The Orient Express hurtles towards the promised land, and Banine is free for the first time in her life. She has fled her ruined homeland and unhappy forced marriage for a dazzling new future in Paris. Now she cuts her hair, wears short skirts, mingles with Russian émigrés, Spanish artists, writers and bohemians in the 1920's beau monde - and even contemplates love. But soon she finds that freedom brings its own complications. As her family's money runs out, she becomes a fashion model to survive. And when a glamorous figure from her past returns, life is thrown further into doubt. Banine has always been swept along by the forces of history. Can she keep up with them now? Told with vivacious wit and a lust for life, this companion to Days in the Caucasus is a bittersweet portrayal of youthful dreams, and the elusive search for happiness.

When Sister Colleen Mary Donovan is brutally beaten and raped the family's faith and love meet new challenges. The successful Donovan's and their four children have found their way through life with two of the Donovan children rising to respectable positions within the church. Francis Xavier, the eldest has attained the title of Cardinal and Colleen who is an aggressive modern day nun is devoted to her vocation and the teens of the inner city.

This Arden edition of Hamlet, arguably Shakespeare's greatest tragedy, presents an authoritative, modernized text based on the Second Quarto text with a new introductory essay covering key productions and criticism in the decade since its first publication. A timely up-date in the 400th anniversary year of Shakespeare's death which will ensure the Arden edition continues to offer students a comprehensive and current critical account of the play, alongside the most reliable and fully-annotated text available.

The Orient Express hurtles towards the promised land, and Banine is free for the first time in her life. She has fled her ruined homeland and unhappy forced marriage for a dazzling new future in Paris. Now she cuts her hair, wears short skirts, mingles with Russian emigres, Spanish artists, writers and bohemians in the 1920's beau monde - and even contemplates love. But soon she finds that freedom brings its own complications. As her family's money runs out, she becomes a fashion model to survive. And when a glamorous figure from her past returns, life is thrown further into doubt. Banine has always been swept along by the forces of history. Can she keep up with them now? Told with vivacious wit and a lust for life, this companion to Days in the Caucasus is a bittersweet portrayal of youthful dreams, and the elusive search for happiness.

The second in an adorable, STEM nonfiction picture book series that encourages very young readers to learn—through gentle interactivity and play—about the animals who share their world Crawl, cling climb! You may have seen a raccoon scurry up a tree or across the road just before dark. Did you know that raccoons stay up at night playing, hunting, and eating when you go to sleep? From birth to first stripes and beyond, discover all that goes into being a raccoon in this charming picture book, the second in the Meet Your World series. This playful and informative series invites you to take a closer look at the amazing animals that live right alongside you in rural, suburban, and urban landscapes across North America. In each book, words and art inspire you to act out animal actions that are not so different from your own habits. And robust backmatter offers even more facts and fun. From the animals’ families and foods to their environments and behaviors, let’s meet your world! "Truly a perfect blend of education and fun with the addition of adorable illustrations." —SLJ "Exceptionally adorable . . . Deftly connects natural human children’s activities to raccoon behaviors." —Kirkus

This collection brings together emerging and established scholars to explore fresh approaches to Shakespeare’s best-known play. Hamlet has often served as a testing ground for innovative readings and new approaches. Its unique textual history – surviving as it does in three substantially different early versions – means that it offers an especially complex and intriguing case-study for histories of early modern publishing and the relationship between page and stage. Similarly, its long history of stage and screen revival, creative appropriation and critical commentary offer rich materials for various forms of scholarship. The essays in Hamlet: The State of Play explore the play from a variety of different angles, drawing on contemporary approaches to gender, sexuality, race, the history of emotions, memory, visual and material cultures, performativity, theories and histories of place, and textual studies. They offer fresh approaches to literary and cultural analysis, offer accessible introductions to some current ways of exploring the relationship between the three early texts, and present analysis of some important recent responses to Hamlet on screen and stage, together with a set of approaches to the study of adaptation.

This collection of original essays on Thomas Middleton and William Rowley’s unsettling revenge tragedy The Changeling represents key new directions in criticism and research. The 13 chapters fall into six groups focusing on questions of space, theology, collaboration, disability both mental and physical, and performance both early modern and contemporary. The Changeling’s critical and theatrical history, and a selected bibliography for the volume helps readers easily find the most frequently cited materials in the volume as a whole, while individual essays detail the full expanse of critical sources to pursue for further analysis. With contributors ranging from highly regarded critics to emerging scholars drawn from the United States, the United Kingdom, Canada, France and Switzerland, the collection equips readers to engage with a variety of critical approaches to the play, moving a long way beyond the last century’s tendency to treat Middleton as ‘the early modern Ibsen’, to ignore Rowley, and to focus almost wholly on a single aspect of the play’s plot. Key themes and topics include: · Performance · Space and affect · Authorial collaboration · Gender and representation · Violence · Disability

