres has broken down, such as the poetic novel. Written by an international team of distinguished scholars, the volume includes a separate, substantial section discussing major genres in French, as well as a detailed chronology of historical and literary/cultural events, and an extensive bibliography covering criticism in English and French.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements and tendencies. This volume offers a comprehensive account of the production of English language novels and related prose fiction since 1950 in Australia, Canada, New Zealand, and the South Pacific. After the Second World War, the rise of cultural nationalism in Australia, Canada, and New Zealand and movements towards independence in the Pacific islands, together with the turn toward multiculturalism and transnationalism in the postcolonial world, has called into question the standard national frames for literary history. This has resulted in an increasing recognition of formerly marginalised peoples and a repositioning of these national literatures in a world literary context. This multi-authored volume explores the implications of such radical change through its focus on the novel and the short story, which model the crises in evolving narratives of nationhood and the reinvention of postcolonial identities. The constant interplay between national and regional specificity and transnational linkages is mirrored in the structure of this volume, where parallel sections on national literatures are situated within a broadly inclusive comparative framework. Shifting socio-political and cultural contexts and their effects on novels and novelists, together with shifts in literary genres (realism, modernism, the Gothic, postmodernism) are traced across these different regions. Attention is given not only to major authors but also to Indigenous and multicultural fiction , children's and young adult novels, and popular fiction. A significant feature of this volume is its extensive treatment of the novel in the South Pacific. Chapters on book publishing, critical reception, and literary histories for all four areas are included in this innovative presentation of a TransPacific postcolonial history of the novel.

Although she was the only registered guest staying in an elegant, but quaint Victorian Inn, subsequent events quickly placed her writing on hold. The haunting cries that echoed around her made her question not only her own mortality, but made it difficult for her to decipher between fiction and insanity. This is an old-fashioned ghost story through-and-through that will keep you guessing until the last written word.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Peppertree has continued to redefine the publishing process, creating new and exciting opportunities for both authors and bookstores. With dedication and an experienced team, Peppertree books are presented to the world through the vision of the author and satisfaction of bookstores. With high quality cover illustrations and book designs, we take a great story and make it brilliant. Peppertree is dedicated to planting seeds of destiny and watching the beauty grow. Peppertree Press publishes all genres and continues to add titles from aspiring authors from all over the globe. We welcome you to purchase this catalog so you can view our books in one fell swoop or visit our website at: www.peppertreepublishing.com.

Finnigan McDoodle Magoo Magee he lives in the land of literacy. A big green dragon with googley eyes,has a polka dotted tail and eats French fries. A castle his home not the sort you might think. For him a library filled with books, paper, pen and ink.

In this book you will find Rhyming stories that are one of a kind. A little boy's jacket flies away in the breeze. A schoolgirl who would rather stay home if you please. A tea party birthday set with fine china at the table. An alligator that cooks and calls herself Mable. Of course, we all know that all grandmas are grand, And a wish for a frog is easy to understand. A pink pig with a passion for pancakes. My favorite things that my mom always makes. The sunnyside of the sandbox is warm indeed, And Sonny, the Bunny plants orange carrot seeds.