A look at one of the first feminist artists, Pictorialist photographer Anne Brigman, best known for her iconic landscape photographs made in the early 1900s depicting female nudes outdoors in rugged northern California. This main volume of a previously published slipcased edition is the catalogue of the major retrospective exhibition that took place in 2018 at the Nevada Museum of Art, and remains the first comprehensive book to chronicle the photography of Anne W. Brigman (1869-1950), one of the most important of all American women photographers. This monumental publication rediscovers and celebrates the work of Brigman, whose photography was considered radical for its time. For Brigman to objectify her own nude body as the subject of her photographs in the turn of the 20th century was groundbreaking; to do so outdoors in a near-desolate wilderness setting was revolutionary. Brigman's significance spanned both coasts: in northern California, where she lived, she was known as a poet, a critic, and a member of the Pictorialist photography movement, whose practitioners employed various methods of manipulation to achieve images that were considered beautiful and romantic. On the east coast, her work was promoted by Alfred Stieglitz, who published her photographs in Camera Work and elected her as a Fellow of the prestigious Photo-Secession. The beautifully produced large-format book is devoted to Brigman's entire career, covering such topics as Brigman's work within the contexts of the California Arts & Crafts movement and New York Modernism; her relationship to High Sierra mountaineering and early 20th-century poetry; and the relevance of her work to contemporary conversations regarding gendered landscapes of the American frontier.

The first monograph on the acclaimed American environmental artist Lita Albuquerque, whose works belong to the Land Art generation, alongside James Turrell, Christo, Robert Smithson, and others. Known internationally for her temporary and ephemeral installations, paintings, and sculptures, Lita Albuquerque uses the most unusual and challenging of Earth's surfaces as a canvas: Antarctica, the Arctic, Death Valley, the Mojave Desert, and South Dakota's Badlands. She "paints" with a variety of mediums, including brightly clad humans or fabricated spheres, which form patterns over vast, wide-open spaces. This beautifully designed survey of her career highlights Stellar Axis, for which Albuquerque led an expedition to the South Pole to create the first installment of a groundbreaking global project. In addition to essays placing the artist's works in the broader contexts of environmental art and science, Albuquerque provides personal reflections on her life's work.

British conceptual and landscape artist Chris Drury has been lauded for his many installations and site-specific works that investigate themes related to the environment and emphasize cycles of destruction and regeneration in nature and the ways that humans affect these processes. In Mushrooms-Clouds, a series of artworks commissioned by the Nevada Museum of Art in Reno, Drury brought an international perspective to topics ranging from land and water appropriation to nuclear testing in the American West. In many of these works, Drury utilizes materials collected from such places as Pyramid Lake, Donner State Park, and the Nevada Test Site to engage viewers in the many connections between art and the environment. This companion volume to the exhibition documents Drury's installations and captures his ephemeral work for further viewing and extended study. In addition, the book""includes an introduction by art historian Jeremy Gilbert-Rolfe and an essay by Colin Robertson, the Nevada Museum of Art Curator of Education, which expound upon the themes and significance of Drury's art.