Radical changes in the design of housing in post-war Japan had numerous effects on the Japanese people. Public policy toward housing provision and the effects of escalating land prices in Tokyo and a few other very large cities in the country from the mid- to late 1970s onward are examined, but it is dwellings themselves and the slow but steady shift from a floor-sitting to a chair-sitting housing culture in urban and suburban parts of the country that figure most prominently in the discussion. Central to the book is the author's translation of an account written by Kyoko Sasaki, an observant wife and mother, about the housing she and her growing family experienced during the 1960s, and subsequent chapters explore some of the issues that flow from her account. Chief among these are the small size and generally poor quality of the private-sector housing that Japanese of fairly ordinary means could afford to occupy in the early postwar years, the new design initiatives undertaken at about that time by public-sector housing providers and the diffusion of at least some of their initiatives to the housing sector as a whole, and the adjustments that the occupants of housing had to, or chose to, make as the dwellings available to them as renters or as owners changed in character. Attention is also paid to the structural requirements of dwellings and attitudes toward dwellings of diverse types in a country prone to earthquakes.

This is a selection of the best plays of Chikamatsu, one of the greatest Japanese dramatists. Master of the marionette and popular dramas, he had, until the publication of this book, remained unknown to western readers owing to the difficulty of translating the work into English. The introduction provides a comprehensive survey of the history of Japanese drama which will assist the reader in better understanding the plays.

Rural Japan during the twentieth century has been portrayed as a vast reservoir of conservatism in much of the literature on Japan's modern development, and Japanese agriculture since the 1960s has been treated as an artificial creation sustained only by protectionism of the worst sort. This book presents a range of original, in-depth work, including work by Japanese scholars, that seeks to move beyond such stereotypes to reveal the diversity and complexities of rural life in Japan from 1900 to the present.

Radical changes in the design of housing in post-war Japan had numerous effects on the Japanese people. Public policy toward housing provision and the effects of escalating land prices in Tokyo and a few other very large cities in the country from the mid- to late 1970s onward are examined, but it is dwellings themselves and the slow but steady shift from a floor-sitting to a chair-sitting housing culture in urban and suburban parts of the country that figure most prominently in the discussion.
Central to the book is the author's translation of an account written by Kyoko Sasaki, an observant wife and mother, about the housing she and her growing family experienced during the 1960s, and subsequent chapters explore some of the issues that flow from her account. Chief among these are the small size and generally poor quality of the private-sector housing that Japanese of fairly ordinary means could afford to occupy in the early postwar years, the new design initiatives undertaken at about that time by public-sector housing providers and the diffusion of at least some of their initiatives to the housing sector as a whole, and the adjustments that the occupants of housing had to, or chose to, make as the dwellings available to them as renters or as owners changed in character. Attention is also paid to the structural requirements of dwellings and attitudes toward dwellings of diverse types in a country prone to earthquakes.

The last 120 years have seen enormous changes in Japanese society as Japan has grown from a `third world' country into an international power. Ann Waswo outlines the main events in this important period of Japanese history and considers the role of the ordinary Japanese citizen in the country's development, together with the constant but changing relationship which the state has had with its people since the nineteenth century. Refusing to place too much emphasis upon the `uniqueness' of Japanese culture, she searches for historical explanations of Japan's success and development.

Nagatsuka Takashi's novel "The Soil," published in Japan in 1910, provides a moving and sensitive but unsentimental portrait of rural peasant life in Japan during the Meiji era. The community described is the author's native place, and the characters whose lives are described in vivid detail over a period of years are drawn from life.