Allan Kardec's supreme handbook about the world of the spirits and the movement of Spiritism is a valuable and insightful guide to existences beyond our corporeal realm. Kardec begins this work by delving into the historical significance of spirits, their connection with God and the physical universe. How spirits are situated in the world, and how they move unseen between the planes of existence, is discussed. The second part concentrates on The Spirit World in greater detail. The types of spirits and how they are incarnated are detailed, with Kardec proposing that several distinct planes of existence are extant, and that most individuals proceed through life without knowing or seeing their influence. A chapter is devoted to how spirits might intervene in our everyday, corporeal world. Often these excursions have a purpose; the spirits are on a mission to inform someone, or change something, that harmony may be restored.

The Mediums' Book sees Allan Kardec introduce and explain how human beings can communicate with the vast spiritual realm. Through this book, we learn how to make contact with spirits of humans and ancestors, and identify both good and evil spirits. An excellent book of spiritual guidance, Kardec explains the methods of mediumship. How a seeker of the spirits can build an understanding of the practices needed to summon, and how the rituals must be carried out, is covered in many detailed chapters. Kardec is honest about the pitfalls; upsetting the spirits, or incurring the wrath and misfortune unleashed by malevolent spirits, is something a medium must always be cautious of. In studying the behavior of the spirits, Kardec answers questions about whether they attach themselves to people or objects. We discover why spirits can manifest even without the presence of a learned medium; such as in haunted houses or other sites.

This book offers a timely examination of the relationship between Shakespeare and contemporary digital media. By focusing upon a variety of 'Shakespearean' individuals, groups and communities and their 'online' presence, the book explores the role of popular internet culture in the ongoing adaptation of Shakespeare's plays and his general cultural standing. The description of certain performers as 'Shakespearean' is a ubiquitous but often throwaway assessment. However, a study of 'Shakespearean' actors within a broader cultural context reveals much, not only about the mutable face of British culture (popular and 'highbrow') but also about national identity and commerce. These performers share an online space with the other major focus of the book: the fans and digital content creators whose engagement with the Shakespearean marks them out as more than just audiences and consumers; they become producers and critics. Ultimately, Digital Shakespeareans moves beyond the theatrical history focus of related works to consider the role of digital culture and technology in shaping Shakespeare's contemporary adaptive legacy and the means by which we engage with it.

This book offers a timely examination of the relationship between Shakespeare and contemporary digital media. By focusing upon a variety of 'Shakespearean' individuals, groups and communities and their 'online' presence, the book explores the role of popular internet culture in the ongoing adaptation of Shakespeare's plays and his general cultural standing. The description of certain performers as 'Shakespearean' is a ubiquitous but often throwaway assessment. However, a study of 'Shakespearean' actors within a broader cultural context reveals much, not only about the mutable face of British culture (popular and 'highbrow') but also about national identity and commerce. These performers share an online space with the other major focus of the book: the fans and digital content creators whose engagement with the Shakespearean marks them out as more than just audiences and consumers; they become producers and critics. Ultimately, Digital Shakespeareans moves beyond the theatrical history focus of related works to consider the role of digital culture and technology in shaping Shakespeare's contemporary adaptive legacy and the means by which we engage with it.

The Mediums' Book sees Allan Kardec introduce and explain how human beings can communicate with the vast spiritual realm. Through this book, we learn how to make contact with spirits of humans and ancestors, and identify both good and evil spirits. An excellent book of spiritual guidance, Kardec explains the methods of mediumship. How a seeker of the spirits can build an understanding of the practices needed to summon, and how the rituals must be carried out, is covered in many detailed chapters. Kardec is honest about the pitfalls; upsetting the spirits, or incurring the wrath and misfortune unleashed by malevolent spirits, is something a medium must always be cautious of. In studying the behavior of the spirits, Kardec answers questions about whether they attach themselves to people or objects. We discover why spirits can manifest even without the presence of a learned medium; such as in haunted houses or other sites.

The Spirits' Book (Le Livre des Esprits in original French) is part of the Spiritist Codification, and is regarded as one of the five fundamental works of Spiritism. It was published by the French educator Allan Kardec on April 18, 1857. It was the first and remains the most important spiritist book, because it addresses in first hand all questions developed subsequently by Allan Kardec. The book is structured as a collection of questions regarding the origin of the spirits, the purpose of the life, the order of the universe, evil and good and the afterlife. Its answers, according to Kardec, were given to him by a group of spirits who identified themselves as "The Spirit of Truth," with whom he communicated in several Spiritist sessions during the 1850s. Kardec, who considered himself an "organizer" rather than an author, grouped the questions and their answers by theme, occasionally including lengthier digressions the spirits had dictated to him on specific subjects, some signed by philosophers such as Augustine of Hippo and Thomas Aquinas and writers including Voltaire. Allan Kardec is the pen name of the French teacher and educator Hippolyte Leon Denizard Rivail. He was born in Lyon in 1804. He was raised as a Catholic. He was a disciple and collaborator of Johann Heinrich Pestalozzi, and a teacher of mathematics, physics, chemistry, astronomy, physiology, comparative anatomy and French in Paris. For one of his research papers, he was inducted in 1831 into the Royal Academy of Arras.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

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Title: A Vision. (Penny edition.).Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Blackwell, Anna; 1898. 14 p.; 8 . 11601.h.13.(5.)

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.