Women reading Shakespeare, 1660-1900 comprehensively rediscovers a lost tradition of women's writing on Shakespeare. Since Margaret Cavendish published the first critical essay on Shakespeare in 1664, women have written as scholars, critics, editors, performers and popularisers of Shakespeare. Many found in Shakespeare criticism the opportunity to raise a wide variety of issues, ranging from the use of women in society, family life, social relations and ethnic difference. In their different ways, women appropriated Shakespeare to their own ends - not always in step with their male contemporaries. Virtually none of this work is available today; it is unread and unknown. This fascinating anthology draws upon extensive new research to collect for the first time in one volume the Shakespeare criticism of some fifty British and American women writing before 1900. It includes the work of both familiar and unknown names and represents the diversity of literary genres used by women: the scholarly article, the periodical essay, book-length studies, personal memoirs, books for children, school editions. The volume also includes previously unknown Shakespeare illustrations by women, and a general introduction to the development of women's criticism of Shakespeare before 1900. -- .

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This is the third New Cambridge edition of The Taming of the Shrew, one of Shakespeare's most popular yet controversial plays. Ann Thompson considers its reception in the light of the hostility and embarrassment that the play often arouses, taking account of both scholarly defences and modern feminist criticism. For this version the editor pays lively attention to the problematic nature of debates about the play and its reception in the twenty-first century. She discusses recent editions and textual, performance and critical studies.

Hamlet remains the most-studied of all Shakespeare's great tragedies. This collection of newly-commissioned essays gives readers an overview of past critical views of the play as well as new writing about the play from today's leading scholars. The range of perspectives offered makes the book an invaluable companion to anyone studying the play at an advanced level. The final chapter on learning and teaching resources is particularly useful as a guide for further study.

This title was first published in 2003. 'The art of suffering' is one of many strands of literature on suffering published in the sixteenth and seventeenth centuries. This book explores through the art of suffering the way in which the meaning for suffering, which the seventeenth century inherited from the Middle Ages and which centres on the role of suffering as a manifestation of the hand of God in the process of salvation, is refined and enhanced by successive puritan writers only to crumble under the impact of emerging anti-providential thought. It goes on to explore the challenge which the absence of meaning for suffering presents to the Judaeo-Christian concept of an omnipotent and infinitely good God, and the ways in which themes and doctrines already present in the literature on suffering are reshaped and recombined to defend the omnipotence and infinite goodness of God.

This title was first published in 2003. 'The art of suffering' is one of many strands of literature on suffering published in the sixteenth and seventeenth centuries. This book explores through the art of suffering the way in which the meaning for suffering, which the seventeenth century inherited from the Middle Ages and which centres on the role of suffering as a manifestation of the hand of God in the process of salvation, is refined and enhanced by successive puritan writers only to crumble under the impact of emerging anti-providential thought. It goes on to explore the challenge which the absence of meaning for suffering presents to the Judaeo-Christian concept of an omnipotent and infinitely good God, and the ways in which themes and doctrines already present in the literature on suffering are reshaped and recombined to defend the omnipotence and infinite goodness of God.

This new Complete Works marks the completion of the Arden Shakespeare Third Series and includes all of Shakespeare's plays, poems and sonnets, edited by leading international scholars. New to this edition are the 'apocryphal' plays, part-written by Shakespeare: Double Falsehood, Sir Thomas More and King Edward III. The anthology is unique in giving all three extant texts of Hamlet from Shakespeare's time: the first and second Quarto texts of 1603 and 1604-5, and the first Folio text of 1623. With a simple alphabetical arrangement the Complete Works are easy to navigate. The lengthy introductions and footnotes of the individual Third Series volumes have been removed to make way for a general introduction, short individual introductions to each text, a glossary and a bibliography instead, to ensure all works are accessible in one single volume. This handsome Complete Works is ideal for readers keen to explore Shakespeare's work and for anyone building their literary library.

A "freeze frame" volume showcasing the range of current debate and ideas surrounding one of the most familiar of Shakespeare's tragedies. Each chapter has been carefully selected for its originality and relevance to the needs of students, teachers and researchers. Key themes and topics covered include: The Text and its Status History and Topicality Critical Approaches and Close Reading Adaptation and Afterlife All the essays offer new perspectives and combine to give readers an up-to-date understanding of what's exciting and challenging about Macbeth. The approach based on an individual play, unlike that of topic-based series, reflects how Shakespeare is most commonly studied and taught.