"To photograph an eye is to see into another world, a deeper emotional world. These photographs are like small windows into houses that we pass every day but never look inside. In a time where people are looking at screens and experiencing less eye contact with each other, I am happy to put out this book that takes a deeper look into the eyes of these famous faces." - Anna Gabriel. It is said that the eyes are a window to the soul. They are what we first look at when we meet a stranger, and one of the most expressive parts of the human body. The eye speaks an intricate language, one that cannot be heard, only felt. The size of the pupil can signify focus or arousal. We meet each other's eyes to show attentive interest, yet often feel discomfort when stared at: an evolutionary trait designed to alert us to a predatory gaze. This book is a testament to the power of the human eye. It gathers together Anna Gabriel's collection of photographs, showing the close-up eyes of numerous well-known rock and film stars, including David Byrne, Helena Christensen, Willem Dafoe, The Edge, Noel Gallagher, Annie Lennox, Susan Sarandon, Benjamin Zephaniah, Peter Gabriel and many more.

Each year 11 million people trek to the Louvre to gawk at the Mona Lisa. Many visitors clutch guide books in hand describing the painting. For some, it's the experience of a lifetime, one they'll talk about with friends and family for decades. Yet some modern researchers say that the vast majority of people will never recognize the hidden messages in this painting. That's because those hidden messages are subliminal. Buried below the threshold of conscious awareness, Da Vinci used techniques people never notice. Not only don't people know what they're seeing, they would be shocked to find out. A surprisingly large number of famous paintings fall into the same category. That is, they employ subliminal techniques to enhance the effectiveness of the work or to encode messages within portraits and landscapes. No book, however, has ever attempted to provide an overview of the technical sophistication and arcane methods that artists worldwide have used to conceal secret meaning in their work. Every Picture Hides a Story is the first book to expose the subliminal content in the world's greatest paintings. Titillating, subversive, and building on the groundbreaking work of pioneers of art criticism, this book will enable readers to view art masterpieces with greater understanding. And their enjoyment of these works will be exponentially enhanced. This full-color book contains 90 images of the paintings and their details.

Public Works Programs (PWPs) are widely implemented throughout Asia, Latin America, and Africa, often with funding from major international donor agencies. They are perceived to present a "win-win" policy option, providing employment to the chronically poor while also creating assets for the state, and in this way offering a welfare transfer which is also a tangible economic investment.

The prevailing view among donors and government agencies with responsibility for social protection is that PWPs are preferable to other measures designed to assist unemployed people living in chronic poverty. But is this view correct? This book critically explores the concept of the PWP and investigates its social protection performance in the context of chronic poverty. It reviews over 200 PWPs in eastern and southern Africa using original research drawn from extensive field analysis, interviews, and survey work. It also examines case studies of six international PWPs in India, Argentina, Ireland, Ethiopia, Indonesia, and the United States.

Anna Gabriele McCord explores the function and limitations of PWPs and outlines major program choice and design issues. She draws lessons from the international context and challenges the assumptions underlying these policy preferences, thus opening the way for more informed and appropriate policy selection. The book makes a case for reconsidering the function of PWPs in the current social protection discourse and argues that the current approach may not look so attractive from the beneficiary perspective.