Laura Ingalls Wilder and the American Frontier provides the reader with a broad sweep of information on Wilder not readily available in any other format. Included in this work are: discussions of Wilder's life; her writings and their influence on the interpretation of the American frontier, the feminine role in frontier life, Native American relations; and the use of the Little House as a teaching tool. Students of Western history, feminist scholars, home schoolteachers, and the Laura Ingalls Wilder following will find this an informative and enjoyable source.

Willa Cather spent her first nine years in the Shenandoah Valley of Virginia, where her family had lived for five generations. Even after the Cathers' move to Nebraska, she came of age in an emphatically southern extended family, surrounded by Virginia stories, customs, and controversies. As Eudora Welty has declared, "She did not come out of Virginia for nothing." Throughout her career, Cather's fiction drew strength from the people, places, and issues of the Reconstruction South of her birth, culminating in her final novel, Sapphira and the Slave Girl.

This collection of essays is the first to look at this important southern connection in Cather's writing life. Ann Romines has brought together eminent Cather critics and fresh new voices. Judith Fetterley and Lisa Marcus restore Cather's southern origins to a central place in her career. Robert K. Miller reads My Mortal Enemy as a Reconstruction narrative, and Patricia Yaeger theorizes the racial language of Cather's landscapes. Among several essays on Sapphira, Mako Yoshikawa's and Tomas Pollard's contributions explore the novel's racial and sexual dynamics and abolitionist concerns. Cynthia Griffin Wolff views Cather's youthful experiments with clothes and gender as responses to contemporary theater and her mother's southern feminine style. Other critics compare Cather to other Southern writers: Allen Tate, Ellen Glasgow, Flannery O'Connor, and Toni Morrison.

Grounded both in traditional literary criticisms and in cultural studies, these sixteen essays make a compelling claim for the importance of Cather's southern connections.

Contributors:

Roseanne V. Camacho, University of LouisvilleJudith Fetterley, University at Albany, State University of New YorkLisa Marcus, Pacific Lutheran UniversityMarilyn Mobley McKenzie, George Mason UniversityRobert K. Miller, University of St. ThomasElsa Nettels, College of William and MaryShelley Newman, University of British ColumbiaTomas Pollard, Texas A&M UniversityAnn Romines, The George Washington UniversityMary R. Ryder, South Dakota State UniversityMerrill Maguire Skaggs, Drew UniversityJanis P. Stout, Texas A&M UniversityJoseph R. Urgo, Bryant CollegeGayle Wald, The George Washington UniversityCynthia Griffin Wolff, Massachusetts Institute of TechnologyPatricia Yaeger, University of MichiganMako Yoshikawa, Harvard University

Willa Cather spent her first nine years in the Shenandoah Valley of Virginia, where her family had lived for five generations. Even after the Cathers' move to Nebraska, she came of age in an emphatically southern extended family, surrounded by Virginia stories, customs, and controversies. As Eudora Welty has declared, "She did not come out of Virginia for nothing." Throughout her career, Cather's fiction drew strength from the people, places, and issues of the Reconstruction South of her birth, culminating in her final novel, Sapphira and the Slave Girl.

This collection of essays is the first to look at this important southern connection in Cather's writing life. Ann Romines has brought together eminent Cather critics and fresh new voices. Judith Fetterley and Lisa Marcus restore Cather's southern origins to a central place in her career. Robert K. Miller reads My Mortal Enemy as a Reconstruction narrative, and Patricia Yaeger theorizes the racial language of Cather's landscapes. Among several essays on Sapphira, Mako Yoshikawa's and Tomas Pollard's contributions explore the novel's racial and sexual dynamics and abolitionist concerns. Cynthia Griffin Wolff views Cather's youthful experiments with clothes and gender as responses to contemporary theater and her mother's southern feminine style. Other critics compare Cather to other Southern writers: Allen Tate, Ellen Glasgow, Flannery O'Connor, and Toni Morrison.

Grounded both in traditional literary criticisms and in cultural studies, these sixteen essays make a compelling claim for the importance of Cather's southern connections.

Contributors:

Roseanne V. Camacho, University of LouisvilleJudith Fetterley, University at Albany, State University of New YorkLisa Marcus, Pacific Lutheran UniversityMarilyn Mobley McKenzie, George Mason UniversityRobert K. Miller, University of St. ThomasElsa Nettels, College of William and MaryShelley Newman, University of British ColumbiaTomas Pollard, Texas A&M UniversityAnn Romines, The George Washington UniversityMary R. Ryder, South Dakota State UniversityMerrill Maguire Skaggs, Drew UniversityJanis P. Stout, Texas A&M UniversityJoseph R. Urgo, Bryant CollegeGayle Wald, The George Washington UniversityCynthia Griffin Wolff, Massachusetts Institute of TechnologyPatricia Yaeger, University of MichiganMako Yoshikawa, Harvard University