Qummut Qukiria! celebrates art and culture within and beyond traditional Inuit and Sami homelands in the Circumpolar Arctic -- from the continuance of longstanding practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating book, curators, scholars, artists, and activists from Inuit Nunangat, Kalaallit Nunaat, Sapmi, Canada, and Scandinavia address topics as diverse as Sami rematriation and the revival of the ladjogahpir (a Sami woman's headgear), the experience of bringing Inuit stone carving to a workshop for inner-city youth, and the decolonizing potential of Traditional Knowledge and its role in contemporary design and beyond. Qummut Qukiria! showcases the thriving art and culture of the Indigenous Circumpolar peoples in the present and demonstrates its importance for the revitalization of language, social wellbeing, and cultural identity.

Two generations of Inuit artists challenging the parameters of tradition.Kenojuak Ashevak shot to fame in 1970 when Canada Post printed The Enchanted Owl,a print of a black-and-red plumed nocturnal bird, on a postage stamp. She later became known as the magic-marker-wielding "grandmother of Inuit art," famous for her fluid graphic storytelling and her stunning depictions of wildlife. She was a defining figure in Inuit art and one of the first Indigenous artists to be embraced as a contemporary Canadian artist.Ashevak's legacy inspired her nephew, Timootee (Tim) Pitsiulak, to take up drawing at the Kinngait Studios. In his relatively short career, he became a popular figure, known for drawing animal figures with a hunter's precision and capturing the technological presence of the South in Nunavut.Tunirrusiangit, "their gifts" or "what they gave" in Inuktitut, celebrates the achievements of two remarkable artists who challenged the parameters of tradition while consistently articulating a compelling vision of the Inuit world view. Published to coincide with a major exhibition at the Art Gallery of Ontario, opening on 16 June and continuing until late August, Tunirrusiangit features more than 60 reproductions of paintings, drawings, and documentary photographs. Completing the book are essays by contemporary artists and curators Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik, Koomuatuk Curley, Laakkuluk Williamson Bathory, and Taqralik Partridge that address both the past and future of Inuit identity.

The emphasis of counter-terrorism policy in the United States since Al Qaeda's attacks of September 11, 2001 (9/11) has been on jihadist terrorism. However, in the last decade, domestic terrorists, people who commit crimes within the homeland and draw inspiration from U.S.-based extremist ideologies and movements, have killed American citizens and damaged property across the country. In this respect, domestic terrorists are a widely divergent lot, drawing from a broad array of philosophies and world-views. These individuals can be motivated to commit crimes in the name of ideas such as animal rights, white supremacy, and opposition to abortion. The expression of these world-views, as opposed to violence in support of them, involves constitutionally protected activities. This book provides background regarding domestic terrorists, detailing what constitutes the domestic terrorism threat as suggested by publicly available U.S. government sources and potential issues for Congress.