Kosharovsky’s authoritative four-volume history of the Jewish movement in the Soviet Union is now available in a condensed and edited volume that makes this compelling insider’s account of Soviet Jewish activism after Stalin available to a wider audience. Originally published in Russian from 2008 to 2012, ""We Are Jews Again"" chronicles the struggles of Jews who wanted nothing more than the freedom to learn Hebrew, the ability to provide a Jewish education for their children, and the right to immigrate to Israel. Through dozens of interviews with former refuseniks and famous activists, Kosharovsky provides a vivid and intimate view of the Jewish movement and a detailed account of the persecution many faced from Soviet authorities.

Soviet Samizdat traces the emergence and development of samizdat, one of the most significant and distinctive phenomena of the late Soviet era, as an uncensored system for making and sharing texts. Based on extensive research of the underground journals, bulletins, art folios and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi analyzes the role of samizdat in fostering new forms of imagined community among Soviet citizens. Dissidence has been dismissed as an elite phenomenon or as insignificant because it had little demonstrable impact on the Soviet regime. Komaromi challenges these views and demonstrates that the kind of imagination about self and community made possible by samizdat could be a powerful social force. She explains why participants in samizdat culture so often sought to divide "political" from "cultural" samizdat. Her study provides a controversial umbrella definition for all forms of samizdat in terms of truth-telling, arguing that the act is experienced as transformative by Soviet authors and readers. This argument will challenge scholars in the field to respond to contentions that go against the grain of both anthropological and postmodern accounts. Komaromi's combination of literary analysis, historical research, and sociological theory makes sense of the phenomenon of samizdat for readers today. Soviet Samizdat shows that samizdat was not simply a tool of opposition to a defunct regime. Instead, samizdat fostered informal communities of knowledge that foreshadowed a similar phenomenon of alternative perspectives challenging the authority of institutions around the world today.

Kosharovsky's authoritative four-volume history of the Jewish movement in the Soviet Union is now available in a condensed and edited volume that makes this compelling insider's account of Soviet Jewish activism after Stalin available to a wider audience. Originally published in Russian from 2008 to 2012, ""We Are Jews Again"" chronicles the struggles of Jews who wanted nothing more than the freedom to learn Hebrew, the ability to provide a Jewish education for their children, and the right to immigrate to Israel. Through dozens of interviews with former refuseniks and famous activists, Kosharovsky provides a vivid and intimate view of the Jewish movement and a detailed account of the persecution many faced from Soviet authorities.

Vasilii Aksenov, Andrei Bitov, and Venedikt Erofeev were among the most acclaimed authors of samizdat, the literature that was self-published in the former Soviet Union in order to evade censorship and prosecution. In Uncensored, Ann Komaromi uses their work to argue for a far more sophisticated understanding of the phenomenon of samizdat, showing how the material circumstances of its creation and dissemi nation exercised a profound influence on the very idea of dissidence, reconfiguring the relationship between author and reader. Using archival research to fully illustrate samizdat's social and historical context, Komaromi arrives at a more nuanced theoretical position that breaks down the opposition between the autonomous work of art and direct political engagement. The similarities between samizdat and digital culture have particular relevance for contemporary discourses of dissident subjectivity.